930 resultados para Painting, British
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"Special number of 'The Studio' 1919."
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Text in French and English.
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Mode of access: Internet.
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Includes mezzotint engravings.
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Illustrations with text.
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Mode of access: Internet.
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At head of title: Königliche Akademie der Künste.
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Imprint varies: <12th- > published: Piccadilly, London, W. : The Galleries.
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At head of title: Royal commission, Paris international exhibition, 1900.
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Raman spectroscopic analyses of fragmented wall-painting specimens from a Romano-British villa dating from ca. 200 AD are reported. The predominant pigment is red haematite, to which carbon, chalk and sand have been added to produce colour variations, applied to a typical Roman limewash putty composition. Other pigment colours are identified as white chalk, yellow (goethite), grey (soot/chalk mixture) and violet. The latter pigment is ascribed to caput mortuum, a rare form of haematite, to which kaolinite (possibly from Cornwall) has been added, presumably in an effort to increase the adhesive properties of the pigment to the substratum. This is the first time that kaolinite has been reported in this context and could indicate the successful application of an ancient technology discovered by the Romano-British artists. Supporting evidence for the Raman data is provided by X-ray diffraction and SEM-EDAX analyses of the purple pigment.
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Mode of access: Internet.