New York City: 12 December, 1980

This article compares two documentary treatments of the Central Park vigil for John Lennon in 1980: Happy Birthday to John (Jonas Mekas, 1995, 16mm, 18 min.), and Dix minutes de silence pour John Lennon/Ten Minutes Silence for John Lennon (Raymond Depardon, 1980, 16mm, 10 min.). Mekas and Depardon might seem an improbable combination but as the article demonstrates there are affinities, if not direct points of convergence, in outlook and documentary method: both sensibilities have been shaped by migrant experiences, and much of their work, for all its formal and structural differences, is preoccupied with experiences of exile and displacement, rootedness and the meaning of home, the country and the city (and in Mekas’s case, the country in the city). Mekas and Depardon are also Europeans who have developed an intimate social and artistic relationship with New York City; both are concerned with the place of autobiography in their work, using captions, inter-titles, diary entries, photographs, and 1st person commentary to complicate relations between the imaginary and the documentary. In addition to discussing the significance of these preoccupations, and differences in the manner in which both filmmakers witness the apotheosis of Lennon as cultural martyr (and natural New Yorker), the article also examines the phenomenon of public mourning, and how it often displaces its ostensible subject: associatively, in the case of Mekas; incidentally, in the case of Depardon; and intentionally, in the case of the mass media, and popular culture.

Media rituals in Eusébio’s exequies

While celebrating collective representation, the media can be seen as spaces of ritualization that are fundamental to the consolidation of wider social values. In this paper we give an empirical frame to the concept of “media rituals” considering it as an entrenched symbolic practice that could be traceable in Eusébio’s exequies television broadcasting. Three sorts of media rituals are identified: rituals dealing with immediacy, rituals dealing with collective prominence and rituals dealing with the revelation of reality. Each media ritual exemplifies how a space of comprehensive ritualization is erected. It is through this generalized and mediated ritualization that the idea of a major social occurrence is refreshed and worked through.

Media rituals in Eusébio’s exequies

While celebrating collective representation, the media can be seen as spaces of ritualization that are fundamental to the consolidation of wider social values. In this paper we give an empirical frame to the concept of “media rituals” considering it as an entrenched symbolic practice that could be traceable in Eusébio’s exequies television broadcasting. Three sorts of media rituals are identified: rituals dealing with immediacy, rituals dealing with collective prominence and rituals dealing with the revelation of reality. Each media ritual exemplifies how a space of comprehensive ritualization is erected. It is through this generalized and mediated ritualization that the idea of a major social occurrence is refreshed and worked through.

Mourning and commemoration in Australia : the case of Sir W. T. Bridges and the unknown Australian soldier

The bodies of only two of 60,000 Australians who died in the Great War have been repatriated. The first - Sir W. l Bridges - is known; the other is unknown: the body of an unknown Australian soldier was returned in 1993 and entombed in the Australian War Memorial. The return of each offers insight into the ways in which the experience of death in the Great War was changing modes of grief and commemoration. While Bridges' return allowed public expression of private grief under new and terrible circumstances, an evolving culture of commemoration in the Great War made the public celebration of the one, known, man largely incompatible with the private grief of thousands.

Letters from a mourning city (Naples. Autumn, 1884)

"First appeared in the Stockholm Dagblad."

The mourning dove in Alabama /

Includes bibliographical references (p. 34-35).

Gukuka enkaku ryakkō. Short history of the customs of mourning in Japan.

Mode of access: Internet.

Rings for the finger : from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archaeology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc. /

Facsimile of 4-page handwritten letter to the author signed by Admiral Robert E. Peary bound in.

Illustrations of the site and neighbourhood of the new post office, comprehending antiquarian notices of St. Martin's-le-Grand, and its liberty, and the adjoining parishes of St. Anne, St. Agnes, and St. John, Zachary, with an appendix, containing an account of the antient Mourning Bush Tavern, & c. Aldersgate. And various London taverns, its contemporaries.

Mode of access: Internet.

The mourning bride; a tragedy.

Mode of access: Internet.

The Lyon in mourning; or, A collection of speeches, letters, journals, etc. relative to the affairs of Prince Charles Edward Stuart,

Mode of access: Internet.

The mourning ring ...

Master microform held by: Readex.

The period of mourning. Disposed into sixe visions. In memorie of the late prince. Together with nuptiall hymnes, in honour of this happy marriage betweene .. Frederick, Count Palatine of the Rhene, and ... Elizabeth onely daughter to our soueraigne, his maiestie. Also thr manner of the solemnization of the marriage at White-Hall ...

Mode of access: Internet.