Teatro e política na obra de Almeida Garrett: do setembrismo ao cabralismo (1838-1843)

Almeida Garrett engajou-se como liberal participando dos acontecimentos políticos de seu país. Após a Revolução de Setembro de 1836, Passos Manuel convida-o para estruturar o teatro português, tendo em vista que é considerado um meio de civilização. Garrett elabora um plano baseado em três pontos fundamentais: a construção de um edifício (futuro Teatro Nacional D. Maria II, inaugurado em 1846); uma escola voltada para formação artística e a criação de um repertório dramático nacional e moderno. Aprovado pela rainha D. Maria II em Decreto de 15 de novembro de 1836, nomeado Inspetor-Geral dos Teatros, para coordenar as atividades, põe em prática o projeto até ser demitido em julho de 1841. A proposta deste trabalho é analisar o teatro garrettiano, sob o ponto de vista político, do período de 1838 a 1843, por esta ser uma fase de intensa atividade do autor na tentativa de restaurar a cena portuguesa. Como corpus, temos: Um auto de Gil Vicente (1838); O alfageme de Santarém (1841); Frei Luís de Sousa (1843)

Casamento, vida privada e comicidade à luz das comédias de Plauto e Gil Vicente

O presente trabalho tem por objetivo o estudo crítico-teórico da comediografialatina pré-clássica e portuguesa humanista nas figuras de Plauto e Gil Vicente,considerando os aspectos relativos ao conceito de família, de casamento e de vidaprivada. Investigando as obras "" e "Comédia do Viúvo", realizamosAululariainicialmente um minucioso estudo da função e importância social destes conceitosnos contextos específicos da Roma Antiga, no período republicano, e de Portugal natransição da Idade Média para o Renascimento. Procedendo então a análises dasobras, à luz dos temas propostos, identificaremos como se expressam nodesenvolvimento temático no interior da encenação. A partir do conceito decomicidade e possíveis estratégias para sua obtenção fundamentadas em teóricoscomo Henri Bergson e Vladimir Propp, procuramos encontrar pontos deconvergência e divergência entre os tratamentos temáticos dos autores de modo aelucidar também a influência do modo de pensar social como elemento decisivo daexpressão literária. Tal estudo do elemento cômico será aprofundado tendo comoponto de partida trabalhos filosóficos e teóricos de Gilles Deleuze, Mikhail Bakhtin eFriedrich Nietzsche

As crônicas portuguesas de D. João da Câmara na Gazeta de Notícias (1901-1905)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Traços épico-brechtianos na dramaturgia portuguesa: O render dos heróis de Cardoso Pires e Felizmente há luar! de Sttau Monteiro

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Absurdo e censura na cena portuguesa: estudo do teatro de Prista Monteiro

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Theater 38.3 : Censorship and Performance

Censorship and Performance, edited by Tom Sellar, examines the politics of censorship, and continuing contests over the ‘right’ to claim theatrical and cultural stages for controversial forms of social and self representation, at the start of the twenty-first century. In bringing this collection together, Sellar has taken a broad-based approach to the concept of censorship in theatrical performance—and, indeed, to the concept of theatrical performance itself. Sellar and his contributors clearly accept that surveillance, suppression and restriction of specific forms of representation is a complex, culturally specific phenomenon. In this sense, Censorship and Performance addresses direct political control over content, as well as thornier arguments about media controversy, moral panic, and the politics of self-censorship amongst artists and arts organisations.

"Men at play : masculinities in Australian theater since the 1950s" -- By Jonathan Bollen, Adrian Kiernander and Bruce Parr

Adopting a thematic rather than chronological arrangement, this co-authored book surveys representations of men and masculinity in post-war Australian theater. Its searching and sophisticated analyses draw upon playscripts, critical records and archival material, including screen versions of stage productions. The study is organized around two distinct periods of Australian theater history: the 1950s to 1970, during which time a national theatremovement flourished, and the mid-1980s onward.Whilst some attention is given to different genres, discussion centers primarily on realist works from the mainstream. Several plays usually omitted from orthodox theater histories, such as Barry Pree’s A Fox in the Night (1959), are given detailed treatments.

