Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick

Garfield produces a critique of neo-minimalist art practice by demonstrating how the artist Melanie Jackson’s Some things you are not allowed to send around the world (2003 and 2006) and the experimental film-maker Vivienne Dick’s Liberty’s booty (1980) – neither of which can be said to be about feeling ‘at home’ in the world, be it as a resident or as a nomad – examine global humanity through multi-positionality, excess and contingency, and thereby begin to articulate a new cosmopolitan relationship with the local – or, rather, with many different localities – in one and the same maximalist sweep of the work. ‘Maximalism’ in Garfield’s coinage signifies an excessive overloading (through editing, collage, and the sheer density of the range of the material) that enables the viewer to insert themselves into the narrative of the work. In the art of both Jackson and Dick Garfield detects a refusal to know or to judge the world; instead, there is an attempt to incorporate the complexities of its full range into the singular vision of the work, challenging the viewer to identify what is at stake.

Positionality and Comparisons: Critical Views on Qualitative Research across Asia

Ce cahier est basé sur la réflexion autobiographique de deux chercheuses ayant effectué des recherches qualitatives et ethnographiques, de 2008 à 2014, en Asie centrale et du Sud-­‐Est. Les expériences sur le terrain constituent des moyens de comparaisons dans le présent document. En mettant l’accent sur le positionnement sur le terrain, l’étude montre que, d’abord, il est essentiel de détenir une poste intermédiaire et de parler une langue locale afin de garantir un accès et de mener des activités de recherche sur le terrain. Deuxièmement, différentes régions prédéterminent des contextes culturels et politiques ponctuels qui, à leur tour, façonneraient la recherche en sciences sociales. Troisièmement, le fait d’être une femme présente à la fois des avantages et des inconvénients. Enfin, en termes de méthodologie, les stages et les entrevues se sont avérés des méthodes fiables pour la collecte des données empiriques sur les régions ci-­‐dessus mentionnées, sans pour autant permettre de bâtir la confiance.

Positionality and Comparisons: Critical Views on Qualitative Research across Asia

Ce cahier est basé sur la réflexion autobiographique de deux chercheuses ayant effectué des recherches qualitatives et ethnographiques, de 2008 à 2014, en Asie centrale et du Sud-­‐Est. Les expériences sur le terrain constituent des moyens de comparaisons dans le présent document. En mettant l’accent sur le positionnement sur le terrain, l’étude montre que, d’abord, il est essentiel de détenir une poste intermédiaire et de parler une langue locale afin de garantir un accès et de mener des activités de recherche sur le terrain. Deuxièmement, différentes régions prédéterminent des contextes culturels et politiques ponctuels qui, à leur tour, façonneraient la recherche en sciences sociales. Troisièmement, le fait d’être une femme présente à la fois des avantages et des inconvénients. Enfin, en termes de méthodologie, les stages et les entrevues se sont avérés des méthodes fiables pour la collecte des données empiriques sur les régions ci-­‐dessus mentionnées, sans pour autant permettre de bâtir la confiance.

Performing race, culture, and gender in an Indigenous Australian women's music and dance classroom

One perpetual concern among Indigenous Australian peoples is authenticity of voice. Who has the right to speak for, and to make representations about, the knowledges and cultures of Indigenous Australian peoples? Whose voice is more authentic, and what happens to these ways of knowing when they make the journey into mainstream Western academic classrooms? In this paper, I examine these questions within the politics of “doing” Indigenous Australian studies by focusing on my own experiences as a lecturer in the Aboriginal and Torres Strait Islander Studies Unit at the University of Queensland. My findings suggest that representation is a matter of problematizing positionality and, from a pedagogical standpoint, being aware of, and willing to address, the ways in which power, authority, and voice are performed and negotiated as teachers and learners of Indigenous Australian studies.

