O projeto arte na praça e suas práticas pedagógicas inovadoras

O presente trabalho apresenta uma investigação sobre o Projeto Arte na Praça, desenvolvido no município de Guaraciaba do Norte, Ceará, Brasil, e descreve suas dimensões inovadoras que convergem para a produção de um sujeito educativo autônomo, criativo e proativo. Visou ainda, compreender as repercussões do projeto, no desenvolvimento cognitivo dos educandos, numa perspectiva da aprendizagem formal. A metodologia utilizada fundamentou-se na abordagem qualitativa, de natureza etnográfica. Utilizamos como instrumentos de coleta de dados a observação participante, o diário de campo e as entrevistas semi-estruturadas. Os sujeitos foram alunos e professores do Projeto e das escolas onde estudam alunos do Projeto. Numa primeira etapa abordamos as concepções de sociedade, arte, inovação pedagógica, educação, educação formal e não-formal, entre outras. A pesquisa revelou que o Projeto Arte na Praça desenvolve práticas pedagógicas inovadoras, que permitem estimular a formação da autonomia dos sujeitos participantes; privilegiar a criatividade; desenvolver práticas pedagógicas centradas no aluno; valorizar aspectos individuais, em sintonia com o desenvolvimento do grupo; promover o diálogo e a liberdade de expressão, em decorrência da educação pela arte. Concluímos que as metodologias inovadoras deste Projeto geram autoestima nos sujeitos participantes; proporcionam cidadania e senso de responsabilidade; melhoram o desempenho escolar; preocupam-se com a formação integral do indivíduo e desenvolvem a concentração, o espírito de participação e de liderança nos educandos. Dessa forma, a pesquisa mostrou a existência de impactos positivos do Projeto Arte na Praça ao nível da formação dos educandos onde o diálogo entre arte e educação se realiza.

A dança no projeto "Arte, educação e cidadania" : um relato de experiencia

Universidade Estadual de Campinas . Faculdade de Educação Física

Projeto Saúde na Praça: uma experiência de promoção da saúde em Araraquara-SP

Introduction: Considering the benefi ts of a regular physical activity already indicated on literature and, on the other hand, the high prevalence of physical inactivity, the negative impact of this behavior to the population’s health and also to the public safe, Araraquara city hall (SP) creates the project Health in the Square off ering Lian Gong practice to elderly people since 2001. Objective and Methodology: This experience report describes such project and how it is monitored by city hall through some indicators of physical assessment that was obtained whit the participants in 2007 (General Gymnastics mode). Results: During nine years, this project evolved exponentially because included three physical activity types (General Gymnastics, Hidrogymnastics and Tai-chi-chuan) in 55 city’s spots, mostly public squares, and it benefi ciates about 1.300 adults. The Project has achieved good results in provides health of participants, what justify continuation and expansion of the project in this city.

A magia do cinema na praça:apropriação do espaço e sociabilidade em Salvador-BA

It s in the city spaces, molded from the uses and daily appropriations, that life is woven, as a product of the social relationships from the accumulation of history along with the present day fabric. Within this relationship, the old and the new are elements which make up this tapestry, as a result of the contribution of successive generations. The public square is seen as an example of this relationship, since it consists of a fertile space for opportunities of urban life coexistence. It is within the trace of these considerations that the present study emerges regarding the appropriation and sociability of the Tomé de Sousa Square, located in the city of Salvador, BA, having as its main focus the special relation between the cinema and the public square, as it relates to the space of the exhibition of cinematographic art. The showing of films in public squares makes possible a distinctive means of appropriation which has occurred ever since the beginning of the cinema. Today in Brazil, projects of this nature abound, which aim at presenting the seventh art to a great portion of the population which doesn t have access to conventional movie theater projection rooms. This particular Projeto Cinema na Praça Cinema in the Square Project carried out in Salvador, has become the empirical reference point for such work. This journey reveals the fascination that this great art has woven through time, attracting and charming multitudes. The cinema touches people in a special way, stirring up affectionate feelings, which are reflected in multiple social practices. Regarding this work, what stands out above all are the projections in the squares, initiatives which make it possible for the films to be watched collectively. What was taken into account in order to carry out this work were the reports of those who came regularly to watch the cinema in the Square sessions, those involved with the cinema projects team, and the film makers. To do the work, besides a bibliographical revision, observations were made of participants in the Tomé de Sousa Square, taken from semi-structured interviews with people involved with the film projection projects and those who came regularly to the cinema in the Square sessions. Also investigations were made in newspapers, printed magazines and the internet, from document and iconographic sources. The photographic documentation proved to be an important contribution to the field work. The research therefore develops from the understanding that the social practices are what make possible the uses of and the appropriation of the spaces. Within this perspective the public square emerges as a privileged locus where possibilities flourish for multiple manifestations that social practices can generate

