925 resultados para Modern literature|Romance literature|Womens studies


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The logic of argument, by C.C. Hoag.--On Milton's knowledge of music, by S.G. Spaeth.--George Herbert: an interpretation, by W.S. Hinchman.--The younger Wordsworth, by C.H. Burr.--Vita nuova, chapters 24 to 28, by A.G.H. Spiers.--Some Franco-Scottish influences on the early English drama, by J.A. Lester.--Heine and Tennyson: an essay in comparative criticism, by C.W. Stork.--The Franklin's tale, by W.M. Hart.--Ipomedon: an illustration of romance origin, by C.H. Carter.--The Moors in Spanish popular poetry before 1600, by W.W. Comfort.

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Mode of access: Internet.

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"Of the essays contained in this volume the first four have been taken from the Dublin Review, the remaining seven were published in the Quarterly Review."--Pref.

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Selección de textos modernos sobre el tema de "la lucha por la identidad", de diferentes géneros (prosa, teatro, poesía), orientados a alumnos de enseñanza secundaria. Incluye una introducción sobre el contexto del desarrollo de la literatura moderna; notas explicativas de las alusiones históricas y literarias; una sección de interpretaciones de los textos que permite a los lectores establecer comparaciones, estimulando el debate de ideas, el uso del lenguaje y el pensamiento crítico; y un apartado con preguntas para que los alumnos se familiaricen con los textos y se preparen para los exámenes.

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Mode of access: Internet.

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“War Worlds” reads twentieth-century British and Anglophone literature to examine the social practices of marginal groups (pacifists, strangers, traitors, anticolonial rebels, queer soldiers) during the world wars. This dissertation shows that these diverse “enemies within” England and its colonies—those often deemed expendable for, but nonetheless threatening to, British state and imperial projects—provided writers with alternative visions of collective life in periods of escalated violence and social control. By focusing on the social and political activities of those who were not loyal citizens or productive laborers within the British Empire, “War Worlds” foregrounds the small group, a form of collectivity frequently portrayed in the literature of the war years but typically overlooked in literary critical studies. I argue that this shift of focus from grand politics to small groups not only illuminates surprising social fissures within England and its colonies but provides a new vantage from which to view twentieth-century experiments in literary form.

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Bringing together a range of little-considered materials, this article assesses the portrayal of Persia in seventeenth-century travel literature and drama. In particular it argues that such texts use their awareness of Islamic sectarian division to portray Persia as a good potential trading partner in preference to the Ottoman Empire. A close reading of John Day, William Rowley and George Wilkins’ The Travailes of the Three English Brothers (1607) demonstrates how the play develops a fantasy model of how relations between Persia and England might function. The potential unity between England and Persia, imagined in terms of both religion and trade, demonstrates how Persia figured as a model ‘other England’ in early modern literature.