11 resultados para Overdetermination


Relevância:

20.00% 20.00%

Publicador:

Resumo:

O presente artigo focaliza a genérica e abstrata análise monetária desenvolvida por Marx no inicio do Capital. Mais precisamente, pretende-se avaliar em que medida, se alguma, alguns aspectos da análise de Marx sobre o papel bastante contraditório desempenhado pela moeda no processo de circulação simples de mercadorias suportam uma interpretação sobre-determinista do método dialético por ele empregado. Baseando-se no conceito de sobre-determinação introduzido na literature Marxiana principalmente por Louis Althusser, o artigo conclui que o nexo real-monetário prevalecente na circulação simples de mercadorias pode ser concebida como um nexo sobre-determinado, ou seja, um nexo caracterizado por incorporar um regime de constitutividade.

Relevância:

10.00% 10.00%

Publicador:

Resumo:

O presente trabalho objetiva discorrer sobre como a psicanálise considera o processo de constituição do sujeito na neurose, para, a partir de então, examinar o motivo pelo qual Freud empregou o termo escolha nesse processo. A pesquisa inicia-se com a análise das contribuições de Freud e de Lacan acerca dos fatores que causam uma neurose. Para isso, será examinada a relação entre trauma, pulsão e fantasia no processo de estruturação subjetiva e será avaliado de que forma o trauma possibilita culminar nas diferentes classes de neurose. Logo em seguida, o trabalho parte para a pesquisa acerca da entrada do organismo vivo na linguagem e sobre a constituição do sujeito. Será realizado um percurso sobre a subversão da ordem instintual quando se é constituído pelo significante, além de se discorrer sobre as especificidades da estrutura neurótica, como a dinâmica do recalque, a constituição da fantasia, a formação dos sintomas e a relação do sujeito com a linguagem e com o seu desejo. Para isso, considerou-se necessário abordar sobre o decurso das primeiras relações da criança com o outro, sobre a inauguração do psiquismo e o advento do sujeito. A partir disso, estabeleceu-se como problema verificar como é possível haver um mecanismo de escolha de estrutura, isto é, de ação seletiva do sujeito em sua constituição, em um contexto em que o autor aproximou a causa da neurose de fenômenos sobredeterminados, definidos por outras circunstâncias que independem do posicionamento subjetivo. Buscou-se questionar como é possível ao sujeito agenciar um mecanismo eletivo em um contexto no qual o próprio sujeito é efeito dessa eleição. Assim, problematizou-se até que ponto há sobredeterminação e participação subjetiva na constituição de uma neurose.

Relevância:

10.00% 10.00%

Publicador:

Resumo:

In this work I articulate...

Relevância:

10.00% 10.00%

Publicador:

Resumo:

"Thèse présentée à la Faculté des études supérieures En vue de l'obtention du grade de Docteur en droit"

Relevância:

10.00% 10.00%

Publicador:

Resumo:

Cette étude ethnographique porte sur le réseau social du tango argentin à Montréal, les valeurs esthétiques du tango, l’interprétation de l’expérience de la danse acquise au cours du processus de socialisation et les différents agents de socialisation. Dans un contexte de réappropriation et de déterritorialisation d’un savoir-faire comme le tango, les références symboliques relatives à son contexte d’origine, son imaginaire collectif et son contexte sociohistorique sont moins accessibles. Ceci semble appeler chez les danseurs montréalais une sorte de surdétermination de l’expérience immédiate, concrète et interactive de la danse dans la construction d’un sens collectif. Cette recherche s’intéresse plutôt à la transposition dans le réseau montréalais de certaines normes esthétiques en lien avec les modalités interactives de la danse. Ces normes esthétiques induisent une attention particulière portée à la qualité de l’expérience se reflétant dans les pratiques et les discours. Ces valeurs esthétiques remontent au contexte d’origine du tango et à la rencontre entre différents univers socialisateurs transnationaux à différentes étapes de son évolution. De ce type de rencontres «transesthétiques», s’est développé un dualisme entre le danser pour les autres et le danser pour soi, dans les représentations et la mise en forme d’une expérience dansée. À Montréal, c’est avec emphase qu’on observe la cohabitation de ces deux systèmes de valeurs en apparence antagonistes où, d’une part, est valorisé l’exhibition du soi et, d’autre part, sont priorisés l’intériorité et l’expérience subjective. En bref, ce mémoire explore les relations complexes qui existent entre les processus culturels et leurs produits, l’expérience et le sens, entre la subjectivité individuelle et la collectivité, et redéfinit l’agentivité des acteurs sociaux en étudiant les modes spécifiques de production du sens dans un art comme la danse.