Vitalidade no centro antigo Teresina, Piauí Praça Marechal Deodoro: uma intervenção contemporânea em área de valor patrimonial

This study deals with the discussions of contemporary interventions in public spaces in areas of heritage value. The product of this dissertation is an Intervention Project to Marechal Deodoro Square located in Teresina/PI center. The starting point for understanding the theme of this study is to investigate the accessibility and vitality of a public space - through relationship between form and uses. The spatial properties of accessibility and visibility as well as the distribution of land use - factors were associated with distinct patterns of vitality - and compared to usage patterns observed in situ and statements from users obtained through the results of the questionnaires. In attention to questions about the building constructed, particularly in historical centers, considers the guidelines to define intervention strategies in the square, consisted in the development of simulations that after evaluation of results of redesign, was chosen the best option to meet the necessary requirements to the performance, considering the spatial properties of integration and visibility that meet these requirements. Therefore, the "Intervention Project" carried out for the Marechal Deodoro Square characterization proposed items are discussed: spatial structure, vegetation, road network, pavements, street furniture and lighting

Vitalidade no centro antigo Teresina, Piauí Praça Marechal Deodoro: uma intervenção contemporânea em área de valor patrimonial

This study deals with the discussions of contemporary interventions in public spaces in areas of heritage value. The product of this dissertation is an Intervention Project to Marechal Deodoro Square located in Teresina/PI center. The starting point for understanding the theme of this study is to investigate the accessibility and vitality of a public space - through relationship between form and uses. The spatial properties of accessibility and visibility as well as the distribution of land use - factors were associated with distinct patterns of vitality - and compared to usage patterns observed in situ and statements from users obtained through the results of the questionnaires. In attention to questions about the building constructed, particularly in historical centers, considers the guidelines to define intervention strategies in the square, consisted in the development of simulations that after evaluation of results of redesign, was chosen the best option to meet the necessary requirements to the performance, considering the spatial properties of integration and visibility that meet these requirements. Therefore, the "Intervention Project" carried out for the Marechal Deodoro Square characterization proposed items are discussed: spatial structure, vegetation, road network, pavements, street furniture and lighting

Vitalidade no centro antigo Teresina, Piauí Praça Marechal Deodoro: uma intervenção contemporânea em área de valor patrimonial

This study deals with the discussions of contemporary interventions in public spaces in areas of heritage value. The product of this dissertation is an Intervention Project to Marechal Deodoro Square located in Teresina/PI center. The starting point for understanding the theme of this study is to investigate the accessibility and vitality of a public space - through relationship between form and uses. The spatial properties of accessibility and visibility as well as the distribution of land use - factors were associated with distinct patterns of vitality - and compared to usage patterns observed in situ and statements from users obtained through the results of the questionnaires. In attention to questions about the building constructed, particularly in historical centers, considers the guidelines to define intervention strategies in the square, consisted in the development of simulations that after evaluation of results of redesign, was chosen the best option to meet the necessary requirements to the performance, considering the spatial properties of integration and visibility that meet these requirements. Therefore, the "Intervention Project" carried out for the Marechal Deodoro Square characterization proposed items are discussed: spatial structure, vegetation, road network, pavements, street furniture and lighting

A dimensão sociocultural da reforma psiquiátrica: articulando redes para a consolidação da estratégia de atenção psicossocial

This thesis aims to discuss on articulations that have been produced on the socio-cultural field in the Psychiatric Reform process and its pertinence to the streghtening of Psychosocial Care Strategy (EAPS) in Fortaleza/CE. Such interest has been justified by the need to promote not only the production of these networks, but also interfaces to enable strategies of support and sociability from the perspective of deinstitutionalization of madness. We were inspired by the cartography perspective of Deleuze e Guattari, and determined as objectives: 1) to discuss the complexity of Psychiatric Reform process and analyze the EAPS as a model for the current Mental Health policy in the country; 2) to map socio-cultural strategies connected to the CAPS network in the city, investigating experiences that already exist or may be constituted as everyday social support networks; 3) from that mapping to start, define and discuss some aspects that converge to the accomplishment for this new mental health paradigm, drawing a cartography of the issues and movements in progress. The mapping was carried out in 2009 and consisted of semi-structured interviews with the coordinators of the 14 existent CAPS and with some people connected to the Coordination of Mental Health. Besides, during the whole development of the study, we have taken part in public events that brought us clues on the connection between mental health and culture. From the survey produced, we defined three vectors for discussion (Art, Labour and Partnership with Social Movements) which have been highlighted as effective possibilities of intervention in the socio-cultural field of Psychiatric Reform in Fortaleza and reveal important paths on the fulfillment process of a new pattern of care. For each of these axes, we chose a field of empirical research (Projeto Arte e Saúde, COOPCAPS e MSMCBJ) in which we could better understand their strengths and difficulties, starting from open interviews with some of their actors and the production of a diary of sensations in 2010. We have seen that they are articulated with the proposal of EAPS, being part of the concerns to the National Mental Health Policy and also the municipal administration. However, we have noticed to be necessary to promote those dimensions further, focusing on its complexity at the macro and micro policies, with the purpose of leading the Psychiatric Reform process

