Notas sobre Siegfried Kracauer, Walter Benjamin e a Paris do Segundo Império: pontos de contato

Trata-se de mostrar a originalidade crítica de Siegfried Kracauer diante da experiência da modernidade estética e de discutir as afinidades estético-teóricas de Kracauer e Benjamim ao analisar a Paris da segunda metade do século XIX, o Segundo Império, em particular, como fenômeno originário da sociedade de massas, da indústria cultural e do entretenimento e, sobretudo, do nazi-fascismo. Kracauer durante seu exílio parisiense (1933-41) escreveu uma biografia da sociedade: Jacques Offenbach e a Paris de sua época (Jacques Offenbach und das Paris seiner Zeit). Obra inovadora pelo seu enfoque da história do presente e com pontos de contatos com a Obra das Passagens (Passagen-Werk) ou Paris capital do século XIX de Walter Benjamin.

Arcades in early nineteenth-century Madrid.

Sobre las galerías acristaladas, Madrid, siglo XIX

Memoria literaria de la vida y escritos de Don Manuel Lassala, entre los arcades de Roma Eurilio Cleoneo

Sign.: [1]-2(8), 3(4)

The Arcades at the Palais Royal

Louis Léopold Boilly; 1 ft. 2 3/8 in. x 1 ft. 5 63/64 in.; pen and black ink with black and grey wash over traces of graphite on paper

Obras dramaticas y liricas de Leandro Fernández Moratín; entre los Arcades Inarco Celenio [pseud.]

Mode of access: Internet.

A view of the early Parisian Greek press; including the lives of the Stephani; notices of other contemporary Greek printers of Paris; and various particulars of the literary and ecclesiastical history of their times.

Preface signed: William Parr Greswell.

The builder's complete assistant, or, A library of arts and sciences, absolutely necessary to be understood by builders and workmen in general : viz. I. Arithmetick, vulgar and decimal, in whole numbers and fractions. II. Geometry, lineal, superficial, and solid. III. Architecture, universal. IV. Mensuration. V. Plain trigonometry. VI. Surveying of land, &c. VII. Mechanick powers. VIII. Hydrostaticks : illustrated by above thirteen hundred examples of lines, superficies, solids, mouldings, pedestals, columns, pilasters, entablatures, pediments, imposts, block cornices, rustick quoins, frontispieces, arcades, porticos, &c. : proportioned by modules and minutes, according to Andrea Palladio, and by equal parts : likewise great varieties of trussed roofs, timber bridges, centerings, arches, groins, twisted rails, compartments, obelisks, vases, pedestals for bustos, sun-dials, fonts, &c. and methods for raising heavy bodies by the force of levers, pulleys, axes in peritrochio, screws, and wedges, as also water, by the common pump, crane, etc. : wherein the properties, and pressure of the air on water, &c. are explained : the whole exemplified by 77 large quarto copper-plates /

All of the numbered plates in the atlas are double plates, and thus are counted twice in the adjusted plate count.

Parisian portraits,

Mode of access: Internet.

Hymns translated from the Parisian Breviary /

Without music.

Paradise regained : Samson Agonistes, Comus and Arcades /

Mode of access: Internet.