941 resultados para Moer, Ellen


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Ever since Ellen Moer's "Literary Women" (1976), "Frankenstein" has been recognized as a novel in which issues about authorship are intimately bound up with those of gender. The work has frequently been related to the circumstance of Shelley's combining the biological role of mother with the social role of author. [...]

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Kirje 5.4.1975

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Kirje

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The aim of this thesis has been to illustrate the multifaceted talent in Ellen Thesleff's (1869 - 1954) work with particular emphasis on her technique and artistic expression. Why did Ellen Thesleff work withso many techniques? How did the technique affect the expression and what characterizes it? It would also be of interest to gather some idea of Ellen Thesleff's position among other artists. The investigation covers a representative selection of about 60 pictures, using nine different techniques, primarily as oils, woodcuts and monumental painting. The pictures illustrate three periods of time, the natural (1890 - 1905), the colourful (1906 - 1927) and the free period (1928 -1950). I describe the pictures in regard to their conception and subject matter and scrutinize their formal creation. Thereafter, I investigate the painting technique and artistic expression of each picture and position it, where applicable, in relation to other art. Ellen Thesleff's artistic quality is discussed in relation to her techniques and expression. Thesleff consciously chooses different techniques for related subjects in order to vary the expression. The progressing evolution within individual techniques and a cross-fertilization between them has evidently contributed to raising her artistic quality. I have studied how the techniques influence expression and found it possible to identify certain characteristic styles during the three periods: first a natural painting technique which reminds one of both French realism, paintings reflecting the Nordic mood and atmosphere, and symbolism, ascetism and synthetism; later an expressive Thesleff colourism with brilliant over- and underpainting in contrasting colours and last a free decorative painting in lines, with symbolistic undertones. Most characteristic is the lyrical expression which seems to be a common theme throughout Thesleff's entire artistry. I have found that Ellen Thesleff in her works had herown personal style compared to her contemporaries. Despite deep knowledge of styles and techniques she continually creates art from her inner self and with her own personal brush signature.

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Kirjallisuusarvostelu

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Indenture of bargain and sale between Henry and Mary Ellen Rogers of the Township of Niagara and John Young of the Township of Niagara regarding part of Lot no. 113 in the Township of Niagara - instrument no. 15071. Registered in the County of Lincoln on January 16, 1865 in Book C, folio 344, January 13, !865.

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Indenture of bargain and sale between John Young and Jane Young of Stamford Township to Margaret Ellen Rogers the wife of Henry Rogers of Stamford regarding part of Lot no. 113 in the Township of Niagara. This was registered in the Lincoln County Register on March 31, 1869 - instrument no. 274.

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Indenture of deed of land situate between Anne Steele of West Nissouri, wife of Archibald Steele of the first part, Anne Pickard of Niagara Township of the second part and Margaret Ellen Rogers, wife of Henry Rogers of Niagara Township of the third part. This is in regard to part of Lot no. 113 in Niagara Township. This was registered in the Township of Niagara on July 5, 1882 – instrument no. 1744, June 13, 1882.

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