The cradle of Pennsylvania,

An appeal to the colonial societies of Pennsylvania to urge the founding of a state park in memory of Johan Prinz, governor of New Sweden, 1643-1653, who established at Tinicum Island, the first permanent seat of government in Pennsylvania.

Metsäpirulainen : Liikemies Erik Johan Längman (1799-1863) talousjärjestelmän murroksessa

The Forest devil. Businessman Erik Johan Längman (1799 1863) in the transition of economic system In Finnish historiography, Erik Johan Längman (1799-1863) bears a bad reputation of his own level: a mean, profit-seeking businessman who did not care too much about methods in his operations. Although little known, Längman has been praised as one of the pioneers of modern industry in the Grand Duchy of Finland, which belonged to the Russian Empire. From the mid 1830s Längman owned iron mill and several sawmills around the country. The growing demand of the markets in the 1830s, especially in Great Britain, marked a strong stimulus to Finnish lumber industry. At the same time claims for stricter rule over the sawmill industry were raised by high officials. The momentum of the conflict, the Forest Act of 1851, brought an end to illegal overproduction. In this biography, particular emphasis is laid on the entrepreneurial behaviour of Längman, but also on the effect the entrepreneurs had on the Crown s policies. On the other hand, how did the limitations imposed by the Crown guide the actions of the sawmill owners? The solutions adopted by the sawmill owners and the manoeuvring of the government are in a constant dialogue in this study. The Finnish sawmill industry experienced a major change in its techniques and methods of acquiring timber during the 1830s. Längman particularly, with his acquisition organisation, was able to find and reach faraway forests with unexpected results. The official regulating system with its strict producing quotas couldn t follow the changes. When the battle against the sawmill industry really started on, in 1840, it didn t happen for the benefit of iron industry, as argued previously, but to save Crown forests from depletion. After the mid 1840s Längman and the leader of the Finnish nationalistic movement, J. V. Snellman questioned the rationality of the entire regulation system and in doing so they also posed a threat against the aristocratic power. The influential but now also badly provoked chairman of the economic division of senate, Lars Gabriel von Haartman, accused the sawmill-owners harder than ever and took the advantage of the reactionary spirit of imperial Russia to launch the state forest administration. Längman circumvented the conditions of privileges, felled Crown forests illegally and accusations were brought against him for destroying his competitors. The repeated conflicts spoke primarily about a superior business idea and organisational ability. Although Längman spent his last years mostly abroad he still had interests in Finnish timber business when the liberation of sawmill-industry was established, in 1861. Surprisingly, the antagonism around the Crown forests continued, probably even more heated.

VARIATION FORMS: A SURVEY THROUGH FOUR CENTURIES OF VIOLIN REPERTOIRE

Variation, or the re-working of existing musical material, has consistently attracted the attention of composers and performers throughout the history of Western music. In three recorded recitals at the University of Maryland School of Music, this dissertation project explores a diverse range of expressive possibilities for violin in seven types of variation form in Austro-German works for violin from the 17th through the 20th centuries. The first program, consisting of Baroque Period works, performed on period instrument, includes the divisions on “John come kiss me now” from The Division Violin by Thomas Baltzar (1631 – 1663), constant bass variations in Sonate Unarum Fidium by Johann Heinrich von Schmelzer (1623 – 1680), arbitrary variation in Sonata for Violin and Continuo in E Major, Op. 1, No. 12 “Roger” by George Friedrich Händel (1685 – 1759), and French Double style, melodic-outline variation in Partita for Unaccompanied Violin in B Minor by Johan Sebastian Bach (1685 – 1750). Theme and Variations, a popular Classical Period format, is represented by the Sonata for Piano and Violin in G Major K. 379 by Wolfgang Amadeus Mozart (1756 – 1791) and Sonata for Violin and Piano in A Major, Op. 47 No. 9 the “Kreutzer” by Ludwig van Beethoven (1770 – 1827). Fantasy for Piano and Violin in C Major D. 934 by Franz Schubert (1797 – 1828) represents the 19th century fantasia variation. In these pieces, the piano and violin parts are densely interwoven, having equal importance. Many 20th century composers incorporated diverse types of variations in their works and are represented in the third recital program comprising: serial variation in the Phantasy for Violin and Piano Op.47 of Arnold Schoenberg (1874 – 1951); a strict form of melodic-outline variation in Sonate für Violine allein, Op. 31, No. 2 of Paul Hindemith (1895 – 1963); ostinato variation in Johan Halvorsen’s (1864 – 1935) Passacaglia for Violin and Viola, after G. F. Handel’s Passacaglia from the Harpsichord Suite No. 7 in G Minor. Pianist Audrey Andrist, harpsichordist Sooyoung Jung, and violist Dong-Wook Kim assisted in these performances.

