Trascendiendo al yo ensimismado. La ética de la atención de Iris Murdoch

Muchos de los dilemas morales perderían su intensidad, piensa Iris Murdoch, si abandonáramos la idea de una voluntad soberana que elige autónomamente sus cursos de acción. Prestar atención a la constitución de la realidad posibilita una suerte de ascesis experiencial que conduce más allá del los devaneos de un yo ensimismado. El ejercicio de apreciación de los detalles, de las conexiones, de la complejidad, modifica la decisión misma: no se trata de elegir, sino de "ver" lo moral -la exigencia de la cosa-, igual que un artista cabal no pinta lo que "le gusta" sino "lo que está ahí".

Iris Murdoch on virtue

Murdoch trata del concepto de virtud en diversos textos en los que aparece estrechamente relacionado con otros conceptos que son esenciales para entender su explicación de la teoría ética. Definida como ¿atención desinteresada a la naturaleza¿, la virtud establece la conexión entre los seres humanos y la realidad y puede entenderse en términos de conocimientoy de imaginación; en consecuencia, Murdoch afirma que la virtud mantiene una clara relación con las novelas. La finalidad de este artículo es analizar los textos de IrisMurdoch sobre la virtud para explicar sistemáticamente las características de la virtud, su conexión con otros conceptos y su importancia en el mundo del arte.

L'educació moral a través de la literatura. El punt de vista d'Iris Murdoch

L'egoisme és, en paraules de Murdoch, l'enemic més gran de la moralitat. L'art es presenta com una de les possibilitats de treure el jo de si mateix perquè prengui consciència del món. La finalitat d'aquest article és posar de manifest la importància i també l'interès de la literatura com a vehicle de reflexió i de presa de consciència de la realitat en la que es mou l'ésser humà tal com ens ho presenta Iris Murdoch. Sota aquest punt de vista la literatura posseeix una clara funció educativa moral.

Arte e ética em The Bell de Iris Murdoch

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Iris Murdoch e Simone de Beauvoir: uma leitura feminista de A fairly honourable defeat e La femme rompue

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

L'educaci?? moral a trav??s de la literatura : el punt de vista d'Iris Murdoch

Resumen basado en el de la publicaci??n

Iris Murdoch

This is an analysis of Iris Murdoch's plays, including The Italian Girl, The Severed Head, The Black Prince, The Three Arrows and The Servants and the Snow. It also assesses Murdoch's significance for theatre in the early 1960s and 70s, as Women's Theatre was beginning to make its mark.

Iris Murdoch's romantic platonism

Abstract available.

Exploring Iris Colour Prediction And Ancestry Inference In Admixed Populations Of South America.

New DNA-based predictive tests for physical characteristics and inference of ancestry are highly informative tools that are being increasingly used in forensic genetic analysis. Two eye colour prediction models: a Bayesian classifier - Snipper and a multinomial logistic regression (MLR) system for the Irisplex assay, have been described for the analysis of unadmixed European populations. Since multiple SNPs in combination contribute in varying degrees to eye colour predictability in Europeans, it is likely that these predictive tests will perform in different ways amongst admixed populations that have European co-ancestry, compared to unadmixed Europeans. In this study we examined 99 individuals from two admixed South American populations comparing eye colour versus ancestry in order to reveal a direct correlation of light eye colour phenotypes with European co-ancestry in admixed individuals. Additionally, eye colour prediction following six prediction models, using varying numbers of SNPs and based on Snipper and MLR, were applied to the study populations. Furthermore, patterns of eye colour prediction have been inferred for a set of publicly available admixed and globally distributed populations from the HGDP-CEPH panel and 1000 Genomes databases with a special emphasis on admixed American populations similar to those of the study samples.

Evaluation of iris color stability in ocular prosthesis

Accurate iris reproduction in the fabrication of ocular prosthesis in order to match the remaining eye is a key factor to mask the loss and achieve an esthetic outcome for anophthalmic patients. This study evaluated the stability of acrylic paints used for replicating iris color in ocular prostheses by the analysis of two factors: the temperature of the acrylic resin polymerization cycle during prosthesis fabrication and the incidence of sun light, which is the main photodegrading agent undermining the longevity of ocular prostheses. An accelerated aging assay was used for both analyses. Specimens simulating the prosthetic iris in the colors blue, yellow, black, brown and green were fabricated, and were submitted to a colorimetric reading before and after undergoing the thermal conditions of acrylic resin polymerization. Next, the specimens were submitted to an artificial accelerated aging assay with ultraviolet radiation A and weekly colorimetric readings during a 3-week period. The color change (??*) values for the four specimens painted with the same color paint were averaged and the resulting values were considered for statistical analysis. Levine's test and Student's t-test were used to analyze the influence of the temperature of the polymerization cycle during prosthesis fabrication on the color stability of each acrylic resin paint. Friedman's test for three dependent samples was used for analysis of color photodegradation as function of time. Significance level was set at 0.05 for all analyses. It was observed that, after the action of the temperature of the polymerization cycle, alteration above clinically acceptable level of ??*> 3.3 was observed only for the yellow color. After the accelerated aging assay, there were statistically significant differences (p<0.05) as a function of time in the green, brown, black and blue colors. Changes were clinically acceptable for the brown and black colors; slightly above the clinically acceptable limit for the green color; and significantly high and impracticable from a clinical standpoint for the blue color. There was no statistically significant differences (p>0.05) for the yellow color, which presented color change only a little above the clinically acceptable limit. In conclusion: 1. Only the yellow color presented alterations above the clinically acceptable levels after the polymerization cycle; 2. After accelerated aging, there was no changes in the yellow color above the clinically acceptable levels; 3. For the green color, degradation was significant and slightly above the clinically acceptable levels; 4. The black, brown and blue colors presented significant alterations as function of time; the alterations of the brown and black colors were within acceptable clinical levels, while the blue color presented a more accentuated degradation over time.