A collection of proberbs, and proverbial phrases, in the Persian and Hindoostanee languages.

Edited by H. H. Wilson. cf. Introd.

Detection of Raga-characteristic phrases from Hindustani Classical Music Audio

Melodic motifs form essential building blocks in Indian Classical music. The motifs, or key phrases, providestrong cues to the identity of the underlying raga in both Hindustani and Carnatic styles of Indian music. Automatic identification and clustering of similar motifs is relevant in this context. The inherent variations in various instances of a characteristic phrase in a bandish (composition)performance make it challenging to identify similar phrases in a performance. A nyas svara (long note)marks the ending of these phrases. The proposed method does segmentation of phrases through identification ofnyas and computes similarity with the reference characteristic phrase.

[Archives de la Parole]. , [Salona Re Balam Mora] : Jman Kalgan [i.e. Aiman Kalyan] (Hindustani Song) / William Sinkler Darby, collecteur ; Jazal Hossein Khan [i.e. Fazal Hussain Khan], chant ; accompagnement instrumental (harmonium indien, tablâ)

[Traditions. Asie. Inde]

[Archives de la Parole]. , Hackani (Hindustani Song) / William Sinkler Darby, collecteur ; [Miss] Hingan Bai, chant ; accompagnement instrumental (harmonium indien, tabla et flûte)

[Traditions. Asie. Inde]

[Archives de la Parole]. , Gour sarang (Hindustani Song) [sic] / William Sinkler Darby, collecteur ; Neekunjo Bebary Dutt [i.e. Babu Nikunja Behari Dutt], chant ; accompagnement instrumental (tabla, flûte et harmonium indien)

[Traditions. Asie. Inde]

[Archives de la Parole]. , Jhijit khambag (Hindustani Song) / William Sinkler Darby, collecteur ; Dijendra Nath Bagchi [i.e. Babu Dejendra Nath Bagchi], chant ; accompagnement instrumental (tablâ, flûte et harmonium indien)

[Traditions. Asie. Inde]

[Archives de la Parole]. , Bhairobi (Hindustani Song) / William Sinkler Darby, collecteur ; Abdool Gafoor [i.e. Ustad Abdul Gafur], chant ; accompagnement instrumental (tabla, flûte et harmonium?)

[Traditions. Asie. Inde]

[Archives de la Parole]. , Multan [i.e. Multani] (Hindustani Song) / William Sinkler Darby, collecteur ; Munah Khan [i.e. Munne Khan Kadar], chant ; accompagnement instrumental (harmonium indien, tablâ)

[Traditions. Asie. Inde]

Encyclopaedia of quotations: a treasury of wisdom, wit and humor, odd comparisons and proverbs

UANL

THE SOCIETY AS REFLECTED IN HINDI Er KONKANI PROVERBS

Hindi

Emotional responses to Hindustani raga music: the role of musical structure

In Indian classical music, ragas constitute specific combinations of tonic intervals potentially capable of evoking distinct emotions. A raga composition is typically presented in two modes, namely, alaap and gat. Alaap is the note by note delineation of a raga bound by a slow tempo, but not bound by a rhythmic cycle. Gat on the other hand is rendered at a faster tempo and follows a rhythmic cycle. Our primary objective was to (1) discriminate the emotions experienced across alaap and gat of ragas, (2) investigate the association of tonic intervals, tempo and rhythmic regularity with emotional response. 122 participants rated their experienced emotion across alaap and gat of 12 ragas. Analysis of the emotional responses revealed that (1) ragas elicit distinct emotions across the two presentation modes, and (2) specific tonic intervals are robust predictors of emotional response. Specifically, our results showed that the ‘minor second’ is a direct predictor of negative valence. (3) Tonality determines the emotion experienced for a raga where as rhythmic regularity and tempo modulate levels of arousal. Our findings provide new insights into the emotional response to Indian ragas and the impact of tempo, rhythmic regularity and tonality on it.

Women in Wisdom Tradition: Review of Carol Fontaine, Smooth Words: Women, Proverbs and Performance in Biblical Wisdom

Smooth Words is a well-researched and entertaining, if somewhat uneven, book on women in the Wisdom tradition in ancient Israel. Fontaine, a faculty member at a small Protestant seminary in Newton, MA, writes with her students constantly in mind, her interactions with them informing her scholarship throughout the book. She is also in dialogue with other scholars in the fields of Wisdom literature and feminist scholarship, a dialogue that gives the book academic rigor and depth.