Mondrian e o percurso de uma poética

This dissertation titled Mondrian “The Way of Poetry” was developed during the period of the first half of 1991 to the first half of 1993 in the Graduate course “ Projeto, Arte e Sociedade “, in the Visual Poetics area of concentration.This paper proposed the approach of determinism versus creative activity in the course of the work of Mondrian which conventionalized the term “The Way of Poetry.”

A arte/expressão plástica numa inter-relação com a matemática/geometria: Um projeto no jardim de infância

Dissertação apresentada à Escola Superior de Educação de Lisboa para obtenção de grau de mestre em Educação Artística, na Especialização de Artes Plásticas na Educação

Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos

Trabalho de Projeto de Natureza Científica para obtenção do grau de Mestre em Engenharia Civil

O Museu Nacional de Arte Antiga, o edifício e a sua história: contributos para um projeto de comunicação

Este trabalho tem como objeto de estudo o Museu Nacional de Arte Antiga (MNAA) e o seu edifício, sob o ponto de vista da problemática da comunicação centrada na história do imóvel e da sua relação com a instituição museal. Surge da constatação de que o MNAA, como a maioria dos nossos museus, não comunica suficientemente ao público a história do seu imóvel, que é edifício histórico. Seguindo uma metodologia orientada para a programação museológica, após uma caraterização do Museu, uma análise e diagnóstico à comunicação centrada no edifício e na sua história e uma investigação acerca desta, defini as linhas orientadoras de um projeto de comunicação para o edifício e envolvente, baseado num percurso interpretativo com as respetivas propostas de divulgação e atividades complementares. O trabalho é completado por um texto-síntese e uma cronologia, com os resultados da investigação à história do edifício do MNAA, em relação com a história institucional.

Turismo arqueológico: um projeto de valorização da arte rupestre no vale do Lima

Dissertação de mestrado em Património e Turismo Cultural

ProCura - a arte da vida: um projeto pela humanização na saúde

As modificações da medicina tornaram o conhecimento biomédico soberano, gerando a perda da relação médico-paciente, o que fomentou o movimento pela humanização. Na Universidade Federal do Paraná (UFPR), formou-se o projeto de extensão "ProCura - a arte da vida", a fim de implementar a humanização entre os alunos e em suas relações profissionais. Seus objetivos se baseiam nos pilares: relação estudante-paciente, relação estudante-estudante e formação teórico-reflexiva, e se subdividem nos grupos Cineclube, Clown e Contação de Histórias. De 2010 a 2012, 79 alunos participaram e atenderam 905 pacientes, 505 acompanhantes e 107 funcionários. Apesar de limitações de alcance no que concerne a atingir todos os alunos do Setor de Ciências da Saúde, o projeto pretende fomentar a discussão entre grupos e que seus ideais e atividades se espalhem e permeiem o meio acadêmico.

Considerações sobre o ator: uma introdução ao projeto nietzschiano da fisiologia da arte

Contemporâneo ao projeto da transvaloração de todos os valores, o esboço de uma "fisiologia da arte" adquire um papel central nos últimos escritos de Nietzsche. Trata-se de uma perspectiva que supõe uma superação tanto da "metafísica de artista" da fase inicial, quanto da crítica ao romantismo, da chamada segunda fase. Partindo da discussão a respeito da pertinência e do uso do termo fisiologia na obra de Nietzsche, este artigo pretende apresentar, nas suas linhas gerais, o alcance desse projeto para a discussão das relações entre arte e verdade, arte e ilusão. Ao final, procura-se apontar a importância dessa idéia de uma fisiologia da arte, a partir da referência à figura do ator.