Studio portrait of the wood merchant Hermann Judey Portraits Men

Riga 1878? – New York 1959

Wood merchant Hermann Judey outdoors Portraits Men

Riga 1878? – New York 1959

Wood merchant Hermann Judey with his first wife Olga Judey nee Fischmann on the coast Portraits Couples

Hermann (Lazar Hirsch) Judey, born 1878 Riga and died 1959 New York; Olga Judey nee Fischmann, 1878-1929

Studio portrait of the wood merchant Hermann Judey with his stepson Paul Portraits Family

Paul was the son from a previous marriage of Hermann's first wife Olga Judey nee Fischmann

Defrauding Daughters Turning Deviant Wives? Reading Female Agency in The Merchant of Venice

Brabantio’s words “Look to her, Moor, if thou hast eyes to see:| She has deceived her father, and may thee” ( Othello , 1.3.292–293) warn Othello about the changing nature of female lo yalty and women’s potential for deviancy. Closely examining d aughters caught in the conflict between anxious fathers and husbands-to- be, this article departs from such paranoid male fa ntasy and instead sets out to explore female deviancy in its legal and dramatic implications with reference to Shakespeare ’s The Merchant of Venice . I will argue that Portia’s and Jessica’s struggle to evade male subsidiarity results in their conscio us positioning themselves on the verge of illegality. Besides occa sioning productive exploration of marriage, law and justice within what Morss (2007:183) terms “the dynamics of human desir e and of social institutions,” I argue that female agency, s een as temporary deviancy and/or self-exclusion, reconfigures the ma le domain by affording the inclusion of previous outsiders (Anto nio, Bassanio and Lorenzo) .

The merchant of berlin ; an historical novel

UANL

Figures de l'avarice et de l'usure dans les comédies : The Merchant of Venice de Shakespeare, Volpone de Jonson et L'Avare de Molière

Réalisé en cotutelle avec l'Université de Paris Ouest Nanterre La Défense

The merchant of Venice.

Incluye el texto completo de la obra de teatro y se acompaña de una explicación detallada de palabras, frases y pasajes difíciles de entender, resúmenes al comienzo de las escenas individuales y notas sobre los personajes principales. Todo ello para ayudar a los estudiantes a una mejor comprensión del texto. Además, contiene actividades para el aula, prácticas de examen e información sobre la Inglaterra isabelina como apoyo adicional.