996 resultados para National subject


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La nation s’est affirmée à partir de la fin du 18e siècle comme l’un des grands paramètres de la modernité. Sa remise en cause, tout spécialement dans les dernières décennies du siècle dernier, est à la fois partie prenante et symptomatique de l’actuel phénomène d’effritement des identités collectives. Le Québec n’échappe pas à ce courant de fond, comme en témoigne l’œuvre du vidéaste et cinéaste Robert Morin, qui propose une galerie de personnages en manque d’attaches et souvent réduits à leur propre subjectivité. Dans un contexte de questionnement généralisé des concepts de nation et de collectivité, ces individualités se sentent isolées et tentent désespérément de réactualiser les liens qui les unissent à leurs semblables, mais sans grand succès. La communauté revêt ainsi une dimension nostalgique, parcourant l’œuvre de Morin dans son entièreté et se manifestant de différentes manières, tant à l’écran qu’à travers son approche du médium qui reste grandement tributaire des pratiques filmiques et vidéographiques des années ’60 et ’70. Écartelé entre la prise de conscience de son isolement et son désir d’appartenir à une entité collective, qu’elle soit nationale ou autre, le sujet délié que l’on retrouve chez Morin, comme cette thèse tente de le démontrer, subit ce phénomène de déliaison et lutte simultanément pour l’enrayer.

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La nation s’est affirmée à partir de la fin du 18e siècle comme l’un des grands paramètres de la modernité. Sa remise en cause, tout spécialement dans les dernières décennies du siècle dernier, est à la fois partie prenante et symptomatique de l’actuel phénomène d’effritement des identités collectives. Le Québec n’échappe pas à ce courant de fond, comme en témoigne l’œuvre du vidéaste et cinéaste Robert Morin, qui propose une galerie de personnages en manque d’attaches et souvent réduits à leur propre subjectivité. Dans un contexte de questionnement généralisé des concepts de nation et de collectivité, ces individualités se sentent isolées et tentent désespérément de réactualiser les liens qui les unissent à leurs semblables, mais sans grand succès. La communauté revêt ainsi une dimension nostalgique, parcourant l’œuvre de Morin dans son entièreté et se manifestant de différentes manières, tant à l’écran qu’à travers son approche du médium qui reste grandement tributaire des pratiques filmiques et vidéographiques des années ’60 et ’70. Écartelé entre la prise de conscience de son isolement et son désir d’appartenir à une entité collective, qu’elle soit nationale ou autre, le sujet délié que l’on retrouve chez Morin, comme cette thèse tente de le démontrer, subit ce phénomène de déliaison et lutte simultanément pour l’enrayer.

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The purpose of this research was to examine the nexus at which Indiana basketball and the state’s ‘hoosier’ identity meet. More specifically, this thesis interrogates the romanticization of this sporting culture for its pedagogical role in the creation of twenty-first century ‘hoosier’ bodies. Adopting a theoretical orientation rooted in critical race theory, I argue that Indiana’s basketball culture represents a normalized / normalizing structure underneath which Otherness is reified to produce hypervisible “different” outsiders (‘non-hoosiers’), and invisible “disciplined” insiders (i.e. ‘hoosiers’). Utilizing data gleaned over a two-month period spent conducting fieldwork in the “hoosier state” (document analysis, unstructured interviewing, and participant observation), I specifically tailor my analysis to uncover people’s understanding, negotiation, and performance of this regional and national subject position. From this point of inquiry, authentic ‘hoosierness’ comes to be represented, known, practiced, and felt in relation to hierarchies of power that privilege white, hypermasculine, rural, and conservative bodies.

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Australian school curricula are currently being reformed with the nation-wide introduction of the Australian Curriculum, designed to bring national subject content and assessment standard conformity through the detailing of the “core knowledge, understanding, skills and general capabilities [that are deemed] important for all Australian students” (Australian Curriculum, Assessment and Reporting Authority [ACARA], 2008). The reform and implementation of any curriculum requires well- structured planning, and at the school level, curriculum implementation requires the input of teachers – the frontline stakeholders. Research suggests that the implementation of a new curriculum requires concentrated support to ensure that teachers are able to work and progress through professional learning effectively (Mulford, 2008; Australian Curriculum Coalition, 2010). This chapter is presented in two parts: a discussion about the incoming Australian Curriculum: English, and an outline of a proposed qualitative case study that will examine English teachers’ perceptions of the implementation of the Australian Curriculum: English in Tasmania.