Espace urbain et identité : l’imaginaire de la ville comme symptôme de la crise identitaire dans l’oeuvre d’Orhan Pamuk

Istanbul est pour Pamuk ce que Paris est pour Baudelaire : une source inépuisable d’inspiration et de spleen. Or, si le poète est davantage conscient de ses états d’âme, le romancier turc le plus lu des deux côtés du Bosphore ne sait pas toujours que tout discours sur le monde extérieur est un discours sur lui-même. Dans un premier temps, il se complait dans l’hüzün, ce sentiment collectif et généralisé de mélancolie, apparemment intrinsèque à la ville et ses ruines, traces tangibles de la décadence d’un grand empire dont les héritiers peinent à se relever. Il n’en est pourtant rien, car, au fur à mesure que Pamuk suit les traces des écrivains et artistes étrangers de passage à Istanbul, il s’aperçoit que l’apparente mélancolie des ruines n’est qu’une strate parmi d’autres, c’est-à-dire glissante, malléable et fluide, tout dépend de l’emplacement et du point de vue de l’observateur, dans une ville palimpseste qui cache dans ses entrailles toutes les altérités. En suivant les traces de l’altérité, Pamuk découvre la nature hétérogène de sa ville et de lui-même et s’aperçoit que la mélancolie collective est fabriquée de toutes pièces par un certain récit socio-politique et une certaine classe sociale. En effet, c’est en traquant les reflets de son double que le romancier prend soudainement conscience du caractère fuyant de sa propre subjectivité, mais aussi de celui du monde et des autres. Si tel est le cas, l’espace urbain qui préoccupe et obsède Pamuk n’est qu’un reflet de son esprit et l’accès à la présence pleine s’avère une illusion. Comme si, l’inquiétante étrangeté de son inconscient, en lui dévoilant le côté insaisissable du monde et du soi, l’encourageait à remettre en cause un certain nombre d’opinions acquises, non seulement à l’intérieur de sa propre culture, mais aussi dans la culture de son double européen. Car si tout est fluide et malléable, il n’y a pas raison de ne pas tout questionner, incluant la tradition et la politique, cette dernière faisant de lui, « une personne bien plus politique, sérieuse et responsable que je ne le suis et ne souhaitais l’être ». Ainsi, Istanbul, souvenir d’une ville questionne le rapport entre la subjectivité et les strates hétérogènes d’Istanbul, pour aboutir à un constat déconstructiviste : tout n’est que bricolage et substitut du sens là où il brille par son absence. S’il brille par son absence, il en est de même loin d’Istanbul, dans une maison périphérique appelée La Maison du Silence à l’intérieur de laquelle les personnages soliloques et par moments muets, se questionnent sur le rapport entre la tradition et la modernité, le centre et la périphérie, l’Occident et l’Orient, sans oublier le caractère destructeur et éphémère du temps, mais aussi de l’espace. Et enfin, Le Musée de l’Innoncence, cette oeuvre magistrale où l’amour joue (en apparence seulement) le rôle principal, n’est en fait que l’étrange aboutissement de la quête obsessessive et narcissique du personnage principal vers un autre espace-temps, quelque part entre la réalité et la fiction, entre l’Est et l’Ouest, entre la tradition et la modernité, cet entre-deux qui campe indéniablement Pamuk parmi les meilleurs romanciers postmodernes de notre époque. Or, pour y parvenir, il faut au préalable un bouc-émissaire qui, dans le cas de Pamuk, représente presque toujours la figure du féminin.

Questions of Friendship and Degrees of Transnationality among Second-Generation Return Migrants to Barbados

While the academic literature has demonstrated the importance of social networks in relation to the process of migration, investigations have rarely examined in detail the personal-social adjustment issues that migrants and return migrants face. This study examines the context and types of friendship pattern that young return migrants from Britain cultivate in Barbados. The research centres on a wholly under-researched demographic groupyoung return migrants or second-generation Barbadians who have decided to return to the birthplace of their parents. The investigation is based on 51 in-depth interviews carried out with these young returnees to Barbados. Presenting a taxonomy of friendship types, it is argued that, for the 'Bajan-Brits' under study, the cultivation of new friendships is highly problematic. The research identifies what we refer to as the 'insular transnational', the 'we are different' and the 'all-inclusive transnational' friendship types among the young returnees. Our analysis also shows that problems of friendship are highly gendered, with females reporting the most problems due to what is perceived as sexual and workplace competition. It is stressed that these circumstances exemplify the essentially 'hybrid', 'liminal' and 'in-between' positionality of these second-generation migrants within contemporary Barbadian society.

