Sentinelas poéticas: os elefantes de Drummond, Alvim e Chacal

This article aims to analyze the intertextuality, the dimension of passion, the modal existence of the paternal subjects, enunciators of the poems "The Elephant" (1945), by Carlos Drummond de Andrade, "Elephant" (2000), by Francisco Alvim and "Sentinel" (2005), by Chacal.

The art of reading, or, Rules for the attainment of a just and correct enunciation of written language : mostly selected from Walker's Elements of elocution, and adapted to the use of schools.

Mode of access: Internet.

Lessons in enunciation; comprising a course of elementary exercises, and a statement of common errors in articulation, with rules of correct usage in pronouncing. To which is added an appendix.

Mode of access: Internet.

Russell's American elocutionist. The American elocutionist; comprising 'Lessons in enunciation,' 'Exercises in elocution,' and 'Rudiments of gesture' ...

Mode of access: Internet.

Lessons in enunciation; comprising a course of elementary exercises, and a statement of common errors in articulation, with the rules of correct usage in pronouncing. To which is added an appendix.

Mode of access: Internet.

Lessons in enunciation; comprising a course of elementary exercises, and a statement of common errors in articulation, with the rules of correct usage in pronouncing. To which is added an appendix.

Mode of access: Internet.

Lessons in enunciation, comprising a statement of common errors in articulation, and the rules of correct usage in pronouncing ...

Mode of access: Internet.

Lessons in enunciation : comprising a course of elementary exercises and a statement of common errors in articulation, with the rules of correct usage in pronouncing ; to which is added an appendix, containing rules and exercises on the mode of enunciation required for public reading and speaking /

Mode of access: Internet.

The law of Moses as a rule of national and individual life and the enigmatical enunciation of divine principles and purposes /

Includes index.

THE EXPRESSIVENESS ENUNCIATION OF THE ADJECTIVE IN TEXTUAL DISSERTATION-ARGUMENTATIVE GENRE

In this paper, are presented studies of the adjective and its enunciative expressivity in. According to the singular form that Callou and Serra (2003a, 2003b) describe the studies specifically stated on the adjective. This depends on the order which takes over the noun, may submit change of meaning in three ways: the first with the respect to the free position of the adjective with meaning change, the second with the mandatory position on the adjective, and, the third related to the free position of the adjective without a change of meaning. Demonstrating that not all cases can be checked diversity semantics and pragmatics of the adjective in the description. It is made a reflection about the use of enunciative expressions in the adjective use in discursive contexts in order to describe the assumptions of Sales (2006) on the influence of the genre in the order of the adjective to be relevant and, if applicable to this study.

LANGUAGE, ENUNCIATION AND SENSE PRODUCTION

The aim of this paper is to reflect on the functioning of sense production by the happening of enunciation. In order to do so, examples of the enumeration functioning were used. The analyses show how the production of senses does not necessarily happen by the production of unities, but constitute simultaneity, superposition and crossover phenomena; they also show that the enunciation happening, when producing sense, divides the sensible, on the basis of the political functioning of the enunciation process.

THE IMPLICATION OF PLAY AND FANTASY IN THE CONSTRUCTION OF THE MEANING OF CHILDREN’S ENUNCIATION

The aim of this paper is to contribute to the understanding of issues related to the meanings of children's enunciation, considering particularly the role of play and fantasy. To achieve this, we have based ourselves on theoretical and conceptual contributions from the Theory of Enunciative Operations in association with cognitive psychology, through its position towards the construction process of the enunciations and their meaning (CULIOLI, 1990; DE VOGÜÉ, FRANCKEL, PAILLARD, 2011) – and towards interactions characterized as routinized, integrated into the concept of format (BRUNER, 1983), still stressing the relationship between play, fantasy and language in early childhood (WINNICOTT, 1982). Throughout this study we presented the analysis of the speech of a male child, GUS, registered between 24 and 35 months of age, provided by published audiovisual data, recorded and transcribed through the CLAN system, that is part of NALíngua, a databank that is integrated to interdisciplinary research project coordinated by DEL RE (UNESP/FCLAr-CNPq). The analysis focuses on GUS interactions that are observed at the play with different car toys, a themed card game, also about cars, and the animated film's plot “Cars”(PIXAR, DISNEY, 2006), that are presented within a wide range of supports for the child to interact with, stimulating his verbal and nonverbal production. By examining its presence in the process of acquiring structural aspects of the language, we demonstrated how the child is able to adopt representations accessed by the use of words and expressions, due to an intersubjective process of adjustment that integrates fantasies and ludic experiences.  

When He is a She is a He : the pregnant man and the transgendered mother

The recent successful pregnancy of Thomas Beatie, a transgender FTM, billed by the various media as ‘the pregnant man’, has stirred up considerably diverse public opinion and debate, some supportive and indicative of changing and progressive ideas around sex, gender and sexuality; others condemnatory in their claims that Beatie’s pregnancy is an affront to the laws of Nature and/or God. Desired or derided, the pregnant male body contests the terrain of reproductive embodiment and the orthodoxy of Western systems of gender categorization. This chapter analyses a selection of media and internet responses to the case of the pregnant man, arguing that most disturbing of all it seems, is the body in-between (Kristeva 1982, p.4), the one that visibly defies socially obdurate gender oppositions of male and female, feminine and masculine in its insistence on being, to borrow from Homi Bhabha, a ‘third space of enunciation.’ Banana Yoshimoto’s novella Kitchen, also contests gender boundaries in its characterisation of Eriko, a transgendered male to female, a father, then a mother. In this narrative the in-between, the ambiguous, is not reviled but rather celebrated as a ‘horizon of possibility’ (Halperin, qtd in Jagose 1996 http://www.australianhumanitiesreview.org/archive/Issue-Dec- 1996/jagose.html).

La enunciación en El torito de los muchachos : la voz del gaucho en el periodismo rosista

Resumen: Este trabajo pretende rastrear en los veinte números de El Torito de los Muchachos, un periódico gauchesco publicado en 1830, las marcas que permitan caracterizar al enunciador y el enunciatario construidos por el periódico. También se analizará la enunciación, entendida como un conjunto de recursos discursivos, procedimientos y géneros, que dan forma al mensaje; es decir, que determinan una determinada “manera de decir” (Verón, 2004:172). ¿Qué gaucho habla, a quién le habla, qué vínculo construye con su enunciatario? El análisis de las voces que circulan en las páginas de estos ejemplares ofrece algunas claves para entender una etapa del periodismo argentino atravesada por la polarización política.

Miles Christi : la construcción del Ethos en el “Fortalitium Fidei” de Alonso de Espina (Castilla, siglo XV)

Resumen: El fraile castellano Alonso de Espina redacta c. 1460 una voluminosa obra titulada Fortalitium Fidei, conocida por sus duras invectivas contra los “enemigos de la fe”: judíos, herejes judaizantes, sarracenos y demonios. Con todo, el presente trabajo no se ocupa de estudiar el modo en que el discurso de Espina discurre acerca de los distintos enemigos de la ecclesia Dei sino de analizar el lugar concedido por el fraile castellano al defensor de la fe por antonomasia: a saber, el predicador de la palabra divina. Haciendo uso de la teoría polifónica de la enunciación y de contribuciones recientes en torno a la noción de ethos, se examina, en particular, el modo en que Alonso de Espina asume discursivamente la investidura de predicador evangélico, soldado de Cristo, para legitimar su propio decir y, también, el modo en que dicha identificación permite delinear, por contraste, la figura del hereje, uno de los principales adversarios que combate el fraile castellano.