Theorizing the imaginary character in David Holman's the small poppies

For this project, I focus on David Holman's The Small Poppies (1989) as a case study to highlight the significance of the imaginary character in a stand-out Australian theatre-in education (TIE) play. The main premise of the article is to extend the study of imaginary characters and its association with young children, using a reflective inquiry that is based on an artist-in-school practitioner's viewpoint. Holman's play negotiates the competing forces between a child's positive notions about the imaginary companion and society's varied comprehension of such imaginings, which at times is unflattering. The story of Clint and his imaginary dog, Digger, in The Small Poppies emerges as a micro-socio-psychological phenomenon in the form of: (1) an invisible, known identity; (2) an emotional stabilizer; and (3) shared imaginings. In this study, the analysis pivots solely on the imaginary character at particular performative "turning points" (Bullock and Ritter 2011) within the play. The theorization of the imaginary character in The Small Poppies offers a new perspective for young people's relationships with imaginary characters from the field of Australian TIE.

The Van-Guard (poem)

A poem "written at the front in memory of comrades fallen in action while fighting with the First Battalion of the 5th Field Artillery". The final verse of the poem reads, "But the van-guard on before you, who you follow as is meet, They're the lads you left behind you With the poppies and the wheat!"

Report made to the Beet sugar society of Philadelphia, on the culture, in France, of the beet root, and manufacture of sugar therefrom; with miscellaneous remarks on the same, and on the culture of the poppy, and extraction of salad oil from the seed; for the purpose of introducing and permanently establishing these valuable branches of agriculture and manufacture in the United States.

Mode of access: Internet.