Relevância:

10.00% 10.00%

Publicador:

Resumo:

This thesis looks at the functions and effects of the ‘second-person’ pronoun in narrative prose fiction, with particular focus on the fluidity and ambiguity of the mode that I will call Protean-'you.' It is a mode in which it is unclear whether the ‘you’ is a character, the narrator, a reader/narratee, or no-one in particular—or a combination of these—so that readers find ‘second-person’ utterances at once familiar and deeply strange. I regard the ‘second person’ as a special case of narrative ‘person’ that, at its most fluid, can produce an experience of reading quite unlike that of reading traditional ‘first-‘ and ‘third-person’ narrative. Essentially, this unique experience comes about because Protean-‘you’ neglects to constitute the stable modes of subjectivity that readers expect to find within narrative textuality. These stable modes of subjectivity, modelled on what I will refer to as Cartesianism’s hegemonic notion of the self, have been thoroughly formalised and naturalised within the practices of ‘first-‘ and ‘third-person’ narrative. The Protean-‘you’ form of ‘second-person’ narrative, conversely, is a mode of narrative discourse that puts readers in a place of doubt and uncertainty, its unsettling equivocations forcefully disrupting accustomed, mimetic explanations of narrative and denying us access to the foundational, authorising subject of classical Cartesian thought. Rather than founding a notion of ‘second-person’ narrative and narrative ‘person’ generally on Cartesianism's ‘self-ish’ logic of unified, privatised identity, I turn to C.S, Peirce's notion of the semiotic self and to developments in post-structuralist thought. Essentially, the conception of subjectivity underpinning my arguments is Peirce's proposition that the self is to be conceived of not as a cogito, but as a sign by which the conscious entity knows itself. It is a sign, moreover, that is constantly being re-read, reinterpreted, so that identity is never self-complete. This reconception of subjectivity is necessary because 1 will argue that the effects of Protean-‘you’ arise in some part from a tension between Cartesianism's hegemony and what philosophical pragmatism and post-structuralism glimpse as the actual condition of the human subject—the subject as dispersed and contingent rather than unified and authoritative. Most discussions of ‘second-person’ narrative conceive of the mode in terms of implicit communicative relations, in some measure instituting Cartesianism's notion of the intentionalist self at the centre of literary meaning. I contrast the paradigmatic address model that arises from this conception against a model that approaches the analysis of ‘second-person’ narrative modality in terms of a referential function, that is, in terms of the object or objects referred to deictically by the ‘second-person’ pronoun. Two principal functions of ‘second-person’ textuality are identified and discussed at length. The first is generalisation, which is rarely dissipated altogether, a situation that contributes to the ambiguities of the pronoun's reference in much ‘second-person’ fiction. The second principal function is that of address, that is, the allocutionary function. Clearly, although stories that continually refer to a ‘you’ can seem quite baffling and unnatural, not all ‘second-person’ narratives unsettle the reader. In order to make the ‘second person's’ outlandish narratives knowable and stable, we bring to bear on them in our habits of reading whatever hermeneutic frames, whatever interpretive keys, come to hand, including a large number of unexceptional forms of literary and ‘natural’ discourse that employ the ‘second-person’ pronoun. These forms include letter writing and internal dialogue (i.e., talking to one's self), the language of the courtroom, the travelogue, the maxim, and so on. In looking at the ways in which the radicalising potentials of ‘second-person’ discourse are contained or recuperated, I focus on issues of vraisemblance and mimesis. Vraisemblance can be described as the ‘system of conventions and expectations which rests on/reinforces that more general system of ‘mutual knowledge’ produced within a community for the realisation and maintenance of a whole social world’. All of the forms of the vraisemblable are already instituted within social, cultural relations, so that what vraisemblance describes is the way we fit the inscriptions we read-that is, the way in which we naturalise what we read-into those given cultural and social forms. I also look at the conventionalising and naturalising work done by notions of mimesis in explaining relations between the world, our being in it, and texts, proposing that mimesis provides a principle buttress by which the good standing of the metaphor of ‘person’ is