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A Amazônia deixou de ser apenas uma questão regional e nacional, tornandose decisivamente uma questão global. Envolta nas contradições do capitalismo global, tornou-se, ainda alvo de interesses e pressões externas, notadamente pelos recursos estratégicos e vitais que dispõe para a segurança planetária. O Programa Piloto para a Proteção das Florestas Tropicais do Brasil (PPG-7) surge como caso emblemático de inserção da Amazônia num esforço de governança global, processo esse orientado por uma multiplicidade de atores, coalizões e estratégias. Neste sentido, oriundo das lutas socioambientalistas, no plano da sociedade civil brasileira e dos movimentos transnacionais, o PPG-7 foi um componente importante de redefinição das políticas ambientais no Brasil, alargando a esfera pública e contribuindo para a germinação de uma sociedade civil global conectada por redes na Amazônia.

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Research councils, universities and funding agencies are increasingly asking for tools to measure the quality of research in the humanities. One of their preferred methods is a ranking of journals according to their supposed level of internationality. Our quantitative survey of seventeen major journals of medical history reveals the futility of such an approach. Most journals have a strong national character with a dominance of native language, authors and topics. The most common case is a paper written by a local author in his own language on a national subject regarding the nineteenth or twentieth century. American and British journals are taken notice of internationally but they only rarely mention articles from other history of medicine journals. Continental European journals show a more international review of literature, but are in their turn not noticed globally. Increasing specialisation and fragmentation has changed the role of general medical history journals. They run the risk of losing their function as international platforms of discourse on general and theoretical issues and major trends in historiography, to international collections of papers. Journal editors should therefore force their authors to write a more international report, and authors should be encouraged to submit papers of international interest and from a more general, transnational and methodological point of view.

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This dissertation follows the political and literary ideas of the late Venezuelan writer Arturo Úslar Pietri. Analysis of his essayistic production focuses on his reflections on three major topics: universality, Latin Americanism, and Venezuelan national identity. By "universality" I refer to Úslar's reflections on general human culture and the way in which the crises of many ethical, philosophical, and scientific postulates of modernity are felt and expressed by this author through his critical appraisal of 20th-century history and culture. His most extensive and controversial reflections are those on Latin American identity, historical, socio-cultural and political processes, and philosophical thought, configuring what might be called a Latin American "rationality." National reflections follow the author's ideas on three topics: oil and its (mostly negative) impact on all aspects of Venezuelan life, the rescue of national history as a means to construct a Venezuelan identity, and the quest to identify/configure a national "subject" akin to the new rationality. My conclusion examines the essay-novel relationship as a compendium of Úslar's ideas and public political practices, as illustrated in his novels, where changing global realities are reflected in the most concrete aspects of Venezuelan daily life.^

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With: Early Cincinnati / by Joseph Wilby and 12 other titles.

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The National survey was the third phase in an ongoing initiative to identify critical success factors in ICT mediated supply chains. This study has been designed to harness the tacit and explicit knowledge to be found on the subject from the widest range of appropriate sources. At its core is the assumption that, provided with the fullest list of candidate success factors, a representative sample of experienced industry-based practitioners will (with the aid of statistical analysis) reveal a set of critical success factors. A postal survey has been judged to be the most appropriate mechanism for achieving this outcome.

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Prime Minister Kevin Rudd’s Apology to Australia’s Stolen Generations, delivered on 13 February 2008, is both personal and political to me just as the people who talk about it make it political and personal through their actions. This paper represents my attempt to turn the gaze through articulating some of my thoughts on the Apology, policy statements (Close the Gap) and the inconsistencies within the leadership of the present governments. I have endeavoured to do this through exploring the articulations of others and by sharing examples and personal experiences. In bringing forth some analysis to the literature, examples and experiences, I reveal the relationships between oppression, white race privilege and institutional privilege and the epistemology that maintains them. In moving from the position of being silent on the Apology, and my political experiences, to speaking about them, I am able to move from the position of object to subject and to gain a form of liberated voice (hooks 1989:9). Furthermore, I am hopeful that it will encourage others to examine their own practices within political parties and governments and to challenge the domination that continues to subjugate Indigenous peoples. It is only through people enacting their responsibilities and making changes in their daily lives and through the institutions and organisations to which they belong (the personal and political), can the Apology move beyond symbolic to action.