988 resultados para Mossurunga, Bento, 1879-1970
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O presente trabalho empreendeu um estudo histórico-analítico de uma seleção de obras para piano e canto e piano do compositor paranaense Bento Mossurunga, compostas entre as décadas de 1930, 40 e 50, com o propósito de examinar de que maneira o compositor buscou codificar a “cor local”, ou seja, fixar elementos da música de tradição oral no texto musical. Este procedimento analítico indicou a existência de recursos musicais que, comparados com a bibliografia de referência sobre a música regional paranaense, demonstram a intencionalidade do compositor em se aliar aos ideais do Movimento Paranista.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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For piano, 2 hands.
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No.1. Russian air.--No.2. Siberian waltz.--No.3. Dance.
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Mode of access: Internet.
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--v. 1. Agassiz and Cornell.--v. 2. Letters to C.F. Hartt : a cross-section of the Agassiz period.--v. 3. Cornell's colors.--v. 5. Natural History Society of Cornell University, 1869-1899.--v. 6. Cornell's three precursors : II. New York State Agricultural College.--v. 7 Cornell's three precursors : III. New York People's College.--v. 8 Cornell's three precursors : New York Central College.--v. 9. The background of Andrew D. White, first president of Cornell University, his ancestry.--v. 11. Gamma Alpha graduate scientific fraternity, its beginning.--v. 12 David Starr Jordan '72, and some Cornell college mates.--v. 13 John Henry Comstock, contemporary comment.--v. 14. David Fletcher Hoy.--v. 15. The Biological Society of Cornell University, 1901-1912.--v. 16. The Research Club of Cornell University, 1919-1965.
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Mode of access: Internet.
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Includes bibliographical references.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Children’s theatre exists along with other theatrical forms in the cultural life of the Sultanate of Oman. Despite the fact that Omani Children’s Theatre started its life at the beginning of the 1970s, many challenges and obstacles continue to face its ongoing development. A significant landmark in this development was the first Omani Children's Theatre Festival which took place in 2007, thirty-five years after the first Omani children’s play was produced in 1972. This festival represents a new era in the history of Omani theatre in general and the history of children’s theatre in particular. This study investigates how Children’s Theatre in the Sultanate of Oman can become a viable and valued form of art for the future. It outlines the historical background and the present situation of Omani children’s theatre and, through discussions with interviewees, defines the obstacles it presently faces and suggests ways to overcome them. The study provides a clear vision for a strong children’s theatre culture in Oman and outlines recommendations for achieving this vision. Presently, there is little written documentation about children’s theatre in Oman. This study provides the first comprehensive historical overview.