Gail Sorronda - New York, Paris, London, Sydney

QUT Fine Arts Fashion Design graduate Gail Reid is making a name for herself nationally and internationally. As one of the first QUT graduates to establish and sustain her own label, it begs the question how, why and what's next for her career aspirations.

Paris 1947 : The woman of fashion

Paris 1947 is the site of one of twentieth century fashion’s fictive highpoints. The New Look combined drama and poetics through an abiding rhetoric of elegance. In doing so it employed traditional modes of femininity, casting the woman of fashion in the guise of an ambiguous ‘new’ figure: half fairytale princess, half evil witch. This fashionable ideal was widely disseminated through key photographic representations, Willy Maywald’s 1947 image of the Bar Suit being a case in point. It was precisely such mythic formulations of ‘woman’ which Simone de Beauvoir was to take to task just two years later with the publication of The Second Sex. Driven by frustration with the status quo of real women, de Beauvoir recognised the role of fictive representations, both textual and visual in defining women. This paper reads key sections of The Second Sex through a comparative analysis of two iconic images of French women from 1947; Cartier-Bresson’s classic portrait of de Beauvoir and Willy Mayhold’s spectacular evocation of Christian Dior’s New Look. Cued by a compelling range of similarities between these images this paper explores links between fashion, feminism and fiction in mid-century French culture.

Outdoor portrait of Ellen Bernkopf nee Catzenstein with her husband Hans Bernkopf; Paris, France. Portraits Couples

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Albert Einstein at blackboard; College de France, Paris France Portraits Men

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Jacob Judey-Barosin with his wife Sonia nee Finkel after the end of World War II; Paris Portraits Couples

Early in 1943 the Barosins were arrested and sent to the deportation camp in Gurs. They were freed by French authorities and went into hiding until their liberation in 1944 in Paris. In 1947 they emigrated to the United States.

Artist Rafaello Busoni seated in his studio next to one of his paintings; Paris.

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Albert Einstein, Paul Langevin, Princesse de Noeille, and Paul Painleve; Paris Portraits Groups

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Outdoor portrait of Ellen Bernkopf nee Catzenstein with her husband Hans Bernkopf; Paris, France. Portraits Couples

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Boris Guerrit being thanked in Jerusalem for having sheltered in his mother-in-law's home in Soisy-sur-Seine his cousin Sonia and her husband Jacob Judey-Barosin from September 1943 until the liberation of Paris in August 1944 Portraits Groups

Early in 1943 the Barosins were arrested and sent to the deportation camp in Gurs. They were freed by French authorities and went into hiding until their liberation in 1944 in Paris. In 1947 they emigrated to the United States.

对裂纹扩展规律Paris公式物理本质的探讨

首先讨论了著名力学家K.Krausz和A.S.Krausz关于Paris公式物理本质研究的成果，从材料的微观结构和裂纹尖端的应力场出发，应用位错动力学理论，热激活能理论和速率过程理论对疲劳裂纹扩展规律进行了微观到宏观的探讨。最终推导出疲劳裂纹扩展速率的一个解析表示式，该式严格地定了Paris公式的两个试验常数，赋予了Paris公式明确的物理意义，从而真实地揭示了Paris公式的物理本质，为这一经验的普遍规律奠定了理论基础。

Ensaio sobre a theoria das torrentes, e rios : que contem os meios mais simples de obstar aos seus estragos, de estreitar o seu leito e facilitar a sua navegação, sirga, e fluctuação, acompanhado de huma discussão a respeito da navegação interior da França, e terminado pelo projeto de tornar Paris em Porto Maritimo, fazendo subir à véla pelo Seine as embarcações, que parão em Rouen

Seguido da Indagação da mais vantajosa construcção dos diques por Mrs. Bossut e Viallet ; e de hum extracto da architectura hydraulica de M. Belidor... ; terminado pelo tratado pratico da medida das aguas correntes, e uso da taboa parabolica do P. D. Francisco Maria de Regi ; de Ordem de Sua Alteza Real o Principe Regente Nosso Senhor traduzidos por Manoel Jacinto Nogueira da Gama.

Instrucção para os viajantes e empregados nas colonias sôbre a maneira de colher, conservar, e remetter os objectos de historia natural /arranjada pela Administração do R. Museu de Historia Natural de Paris ; traduzida por Ordem de Sua Magestade Fidelissima, expedida pelo Excellentissimo Ministro e Secretario de Estado dos Negocios do Reino do original francez impresso em 1818 ; augmentada, em notas, de muitas das instruções aos correpondentes da Academia R. das Sciencias de Lisboa, impressas em 1781 e precedida de algumas reflexões sôbre a historia natural do Brazil, e estabelecimento do museu e jardim Botanico em a Côrte do Rio de Janeiro

Referência: Bibliografia da Impressão Regia do Rio de Janeiro / Ana Maria de Almeida Camargo, Rubens Borba de Moraes, 1993. v. 1, p. 220