Georges de La Tour : the Status of Scholarship

Seventeenth-century French painter, Georges de La Tour, was a forgotten artist. His rediscovery in the nineteenth century set off a firestorm of research and a hunt to find more works by the artist. One problem after another arose as scholars attempted to define the artist by his works, his style, and the remnants of his personal history. There remains a volume of contradictory reports, authentication issues, and new scientific techniques which continue to influence study on the artist.

The Roman pontiffs : or, A sketch of the lives of the supreme heads of the Roman Catholic church, with a biography of one of the most distinguished of their number. Tr. from an original and very popular work, just published in France.

"Alexander VI., the two hundred and twenty-second pope": p. [21]-40.

Biography of the principal sovereigns of Europe who have reigned since the French Revolution : adorned with portraits of Their Majesties the King of Great Britain, the Emperors and Empresses of Austria and Russia, the Kings of Bavaria, Denmark, France, Netherlands, Portugal, Prussia, Sardinia, Saxony, Spain, Sweden, Two Sicilies, Wurtemberg, and the Grand Signior.

Mode of access: Internet.

My Family Biography.

Memoir in four volumes, richly illustrated with photographs, drawings, correspondence, genealogical tables, and newspaper clippings.

Symbolic geography in John Ruskin's modern painters, Volumes III, IV, V.

Modern Painters vol. III, IV et V est une œuvre tripartite développée après 1850, en synchronie avec la guerre de Crimée (1854-56), la répression de la révolte indienne (1857-59) et la deuxième guerre d’indépendance d’Italie (1859). Marqué par ces événements politiques, Ruskin met en œuvre une stratégie complexe pour configurer dans un langage symbolique les frontières et les taxonomies impériales de l’espace européen. Il développe des stratégies de présentation qui combinent le texte et les illustrations pour créer des allégories mentales et visuelles, construites à partir des stéréotypes littéraires et culturels véhiculés dans l’espace britannique. L’auteur met ses derniers volumes de Modern Painters sous le signe de « la crise de la civilisation » représentée par les conflagrations de Crimée, d’Inde et d’Italie, en exprimant son soutien pour la nouvelle alliance entre l’Angleterre et la France. Un autre motif est son obsession avec la réforme sociale via un retour aux valeurs chrétiennes traditionnelles.

North Sea archaeologies: a maritime biography, 10,000 BC - AD 1500

North Sea Archaeologies traces the way people engaged with the North Sea from the end of the last ice age, around 10,000 BC, to the close of the Middle Ages, about AD 1500, drawing upon archaeological research from many countries, including the UK, Netherlands, Germany, Denmark, Sweden, Norway, Belgium, and France. It addresses topics which include the first interactions of people with the emerging North Sea, the origin and development of fishing, the creation of coastal landscapes, the importance of islands and archipelagos, the development of seafaring ships and their use by early seafarers and pirates, and the treatment of boats and ships at the end of their useful lives. The study offers a ‘maritime turn’ in Archaeology through the investigation of aspects of human behaviour that have been, to various extents, disregarded, overlooked, or ignored in archaeological studies of the land. The study concludes that the relationship between humans and the sea challenges the frequently invoked dichotomy between pre-modernity and modernity, since many ancient beliefs, superstitions, and practices linked to seafaring and engagement with the sea are still widespread in the modern era.

Monumens de l'histoire de France, en estampes et dessins ...

The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.

Romantic biography of the age of Elizabeth; or, Sketches of life from the bye-ways of history.

v. 1. Introduction. Margaret of Valois, Queen of Henry IV. Robert Dudley, Earl of Leicester. Castelnau, Ambassador from France. La Mothe Fenelon. La Mothe Fenelon and Castelnau. Thomas Howard, fourth duke of Norfolk. Hugh, Earl of Tyrone, and notices of Walter, 1st Earl of Essex. Dr. Dee.--v. 2. Calvin and the church of Geneva. William Whittingham and the Puritans. Archbishop Whitgift and Dr. Cartwright. John Darrel, the exorcist. Loyola and the order of the Jesuits. Robert Parsons, Edmund Campian, and the Jesuits in England. Pope Sixtus V. Charles de Valois, Duc d'Angoulême. Henry de la Tour d'Auvergne, Viscount Turenne and Duke de Bouillon.

France of the French /

Printed in Great Britain.

Les trois siècles de la peinture en France; ou, Galerie des peintres français, depuis François Ier jusqua̕u règne de Napoléon, Empereur et Roi, où lo̕n apercoit li̕nfluence des moeurs, de la politique et des réputations, sur les progrès et le décadence de cet art,

Cicognara,

Le livre des peintres de Carel van Mander : vie des peintres flamands, hollandais et allemands (1604) /

Biography of author included in Introduction.

Catherine Tekakwitha et la peinture missionnaire : stratégies de conversion en Nouvelle-France au 17e siècle

Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels et audio-visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal

Catherine Tekakwitha et la peinture missionnaire : stratégies de conversion en Nouvelle-France au 17e siècle

Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels et audio-visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal