Martins Pena crítico-folhetinista: um espectador ideal do teatro lírico na corte

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Riso e teatralidade: uma poética do teatro de Martins Pena

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Folhetins teatrais e transferências culturais franco-brasileiras no século XIX: questões de uma edição da Semana Lírica de Martins Pena

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Spécimen typographique de l'Imprimerie royale

[Spécimens typographiques. fondeurs. France. Imprimerie royale. 1845]

Institucionalidad y política exterior del Ecuador a inicios de la República

La investigación que planteamos pretende visualizar, en un período histórico corto, los mecanismos utilizados por el Estado para lograr el reconocimiento político de la comunidad internacional, ya sea a través de la suscripción de Tratados Comerciales, al establecimiento de relaciones diplomáticas o la apertura de oficinas consulares, entre otros. Simultáneamente, la investigación se propone utilizar el manejo de la Política Exterior como uno de los vehículos para entender la organización del Estado. Los principales objetivos de esta investigación se encaminan primeramente a lograr un esquema claro de la configuración burocrática a inicios de la República, poniendo énfasis en lo que toca a la institucionalidad de las Relaciones Internacionales, para lo cual, recreamos de manera particular la composición burocrática del Ministerio del Interior y Relaciones Exteriores en su estructura interna y externa. En segundo lugar, esta investigación se propone definir las estrategias aplicadas por el Estado para lograr el reconocimiento internacional de su soberanía, así como para propiciar vínculos comerciales con diversas naciones.

Polizei-Geschichten

Boberach: Die acht Erzählungen unter Titeln wie "Armut und Verbrechen", "Polizeiliche Ehescheidung" und "Vom heimatlosen Vaterland" wenden sich gegen die Willkür von Polizei und Behörden im Vormärz

A history of the United States,

Contains bibliographies.

Bismarck; eine Biographie.

Vol. 2 has special t.-p. only, with imprint: Stuttgart, Berlin, Deutsche Verlags-Anstalt.

The Van Cortlandt family papers /

Includes bibliographical references and index.

A history of the United States,

Accompanied by "A history of the United States, by Edward Channing; supplementary volume, general index, compiled by Eva G. Moore." (v, 155 p. 23 cm.) Published: New York, Macmillan, 1932.

Mit livs begivenheder

bd. 1. 1790-1814.--bd. 2. 1815-1848.--bd. 3. Blokaden af Venedig, 1849.--bd. 4. Nyskabelsen af den østerrigske marine, 1850-1852.

Bismarck; eine Biographie, 1815-1851. [18., um den nachgelassenen Band "Bismarck und die deutsche Revolution, 1848-1951" erw. Aufl.]

Mode of access: Internet.

Le theatre et la societe francaise de 1815 a 1848.

Thesis (doctoral)--

Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany

Historically political song has often been perceived negatively, as a disturbance of the peace, summed up by the legendary line from Goethe’s Faust: “Politisches Lied – ein garstiges Lied”. In the period in Germany of the Vormärz (from 1815 up to the revolution of March 1848), however, we see how this perception may be changing as it increasingly becomes a means of self-expression in public life. This was the era of restauration, in which broader sections of German society are striving for political emancipation from the princes and kings. A whole host of political themes emerge in the songs (Freiheitslieder) of that period in which a new oppositional political consciousness is reflected. The themes range from freedom of speech, freedom from censorship, and the need for democratic and national self-determination to critiques of injustice and hunger, and parodies of political convention and opportunism. Sources of reception give indications about the social and political milieus in which these songs circulated. Such sources include broadsheets, handwritten manuscripts, song collections, commemoration events, advertisements in political press, memoires, police reports and general literature of the time. In many cases we see how these songs reflect the emerging social and political identities of those who sing them. One also sees the use of well known melodies in the popular dissemination of these songs. An intertextual function of music often becomes apparent in the practice of contrefacture whereby melodies with particular semantic associations are used to either underline the message or parody the subject of the song.