979 resultados para More, Thomas, Saint, 1478-1535


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With added series title, engraved, and second half-title.

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Thesis (doctoral)--Friedrich-Alexanders Universität Erlangen, 1904.

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At head of title: The five-foot shelf of books.

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UANL

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The bulk of the play is now ascribed to Anthony Munday. Of the additions three pages (p. 8-9) may be in Shakespeare's hand. cf. Sir E. M. Thompson's Shakespeare's handwriting, 1916.

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Mode of access: Internet.

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Mode of access: Internet.

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Contains reproduction of original t.-p.: A frutefull, pleasaunt, and wittie worke, of the beste state of a publique weale, and of the newe yle, called Utopia...London, A. Vele [1556]

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v. l. Sir Thomas More. William Cecil, lord Burleigh. v. 2. Thomas Wentworth, earl of Strafford. Edward Hyde, earl of Clarendon.

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Mode of access: Internet.

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"First published by St. Dominic's Press in 1928."

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Mode of access: Internet.

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"Circumstances connected with the earlier issues of Utopia": p. [6]-7; Bibliography: p. [8]

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"The life of Sir Thomas More [by William Roper]": p. 93-141.

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De Quincey's conception of the literature of "power" as opposed to that of "knowledge," has proved to be one of the most influential of romantic theories of literature, playing no small part in the canonization of Wordsworth. De Quincey's early acquaintance with the Lyrical Ballads was made through the Evangelical circles of his mother, who was a follower of Hannah More and a member of the Clapham sect. In later years, however, De Quincey repudiated his early Evangelical upbringing and wrote quite scathingly of the literary pretensions of Hannah More. This paper attempts to uncover the revisionary nature of De Quincey's later reminiscences of More and to indicate thereby the covert influence of Evangelical thinking on his literary theorizing. Far from absolving literature of politics, however, colonialist and nationalist imperatives typical of Evangelical thinking may be seen to operate within the spiritualized and aesthetic sphere to which literary power is arrogated by De Quincey.