L'effritement du consentement au profit d'une meilleure justice distributive de la recherche biomédicale avec des sujets humains : une étude comparative en situation d'urgence

"Mémoire présenté à la Faculté des études supérieures en vue de l'obtention du grade de maîtrise en droit option Droit et Biotechnologies". Ce mémoire a été accepté à l'unanimité et classé parmi les 15% des mémoires de la discipline.

Le "jeu de la constance" et le plus "apparent vice de nostre nature" : constance et inconstance dans les Essais de Michel de Montaigne

Thèse de doctorat effectuée en cotutelle au Département de philosophie Faculté des arts et des sciences de l’Université de Montréal et au département de philosophie école doctorale V de l’Université de la Sorbonne – Paris IV. Soutenue à Paris le 8 avril 2010.

The prose works of William Wordsworth.

v. 1. Political and ethical.--v. 2. Aesthetical and literary.--v. 3. Critical and ethical.

Other Than a Citizen: Vernacular Poetics in Postwar America

Few symbols of 1950s-1960s America remain as central to our contemporary conception of Cold War culture as the iconic ranch-style suburban home. While the house took center stage in the Nixon/Khrushchev kitchen debates as a symbol of modern efficiency and capitalist values, its popularity depended largely upon its obvious appropriation of vernacular architecture from the 19th century, those California haciendas and Texas dogtrots that dotted the American west. Contractors like William Levitt modernized the historical common houses, hermetically sealing their porous construction, all while using the ranch-style roots of the dwelling to galvanize a myth of an indigenous American culture. At a moment of intense occupational bureaucracy, political uncertainty and atomized social life, the rancher gave a self-identifying white consumer base reason to believe they could master their own plot in the expansive frontier. Only one example of America’s mid-century love affair with commodified vernacular forms, the ranch-style home represents a broad effort on the part of corporate and governmental interest groups to transform the vernacular into a style that expresses a distinctly homogenous vision of American culture. “Other than a Citizen” begins with an anatomy of that transformation, and then turns to the work of four poets who sought to reclaim the vernacular from that process of standardization and use it to countermand the containment-era strategies of Cold War America.

In four chapters, I trace references to common speech and verbal expressivity in the poetry and poetic theory of Charles Olson, Robert Duncan, LeRoi Jones/Amiri Baraka and Gwendolyn Brooks, against the historical backdrop of the Free-Speech Movement and the rise of mass-culture. When poets frame nonliterary speech within the literary page, they encounter the inability of writing to capture the vital ephemerality of verbal expression. Rather than treat this limitation as an impediment, the writers in my study use the poem to dramatize the fugitivity of speech, emphasizing it as a disruptive counterpoint to the technologies of capture. Where critics such as Houston Baker interpret the vernacular strictly in terms of resistance, I take a cue from the poets and argue that the vernacular, rooted etymologically at the intersection of domestic security and enslaved margin, represents a gestalt form, capable at once of establishing centralized power and sparking minor protest. My argument also expands upon Michael North’s exploration of the influence of minstrelsy and regionalism on the development of modernist literary technique in The Dialect of Modernism. As he focuses on writers from the early 20th century, I account for the next generation, whose America was not a culturally inferior collection of immigrants but an imperial power, replete with economic, political and artistic dominance. Instead of settling for an essentially American idiom, the poets in my study saw in the vernacular not phonetic misspellings, slang terminology and fragmented syntax, but the potential to provoke and thereby frame a more ethical mode of social life, straining against the regimentation of citizenship.

My attention to the vernacular argues for an alignment among writers who have been segregated by the assumption that race and aesthetics are mutually exclusive categories. In reading these writers alongside one another, “Other than a Citizen” shows how the avant-garde concepts of projective poetics and composition by field develop out of an interest in black expressivity. Conversely, I trace black radicalism and its emphasis on sociality back to the communalism practiced at the experimental arts college in Black Mountain, North Carolina, where Olson and Duncan taught. In pressing for this connection, my work reveals the racial politics embedded within the speech-based aesthetics of the postwar era, while foregrounding the aesthetic dimension of militant protest.

Not unlike today, the popular rhetoric of the Cold War insists that to be a citizen involves defending one’s status as a rightful member of an exclusionary nation. To be other than a citizen, as the poets in my study make clear, begins with eschewing the false certainty that accompanies categorical nominalization. In promoting a model of mutually dependent participation, these poets lay the groundwork for an alternative model of civic belonging, where volition and reciprocity replace compliance and self-sufficiency. In reading their lines, we become all the more aware of the cracks that run the length of our load-bearing walls.

Something moves: a philosophical and ethical praise to the combat practicing as art and education

In this work we tried to produce a philosophic-ethic praise to the Martial Arts` combat practice, based in our years of Martial Arts training accompanied with studies of oriental and occidental Philosophy. Tracing a critical history of the changes happened to the Martial Arts we brought the concept of combat as a martial practice of life empowerment. Opposing this, we presented the notion of fight as a result of the capture that the war arts suffered because of the despotic empires. Besides, we demonstrated that the combat practice is simultaneously an artistic and educational activity, because it aims at the production of an immanence field witch is loyal to the event.

Le golf : un modèle opérationnel pour l’entreprise éthique

Depuis les années 1980, le besoin d’éthique progresse régulièrement. Néanmoins, l’intégration de l’éthique dans les entreprises ne va pas sans poser certains problèmes. Dans ce travail, notre hypothèse est qu’une activité dont l’existence même est conditionnée par le respect de certains principes éthiques fondamentaux, le golf, peut constituer un modèle opérationnel pour les entreprises soucieuses d’éthique (MOG). Les trois dimensions de ce modèle sont : l’éthique en relation avec la loi, l’éthique en relation avec l’environnement et l’éthique relative aux personnes, dimensions qui sont d’ailleurs d’ores et déjà présentes dans les documents éthiques de référence de certaines grandes entreprises françaises qui peuvent donc être considérées comme des précurseurs de ce modèle.

An Ethical Analysis of Neoliberal Capitalism: Alternative Perspectives from Development Ethics

Full Text / Article complet

Return and Volatility performance comparison of Ethical and Non-ethical publicly-listed financial services companies

Full Text / Article complet

Ethical guidelines for the delivery of health services by DHEW : report and recommendations /

Includes bibliographical references

The wisdom of Confucius ; a collection of the ethical sayings of Confucius and of his disciples /

Half-title: International pocket library

The complexity of legal and ethical experience : studies in the method of normative subjects /

Includes bibliography.

Ethical and legal considerations of patient care /

Mode of access: Internet.

Standards of ethical conduct for employees of the executive branch : final regulation issued by the U.S. Office of Government Ethics, codified in 5 C.F.R. part 2635 (1/1/02 edition), as amended at 67 FR 61761-61762 (Oct. 2, 2002).

Shipping list no.: 2003-0103-P

Ethical conduct in the Government; message .

Caption title.

The ethics of the Greek philosophers, Socrates, Plato and Aristotle. A lecture given before the Brooklyn ethical association, season of 1896 1897,

Several of the plates are preceded by a leaf with descriptive letterpress.