994 resultados para Painting, German.


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While scholars have questioned the meaning of Lucas Cranach the Elder’s sheer veils when associated with sensual nude figures, research about sheer veils adorning women in a religious context in his paintings has not yet been developed. Through a primarily iconographical approach, I explore who dons each type of veil, and when, to better understand why the same sheer veil is worn differently by various individuals and what that could mean relative to Cranach’s body of work. These veils exhibit artistic prowess, but analysis of their placement on individual figures also reveals how Cranach’s repeated use of sheer veils in his paintings trains the eye on underlying messages, unlocking meanings of these works for Cranach and his patrons and broader themes present in sixteenth century visual culture. My paper initiates this important discussion about how sheer veils – often overlooked in Cranach’s works – are used in both religious and secular contexts.

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Later published as a rev. ed., augmented with biographical sketches of the artists, as: Modern paintings by German and Austrian masters, collected and catalogued by Josef Stransky.

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At head of title: Amtliche veröffentlichungen der Nationalgalerie.

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"Bücherverzeichnis": p. [103]-107.

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Covers the latter part of the 18th century through the 19th century.

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Also presented as the author's thesis (doctoral--Strassburg, 1891)

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Cover title.

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Pt. 2 is 13th edition; pt. 3, 9th edition.