Design democratisation and its understandings through the meaning of the word “design” in Portuguese colonised countries

This paper explores the literature and analyses the different uses and understandings of the word “design” in Portuguese colonised countries, using Brazil as the main example. It investigates the relationship between the linguistic existence of terms to define and describe “design” as an activity and field, and the roles and perceptions of Design by the general society. It also addresses the effects that the lack of a proper translation causes on the local community from a cultural point of view. The current perception of Design in Portuguese colonies is associated to two main aspects: linguistic and historical. Both of them differentiate the countries taken into consideration from other countries that have a different background. The changes associated to the meaning of “design” throughout the years, caused a great impact on the perceptions that people have about Design. On the other hand, the development of Design has also influenced the changes on the meaning of the term, as a result of the legacy from the colonisation period and also as a characteristic of the Portuguese language. Design has developed and reached a level of excellence in Portuguese colonised countries that competes with the most traditional Design cultures in the world. However, this level of Design is enmeshed into an elite belonging to universities and specialised markets, therefore Design is not democratised. The ultimate aim of this study is to promote discussions on how to make the discourse surrounding this area more accessible to people from non-English speaking countries that do not have the word “design” in their local language.

Association of IL23R and ERAP1 genes with ankylosing spondylitis in a Portuguese population

Objective: Association between ankylosing spondylitis (AS) and two genes, ERAP1 and IL23R, has recently been reported in North American and British populations. The population attributable risk fraction for ERAP1 in this study was 25%, and for IL23R, 9%. Confirmation of these findings to ERAP1 in other ethnic groups has not yet been demonstrated. We sought to test the association between single nucleotide polymorphisms (SNPs) in these genes and susceptibility to AS among a Portuguese population. We also investigated the role of these genes in clinical manifestations of AS, including age of symptom onset, the Bath Ankylosing Spondylitis Disease Activity, Metrology and Functional Indices, and the modified Stoke Ankylosing Spondylitis Spinal Score. Methods: The study was conducted on 358 AS cases and 285 ethnically matched Portuguese healthy controls. AS was defined according to the modified New York Criteria. Genotyping of IL23R and ERAP1 allelic variants was carried out with TaqMan allelic discrimination assays. Association analysis was performed using the Cochrane-Armitage and linear regression tests of genotypes as implemented in PLINK for dichotomous and quantitative variables respectively. A meta-analysis for Portuguese and previously published Spanish IL23R data was performed using the StatsDirect® Statistical tools, by fixed and random effects models. Results: A total of 14 nsSNPs markers (8 for IL23R, 5 for ERAPl, 1 for LN-PEP) were analysed. Three markers (2 for IL23R and 1 for ERAP1) showed significant single-locus disease associations, confirming that the association of these genes with AS in the Portuguese population. The strongest associated SNP in IL23R was rs1004819 (OR=1.4, p=0.0049), and in ERAP1 was rs30187 (OR=1.26, p=0.035). The population attributable risk fractions in the Portuguese population for these SNPs are 11% and 9.7% respectively. No association was seen with any SNP in LN-PEP, which flanks ERAP1 and was associated with AS in the British population. No association was seen with clinical manifestations of AS. Conclusions: These results show that IL23R and ERAP1 genes are also associated with susceptibility to AS in the Portuguese population, and that they contribute a significant proportion of the population risk for this disease.

Theater program for Meg's Diversion

Theater program: Meg's Diversion, date and cast of play, produced by Thespian Sociable.

Theater ticket

Ticket for benefit to aid the Home for Aged and Infirm Hebrews.

Copy of letter from Portuguese congregation, London, to K. K. S. I. regarding re-burial of dead

Digital image

Letter of trustees of Portuguese congregation, London, to K. K. S. I. regarding choosing a hazan for K. K. S. I.

Digital image

The impacts of leadership in the quality of municipal public services: case study of a portuguese municipal council

[EN]The present research work, based on some of the components of the Common Assessment Framework, sets to analyse the influence held by leadership in specific factors that constitute the organisational climate, and also the impact that these factors have on the quality of municipal public services. For the purposes of this study, we propose Likert’s exploitative autocratic and participative leadership styles to explain the genesis, structure and workflow. As far as the organisational climate is concerned, the variables used are motivation, satisfaction, empowerment, conflict and stress. The main conclusions that arose was that a participative leader confers higher relevance to the quality of service, through motivation, satisfaction, empowerment and human resources positive results, than an exploitative autocratic leader. Performed contributions are based on the empiric research hereby presented, and new research guidelines are proposed. The research methodology used was qualitative, based on the case study.

Teatro e identidade nacional: as representações das alteridades na obra dramática de José de Alencar

O século XIX, no Brasil, foi marcado por uma tentativa de construção de uma identidade nacional e cultural num país pós-independência. Neste panorama, José de Alencar destaca-se, entre outros papéis que exerceu, como significativo romancista e contribui para a formação de um sistema literário em nosso país. Porém, é na obra dramática alencariana que também podemos identificar uma proposta discursiva da possível identidade do homem no Brasil a partir de suas relações contraditórias e problemáticas com os "outros" aqui presentes: o português, o índio, o negro, e o francês representações estas capazes de dar ao homem uma ideia de pertencimento cultural, através de uma seleção do que deve ou não servir para representar sua identidade e a de seu povo