72 resultados para Nazism


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Notes and presentation on research into the official Nazi views on religion, and a consideration of 'ordinary' Christian response to the rise of the Nazis in Germany.

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This paper examines the topic of Nazism and religion by taking one of the dominant schools of thought––that Nazism was a ‘political religion’––and dealing directly with an issue that is often encountered when teaching the history of the Nazi Party. A common question raised by students is this: what could be known about the Nazis when they came to power? While formulated in different ways and sometimes with a different chronological focus the core of this question is one of historicism. It may be abundantly clear to us now what the Nazis stood for, how racist and antisemitic they were, but what could be known by people then, and how did they view the Nazis? Given my sense that many teachers encounter this questions I believe it may be a useful prism through which to view Nazism and religion. The paper does so through using a case-study of the 'Temple Society' (Tempelgesellschaft), examining how members of this Christian community understood Nazism on the cusp of 1933.

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The Victory Day celebrations held in Russia on 9 May 2015 were special for marking the seventieth anniversary of the end of World War II but the particular international and domestic context they were set in was of yet greater importance. The element which set the celebrations in 2015 apart from those in the preceding years was how the military and moral aspects of Soviet victory over Nazi Germany was made part of the current geopolitical confrontation with the West concerning the Ukrainian crisis. The escalation of the aggressive rhetoric on Europe and the USA and accusations that the West is destabilising the international situation and striving for conflict was accompanied by a display of the increasing military power of the Russian Federation; the display itself was stronger than has been seen in preceding years. This was a clear sign that Moscow is ready to protect its national interests in the area of foreign policy by any means. At the same time, the creation of an atmosphere of threat and stoking patriotic feelings was intended to mobilise the Russian public around the political leadership while the country’s economic problems are deteriorating further.

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The oharaoter of right-wing extremism in the Federal Republic has undergone extensive transformations in the seventies. As electoral support for the extreme Right declined, a whole range of new groupings emerged pursuing a militant extra-parliamentary strategy. Essential charaoteristics are an increasing tendency to use violence and a close ideological affinity to the NSDAP. They attract a growing number of young people. The increasing susceptibility of young people to rightist ideologies coincides with an economic recession of which young people especially are the victims. Widespread ignorance about Nazism and the prevalence of anti-democratic political attitudes constitute important contributary factors and point to a considerable potential for right-extremism in the Federal Republic., This potential can be attributed. to the negative effects of much of the material dealing with the NS past, to serious deficiencies in the area of historical-political education in schools and, above all, to the absence of any :real process of "coming to terms with the past" in the postwar period. Neo-Nazism is not completely isolated from other trends in West German society. Rightist elements within the established party system and broad sections of the population hold similar views and attitudes. This similarity, linked with an over-exaggerated concern with a perceived threat from the extreme Left may explain the absence of any concerted effort to deal with nee-Nazi tendencies. The response of the courts exemplifies a widespread tendency to under-estimate the significance of the extreme Right. Opposition to the Right is restricted primarily to those circles which suffered most under the Nazi regime. The analysis suggests that one must reject the simplistic view that at the present time the Right does not constitute a serious threat to West German democracy. The study evaluates the wide range of views to be found in secondary sources on the subject of neo-Nazism and is :intended, to contribute to the ongoing discussion conceming the potential for right-extremism in West Germany.

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"Visit to a Viennese Cemetary" is a personal reflection about Fireside's first trip back to Austria since his arrival in the USA. It was organised by the "Jewish Welcome Service" in September 2000. This trip brings forgotten memories back to life, questioning the role of Austrians in the Holocaust, and their denial afterwards. The author describes the trip, first days of sightseeing and conversations of his fellow travellers. On the last day, the group went to Zentralfreidhof, the main cemetery in Vienna.

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The author's mother Alice Goldschmidt was a gifted piano player, who studied with Carl Maria Breithaupt and became his most talented student. Childhood recollections. Early musical awakening. Outbreak of World War One. Recollections of air raids and scarceness of food. Inflation and political instability in post-war Germany. Piano lessons by her mother from an early age. Heida made her debut at age fourteen with the Wiesbaden Symphony under the conductor Carl Schuricht, who became a close mentor and friend. Close relationship to her mother, who had a great influence on her professional career. Heida had a number of outstanding teachers, among them Artur Schnabel, Karl Leimer and Egon Petri. Heida was accepted as a student of Petri at the "Hochschule fuer Musik" in Berlin, where she studied between 1922-1925. Salon at her aunt's house with guests such as the playwright Georg Kaiser and Siegfried Wagner. Her sister Elsie received her Ph.D. in economics and moved to Berlin as well. Heida graduated from the "Hochschule" in 1925. Soon after she won an international piano competition in Berlin. Engagements with various conductors such as Max Fiedler and Otto Klemperer. Private lessons with Arthur Schnabel and Carl Friedberg, the co-founder of Juilliard. Due to occasional experiences of antisemitism during her music career Heida decided to change her name from Goldschmidt to Hermanns. Position at the "Hoch Conservatory" in Frankfurt. Encounter with the music critic Artur Holde, Heida's future-husband. Engagement and wedding in 1932. Move to Berlin.