Cinema Lucida: Johan van der Keuken and the Meaning of Loss

Ever sceptical about the positivistic claims of ethnographic and so-called realist documentary, Johan van der Keuken’s film-making is the work of a curious, spontaneous and disorientated observer of the essential strangeness of both the foreign and the familiar, new landscapes and cities, experiences, and people. While there are various explicitly political and socially orientated films and themes across his work, it is those films and moments when what is being conveyed is a sense of him being somewhere liminal, being ‘in-between’ situations, cultures, styles and interpretations, reticent, uncertain but incorrigibly curious that constitute his most valuable contribution to documentary film aesthetics. Not surprisingly, such characteristics often come to the fore in those films where he tries to make sense of loss, the passing of lives and the legacies left behind. This article discusses questions of history and personal loss in a number of his films.

Recueil de copies et de pièces originales, manuscrites et imprimées, sur la Marine (listes d'officiers, revues, états, procès de discipline, ports de Marseille, Toulon, Dunkerque, Brest, Rochefort, etc., les Galères et les Colonies) de 1663 à 1754. II Années 1663-1699. — Lettres orig. notamment du chevalier de Valbelle, Messine 1676 (p. 191), de Me Agnès de Bonvoison, Toulon 1687 (p. 576 et 588), de M. de la Planche, Boulogne 1687 (p. 582), de M. d'Argenson, Paris 1699 (p. 1002 et 1014).

Contient : Réception d'ambassadeurs (1663-1686) ; Pièces sur l'Acadie et le Canada ; « Lettera scritta da Venetia da un partiale del popolo di Messina all' Eccellentiss. Senato de quella città ». Impr. S. l. n. d., in-8° de 14 pages ; « Arrest de la Cour du Parlement contre la nommée Jeanne Moyon, veuve Jean Lesur, et autres, accusées de prostitution publique. » Impr. Paris, P.-G. Simon, 1750, in-4° de 4 pages ; Extrait de la relation envoyée par M. de Terron du combat naval du 8 janvier 1776 ; Inscriptions de l'Arsenal de Brest, par Victorin Santeul et P. Corneille ; « Discorso sopra le due comete apparse l'anno corrente 1682 gl'ultimi giorni d'agosto... dedicate all' ill. et eccell. sig. Nicolo Doria, senatore della Republica de Genova... » Impr. Gênes, Antonio Casamara, s. d., in-4° de 8 pages ; « Coppie d'une lettre qu'un François écrit à un de ses amis, contenant ce qui s'est passé à Gênes pour célébrer la naissance de Mgr le duc de Bourgogne. » Impr. Marseille, P. Mesnier, 1682, in-4° de 12 pages ; Liste des vaisseaux danois armés à Copenhague en 1683 ; « Liste des officiers qui sont dans les forts Cataracoüy et Niagara. » ; Pièces sur Cayenne ; Pêche de la baleine ; Envoi de denrées en Irlande

ALBUM AMICORUM de Jean Durand (1583-1592). In-8 de 2 f. lim. et 380 p., mar. r., comp. de mos. de mar. v., riche dorure à petits fers, tr. dor. et ciselée. (Rel. du XVIe siècle.)

Durand (Jean). Album amicorum (1583-1592)

ALBUM AMICORUM de Jan Isaac Vanden Brugge, dit Pontanus (1592-1627). In-8, mar. br. jans. (Hans Asper.)

Vanden Brugge (Jan Isaac), dit Pontanus. Album amicorum (1591-1627)

Mémoires et pièces concernant le Commerce et la Navigation. (1626-1663).

Contient : Rapport, par Nicolas LANGLOIS, de la mission dans les ports de Normandie, 1626-1627, qui lui avait été confiée en vertu de lettres patentes du 29 novembre 1626 ; Sur la création des directeurs de la navigation et commerce de France ; Actes de Louis XIII, concernant le commerce et la navigation, 1627 (f. 29), et 1626 (f. 33) ; « L'utilité de la navigation et commerce qu'on veut ériger en France » ; Traité ou projet de traité entre Louis XIV et Frédéric III, roi de Danemark, en 23 articles ; « Traité de commerce entre la France et le Dannemarck, fait en l'an 1663 », en 45 articles (f. 58), — comprenant un « Roolle ou tariffe du péage de la mer d'Oresunde, qui a esté réglé pour les marchands françois au mois d'aoust 1645 » [cf. ms. français 18592, f. 595] (f. 80)