preserved in traditional and pre-critical modes of analysis. Indeed, the critic’s recourse to ‘person’ is in some measure always an engagement with mimesis. Any discussion that maintains that mimesis is in some way productive of meaning-which this thesis in fact does-must identify mimesis as a merely conventional category within practices of reading and semiosis more generally, and at the very least remove that term from its traditional position of transparent primacy and authority. Some of the most interesting and insightful arguments about ‘second-person’ narrative propose that the ‘second person’s’ most striking effects derive from the constitution of an ‘intersubjective’ experience of reading in which the subject positions of the ‘you’-protagonist, reader-narratee and narrator are combined into a fluid and indeterminate multiple subjectivity. Notions of intersubjectivity frequently position themselves as liberating the reader from Cartesianism's fixed, authoritative modes of subjectivity, Frequently, however, they tend implicitly to reinstate Cartesianism's notion of the self at the centre of textual practice and subjectivity. I look at Daniel Gunn's novel ‘Almost You’, at length in this context, illustrating the constant overdetermination of the ‘you’ and the novel's narrating voice, and demonstrating that this overdetermination leaves the origin of the narrative discourse, the identity of the narrator, and the ontological nature of both principal protagonists utterly ambiguous. The fluidity and ambiguity of Protean-‘you’ in ‘Almost You’ is discussed in terms of ‘second-person’ intersubjectivity, but with a view to demonstrating the indebtedness by the notion of intersubjectivity to Cartesianism's hegemony of ‘person’. I then turn to a discussion of what might be a more ‘old fashioned’ if perhaps ultimately more far-reaching approach to the ‘second person’s’ often startling ambiguities. This is Keats's notion of negative capability, a capacity or quality in which a person ‘is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact and reason.’ I suggest that Protean-‘you’ texts will license all of the readings of ambiguity and fluidity proposed in my discussion of ‘Almost You’, but conclude that the instances of indeterminacy illustrate no more than that: the fluidity and deep ambiguity, and thus, finally, the lack of coherence, of Protean-‘you’ discourse. This has particular implications for how we are to consider readers’ experiences of narrative texts. More fundamentally, it has implications for how we are to consider readers as subjects. I suggest that unstable, ambiguous instances of ‘second-person’ narrative can tear the complex and systematic embroidery of ideological suture that unifies Cretinism’s experience or sense of subjectivity, leaving the reader in a condition of epistemological and ontological havoc. I go on to argue that much of the deeply unsettling effect of Protean-‘you’ discourse anises because its utterances explicitly gesture towards Cretinism’s notion of self. Protean-‘you’ involves a sense of address that is much more pronounced than we are accustomed to facing when reading literary narrative, alerting us to the presence of inscribed anthropomorphic subjects. At the very same time, protean-‘you’ leaves its inscribed subjects indeterminate, ambiguous. This conflict generates a tension between the anticipation of the emergence of speaking and listening selves and our inability to find them. I go on to propose that Protean-‘you’ narrative's lack of coherence is also to be understood as the condition of narrative actuality generally, but a condition that is vigorously mediated against by dominant practices of reading and writing, hocusing my discussion in this respect on the issue of narrative ‘person,’ I argue that narrative ‘person’ is constituted within texts as an apparent unity, but that it is in fact, produced as unitary solely within the practice of making sense, that is, Within our habits of reading, and so is never finally unified. I propose that this is the case for ‘first-‘ and ‘third-person’ modes no less than for the ‘second.’ Where ‘second-person’ narrative at its most radical and Protean differs from conventional ‘first-‘ and ‘third-person’ narratives is the degree to which each has been circumscribed by practices of tantalization, containment and limit, and, in particular, Cretinism’s hegemony of ‘person.’ It may be that the most significant insights ‘second-person’ narrative has to offer are to be found within its capacity to reveal to the engaged reader the underlying condition of narrative discourse, and more generally, its capacity to reveal the actual condition of the human subject-a condition in which, exactly like its textual corollary of narrative ‘person,’ the self is glimpsed as thoroughly dispersed and contingent.