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O autoritarismo, complexo fenômeno social largamente estudado pela Ciência Política e pela Psicologia Social, é aqui pesquisado em suas articulações com o sistema penal. Na medida em que o autoritarismo deriva do poder e em que o sistema penal deriva do direito, são estudados os conceitos de poder e de direito, em suas peculiaridades e inter-relações. Em seguida, examinam-se a história da construção do conceito de autoridade e os contextos políticos e psicológico-sociais em que o termo autoritarismo tem sido empregado, para, em seguida, analisar, abstrata e conceitualmente, suas inter-relações com o sistema penal. Observa-se que o autoritarismo é característica estrutural de todo e qualquer sistema penal, manifestando-se nas mais variadas agências desse sistema, e em todos os planos: na criminalização primária (ou seja, na edição de leis penais), na criminalização secundária (i.e., na aplicação concreta de poder punitivo a autores concretos), no poder positivo configurador da vida social, no discurso-jurídico penal (nas teorias dos juristas) e nos sistemas penais paralelo e subterrâneo. Como hipóteses de trabalho, são examinados o sistema penal alemão nazista e o sistema penal brasileiro contemporâneo, buscando verificar, ainda, se e em que medida há coincidências em propostas político-criminais e em práticas concretas de poder punitivo.

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CASTELLANO. Alemania, un país muy afectado tras el nazismo y las diferentes guerras en las cuales se vio involucrado, adoptó una Economía Social de Mercado (ESM) en 1948, que le permitió abrir sus puertas hacia la internacionalización, lo cual había estado fuertemente regulado hasta entonces. Esta apertura de fronteras ha favorecido al comercio exterior el cual está muy desarrollado. Además, una moderada inflación, un bajo nivel de deuda pública, alta cualificación de la población, el potente desarrollo industrial manufacturero y su capacidad de recuperación de la crisis económica que estalló en 2007, entre otros, hace de Alemania un país muy próspero. España, tras su recuperación de la época del franquismo la cual había castigado de forma severa a este país, se recuperó hasta niveles superiores a Alemania en cuestión de confianza empresarial. En cambio, en 2007, momento de estallido de crisis, la producción de varios sectores se vio muy reducida (principalmente el sector de la construcción), la tasa de desempleo aumentó de forma descontrolada… Actualmente, este país se encuentra en proceso de recuperación el cual se basa mucho en el turismo y por consiguiente en el sector servicios que año tras año ha ido evolucionando hasta convertirse en uno de los motores de esta economía.

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O Nacional-socialismo representou, ao negar os princípios centrais da modernidade ocidental, a idéia de uma outra modernidade baseada, ao mesmo tempo, no resgate e na projeção futura das antigas glórias da nação germânica. Neste sentido, o filme O Triunfo da Vontade da cineasta alemã Leni Riefenstahl aparece como a grande representação estética do nazismo, traduzindo em imagens os principais aspectos da ideologia nacional-socialista. Ao trabalhar com extrema genialidade todo um conjunto de referências simbólicas e míticas presentes no imaginário alemão, Riefenstahl construiu, portanto, uma das mais impactantes peças de divulgação do regime hitlerista, apresentando ao mundo os ideais do Terceiro Reich e a força da nova Alemanha.

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This thesis analyses the influence of the esoteric tradition on D.H. Lawrence and W.B. Yeats’ thought and examines both authors’ writings in light of the antidemocratic political religions that emerged during and after their respective careers. While a number of extant studies investigate the connection between modernism and the occult and a number of critics have discussed the importance of antidemocratic politics to modernism, this study is unique in its emphasis on the relationship between modernist esotericism and antidemocratic politics, and in its insistence that the interconnection between the two constitutes a fundamental part of both authors’ world-views. This study calls for the development of a multivalent understanding of modernism, which appears as neither a “cultural movement identifiable with bourgeois, capitalist, paternalist, ethnocentrist, phallocentrist, and logocentrist ideologies” (Surette 5) nor entirely the opposite; Romantic, feministic, primitivistic and countercultural. Rather, modernism will be shown to have encompassed both of these ideological orientations, effectively operating on a double front in its crusade to establish a new age. This complexity is visible in both Lawrence and Yeats’ work, as both authors advocate a return to traditional structures while simultaneously endeavouring to usher Western civilisation into a new modern paradigm. Although they primarily grounded their writings in a mythico-pastoral discourse that masked the practical implications of their revolutionary agendas, both authors possessed an attraction to Futurist thought and, albeit rarely, showed an awareness that the change they envisioned could not be brought about without a radical intervention in the political and economic sectors – an intervention that would necessarily take place through the medium of the “machine” from which they were often so adamant to distance themselves. This fusion of technophilic and Arcadian thought-currents – dubbed “archeofuturism” by the French right-wing intellectual Guillaume Faye – constitutes the central focus of this discussion of Lawrentian and Yeatsian thought.

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Voir Hitler en peinture / On Seeing a painting of Hitler
The article “Voir Hitler en peinture” (literally “On Seeing a painting of Hitler”) focuses on a painting by Oliver Jeffers entitled “Ginger Hitler”. This article suggests that, whatever Jeffers’ intent and inspiration were, his painting “defamiliarizes” Hitler (V. Shklovsky) and forces us to look at him afresh. For decades, Hitler has been demonised and dehumanised; yet, however unsettling this may be, he was human. As Professor Richard Evans, a leading expert in the history of Nazism, put it recently: “Viewing Hitler as a human being, which he undoubtedly was, is more challenging to our understanding, surely, than simply writing him off as a cartoon villain” (The Guardian, 30/04/2015).