The Mind of primitive man : a course of lectures delivered before the Lowell Institute, Boston, Mass., and the National University of Mexico, 1910-1911 /

Partly reprinted from various sources.

Primitive society : the beginnings of the family & the reckoning of descent /

Includes index.

The origin of civilisation and the primitive condition of man. Mental and social condition of savages.

Mode of access: Internet.

Agostinho da Silva: a "vida conversável" como fundamento da educação

Tese de Doutoramento em Ciências da Educação (área de especialização em Filosofia da Educação).

The evolution of morality.

Mode of access: Internet.

The natural man, as inferred mainly from field studies of men and chimpanzees.

Includes bibliographies.

Social institutions,

"This present study, while it started out to be a revision [of Social institutions, 1929] is essentially a new presentation."--Pref.

Habitat, economy and society; a geographical introduction to ethnology.

Mode of access: Internet.

Ancient society : or researches in the lines of human progress from savagery through barbarism to civilization /

Includes index and bibliographic notes.

Ancient law: its connection with the early history of society and its relation to modern ideas.

"... April, 1892. Mr. Murray's list of new publications": 28 p. at end.

The patriarchal theory; based on the papers of the late John Ferguson McLennan.

Mode of access: Internet.

Ancient law, its connection with the early history of society and its relation to modern ideas,

Mode of access: Internet.

Curiosities of savage life.

Vol. 2 is 1st ed.

The genomes of two key bumblebee species with primitive eusocial organization

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Can Developing Women Create Primitive Art? and Other Questions of Value, Meaning and Identity in the Circulation of Janakpur Art

In this article, I examine the values and meanings that adhere to objects made by Maithil women at a development project in Janakpur, Nepal – objects collectors have called ‘Janakpur Art’. I seek to explain how and why changes in pictorial content in Janakpur Art – shifts that took place over a period of five or six years in the 1990s – occurred, and what such a change might indicate about the link between Maithil women’s lives, development, and tourism. As I will demonstrate, part of the appeal for consumers of Janakpur Art has been that it is produced at a ‘women’s development project’ seeking to empower its participants. And yet, the project’s very successes threaten to displace the producers (and what they produce) from their perceived qualities/identities as ‘traditional’ and ‘primitive,’ thereby bringing into question the authenticity of the ‘art’ they produce. The conundrum begs this question: can developing women produce primitive art?