Caring at a distance: Gift Theory, aid chains and social movements

This paper takes as its starting point recent work on caring for distant others which is one expression of renewed interest in moral geographies. It examines relationships in aid chains connecting donors/carers in the First World or North and recipients/cared for in the Third World or South. Assuming predominance of relationships between strangers and of universalism as a basis for moral motivation I draw upon Gift Theory in order to characterize two basic forms of gift relationship. The first is purely altruistic, the other fully reciprocal and obligatory within the framework of institutions, values and social forces within specific relationships of politics and power. This conception problematizes donor-recipient relationships in the context of two modernist models of aid chains-the Resource Transfer and the Beyond Aid Paradigms. In the first, donor domination means low levels of reciprocity despite rhetoric about partnership and participation. The second identifies potential for greater reciprocity on the basis of combination between social movements and non-governmental organizations at both national and trans-national levels, although at the risk of marginalizing competencies of states. Finally, I evaluate post-structural critiques which also problematize aid chain relationships. They do so both in terms of bases-such as universals and difference-upon which it might be constructed and the means-such as forms of positionality and mutuality-by which it might be achieved.

Literacy Research: Issues of Authority, Ownership, and Representation

With the “social turn” of language in the past decade within English studies, ethnographic and teacher research methods increasingly have acquired legitimacy as a means of studying student literacy. And with this legitimacy, graduate students specializing in literacy and composition studies increasingly are being encouraged to use ethnographic and teacher research methods to study student literacy within classrooms. Yet few of the narratives produced from these studies discuss the problems that frequently arise when participant observers enter the classroom. Recently, some researchers have begun to interrogate the extent to which ethnographic and teacher research methods are able to construct and disseminate knowledge in empowering ways (Anderson & Irvine, 1993; Bishop, 1993; Fine, 1994; Fleischer. 1994; McLaren, 1992). While ethnographic and teacher research methods have oftentimes been touted as being more democratic and nonhierarchical than quantitative methods—-which oftentimes erase individuals lived experiences with numbers and statistical formulas—-researchers are just beginning to probe the ways that ethnographic and teacher research models can also be silencing, unreflective, and oppressive. Those who have begun to question the ethics of conducting, writing about, and disseminating knowledge in education have coined the term “critical” research, a rather vague and loose term that proposes a position of reflexivity and self-critique for all research methods, not just ethnography or teacher research. Drawing upon theories of feminist consciousness-raising, liberatory praxis, and community-action research, theories of critical research aim to involve researchers and participants in a highly participatory framework for constructing knowledge, an inquiry that seeks to question, disrupt, or intervene in the conditions under study for some socially transformative end. While critical research methods are always contingent upon the context being studied, in general they are undergirded by principles of non-hierarchical relations, participatory collaboration, problem-posing, dialogic inquiry, and multiple and multi-voiced interpretations. In distinguishing between critical and traditional ethnographic processes, for instance, Peter McLaren says that critical ethnography asks questions such as “[u]nder what conditions and to what ends do we. as educational researchers, enter into relations of cooperation. mutuality, and reciprocity with those who we research?” (p. 78) and “what social effects do you want your evaluations and understandings to have?” (p. 83). In»the same vein, Michelle Fine suggests that critical researchers must move beyond notions of the etic/emic dichotomy of researcher positionality in order to “probe how we are in relation with the contexts we study and with our informants, understanding that we are all multiple in those relations” (p. 72). Researchers in composition and literacy stud¬ies who endorse critical research methods, then, aim to enact some sort of positive transformative change in keeping with the needs and interests of the participants with whom they work.

Governing international education in Australia

This paper uses the international education sector in Australia as a case study to argue against understanding globalization as an exogenous force. It introduces the notion of globalization as a governmentality and discusses alternative interpretations which take into account notions of subjectivity, positionality and space/time. The paper examines the types of global imaginaries used to govern international education. A discourse of cultural hybridity is mobilized to construct Australia as a safe multicultural study destination. The expressions of hybridity which are sanctioned within the international university are scripted by a neoliberal text, limiting the possibilities for more sophisticated intellectual engagements with the global.

Images of Africa and the resilience of ignorance

Images about Africa in the northern hemisphere are generally negative and pessimistic. In spite of instant global communication, why have these images persisted till date? This contribution shall revisit these perceptions and the images embodying them to unearth the motivations and rationale. The central argument, based on some narratives and experiences, is that ignorance feeds these images and stereotypes. Furthermore, positionality of non-African experts and some groups of African scholars and activists contribute to this culture of ignorance and paternalism. The contribution shall end with an ethical evaluation of the persistence of the images and the extent of moral responsibility of the authors and carriers of the racist stereotypes embedded in the images. (DIPF/Orig.)