Relevância:

10.00% 10.00%

Publicador:

Resumo:

This paper introduces the hermeneutics of globalisation to venture beyond political and economic overdetermination. More specifically, I set out to inspect the interpretive complexity of the hermeneutics of transpacific assemblages, namely the surplus of interpretations in a transforming world, which entangles linguistic, cultural, historical and political dimensions in a complex web of negotiations. This paper sets the theoretical and methodological scene for future research on particular empirical realities. The ultimate goal outlined here is the development of an understanding, explanation and critique of actually existing transpacific assemblages as lived and interpreted phenomena. I conclude by introducing the theme ‘cultural heritage’ and its ongoing construction, deconstruction and reconstruction within and beyond museums to dissect the endless hermeneutic becoming, emerging and making of transpacific forms of life.

Relevância:

10.00% 10.00%

Publicador:

Resumo:

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Relevância:

10.00% 10.00%

Publicador:

Resumo:

O presente trabalho teve como objetivo investigar os processos de subjetivação de mulheres sem parceiro fixo à exposição ao vírus HIV/ Aids para identificar fatores sobredeterminantes de vulnerabilidade. Utilizamos como método o estudo de caso, visando uma análise em profundidade, que permitisse identificar um maior número de determinantes subjetivos relacionados com a problemática considerada. O estudo apresenta fragmentos de casos clínicos de mulheres vivendo com Aids, internadas nas enfermarias do Hospital Universitário João de Barros Barreto (HUJBB), no Estado do Pará, Brasil. A partir da análise da transferência e da contratransferência, apontamos como resultado o que cada caso em sua singularidade, desvela a partir do encontro terapêutico: No caso Clínico I, encontramos que a paciente, a qual chamamos Dinah, apresentava um modo de subjetivação psicopatológico masoquista feminino, que faz com que ela demonstre certa satisfação quando se expõe ao sofrimento, se posicionando como vítima em seus relacionamentos afetivos e sexuais, sobre determinados pela identificação imaginária com ideais culturais sobre o ser mulher, concebendo imagens de homens e mulheres, e, portanto, suas e de seu parceiro, como pares antitéticos de força/fraqueza, atividade/passividade, poder/submissão. Esse ideal de eu compósito de mulher virgem e de um homem só, levou Dinah a negar seus temores de contaminação, aceitar passivamente relações desprotegidas, atribuindo à iniciativa sexual a seu parceiro e, tornando-se vulnerável a infecção pelo HIV. No caso Clínico II, Alice, submetida a um modo de subjetivação melancólico, auto-destrutivo, se posicionava nas relações afetivas e sexuais procurando incessantemente sua auto-destruição pela própria vulnerabilidade inconsciente à contaminação pelo HIV. Tendo contraído o vírus e contaminado seu marido e, demais parceiros, mesmo após saber de seu diagnóstico, Alice permanecia aprisionada em um silêncio mortífero, impedindo-se de cuidar de sua saúde e procurar atendimento médico contínuo, tornando-se vulnerável à reinfecção. O Caso III, Ana Laura, é de uma mulher que sofreu inúmeras violências desde a infância, como abuso sexual infantil, exploração do trabalho doméstico e, abandono pelos pais. Após ter tido seu primeiro filho, este lhe foi retirado sem seu consentimento, pela tia materna que o deu a terceiros, razão alegada por Ana Laura, para prostituir-se no cais do porto da cidade de Belém, onde trabalhou até bem pouco tempo antes de sua internação. Lá onde a negociação por sexo mais caro sem preservativo era prática comum, Ana Laura negociou sua vida, vendendo sexo sem preservativo, assim se infectando. O desamparo e as violências sofridas por esta paciente são, portanto, sobredeterminantes de sua vulnerabilidade à infecção pelo HIV. Como conclusões, destacamos que as mulheres atendidas sem parceiro fixo, não apresentaram maior facilidade para se protegerem, estando em desacordo com os estudos que apontam que estas mulheres negociam o preservativo com maior liberdade e estão menos vulneráveis, demonstrando a importância de estudos que abordem os aspectos psíquicos, sociais, políticos e culturais, de maneira a desvelar os modos de produção de subjetividade dos sujeitos em sua singularidade, para além da mensuração de dados, a fim de estabelecer estratégias de prevenção em saúde mais eficazes.

Relevância:

10.00% 10.00%

Publicador:

Resumo:

Common sense supposes thoughts can cause bodily movements and thereby cause changes in where the agent is or how his surroundings are. Many philosophers suppose that any such outcome is realized in a complex state of affairs involving only microparticles; that previous microphysical developments were sufficient to cause that state of affairs; hence that, barring overdetermination, causation by the mental is excluded. This paper argues that the microphysical swarm that realizes the outcome is an accident (Aristotle) or a coincidence (David Owens) and has no cause, though each component movement in it has one. Mental causation faces no competition "from below".

Relevância:

10.00% 10.00%

Publicador:

Resumo:

First, the article distinguishes, in Schelling´s philosophy, successivity and extaticoriginary temporality, and contends that the latter can be conceived as co-temporalization. Secondly, an analysis of loveis advanced as an experience in which co-temporalization is consummated, and it is shown how in the erotic pathos, through an empathic movement of overdetermination, the ecstases are sublated as such and “condensed" in an instant of eternity. Finally, the author differentiates temporality and the real-actual time that Schelling conceives as the continuity of discontinuous temporalities. Special attention is payed to the importance of Schelling´s thought for the current discussion on time.