996 resultados para Melo Neto, João Cabral, 1920-1999 Crítica e interpretação
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Coordenao de Aperfeioamento de Pessoal de Nvel Superior (CAPES)
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Este trabalho, a partir da anlise da obra completa de João Cabral de Melo Neto, busca mostrar como o poeta pernambucano venceu o silncio que o ameaava desde os primeiros versos. A conquista de sua voz se d quando o autor empreende uma volta ao passado, s origens de lnguas e literaturas ibricas num movimento diacrnico. nesta viagem no tempo que ele encontra formas que sejam capazes de resistir contempornea crise da linguagem e que tambm lidem com a prpria questo da linguagem enquanto forma de expresso humana. A tese ainda questiona a posio de Cabral quanto tradio potica nacional.
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Ps-graduao em Geografia - IGCE
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Ps-graduao em Lingustica e Lngua Portuguesa - FCLAR
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Este livro realiza uma travessia pela obra de João Cabral de Melo Neto (1920-1999), buscando apreender o ser do tempo e seus desdobramentos no espao do poema. Ao leitor que j conhece a obra do poeta, este estudo possivelmente oferecer um novo olhar focado no seu processo criativo ao percorrer o trajeto de sua poesia atravs da temtica do tempo.
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Coordenao de Aperfeioamento de Pessoal de Nvel Superior (CAPES)
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La pieza-poema Morte e Vida severina Auto de natal pernambucano, de João Cabral de Melo Neto, publicada en 1956, es el principal objeto de este estudio, interaccionando con las obras O Co sem plumas y O rio por la similitud temtica entre ellas: el estudio sobre esas obras busca una lectura desvinculada del posicionamiento constructivista y metalingstico que por tradicin configura la obra cabralina, no por negar a la crítica literaria que da respaldo cientfico, pero con la pretensin de lanzar una nueva mirada dirigida para el concepto de barroco, materia sta que implica la creacin potica a partir de la segunda mitad del siglo XX. Por lo tanto, este trabajo presenta una propuesta de anlisis de la poesa de João Cabral a partir del contexto neobarroco. Considerando, sobre todo, los aspectos similares a la temtica del barroco, el enfoque recae sobre la influencia de la literatura ibrica por que pasa el poeta João Cabral, as como la temtica sobre el conflicto existencial explorado en el texto Morte e Vida severina, y an, los extractos de lenguaje con significacin mltiple que presentan signos metonmicos y metafricos.
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João Cabral de Melo Neto n a jamais aim les vers sentimentaux et prolixes venus de la tradition romantique. C est pour a que son uvre a un discours objectif, rigoureusement elabor e elle comporte certaines influences concretistes a explique pourquoi l auteur est connu comme l ingnieur de la langage. En verit, le pote mme dissait qu il tait un homme froid et rationnel. La critique a assidument analys la matire logique et le rigeuer formel de l uvre de Cabral de Melo. Pourtant, dans ce travail nous analysons les pomes dont le sentiments humaines sont la mtire principal de l laboration de l experince esthtique. La posie de João Cabral n est pas simple verbalisme formel, ni un uvre sens vie, car les objects concrtes et la langage objectif n empchent pas qui le sujet dcrit avec motion les scnes presents dans les pomes. Nous travaillons avec la hypothse de que le pote a une attitude trop humaine quand il parle de l experience culturel et de l experience de la vie dans le Nord-est brsilien. Les units tmathiques de ce travail, pourtant, montrent la reprsentation du Nord-est dans la posie de João Cabral et examinent aussi le sentiment qu il sent par la memoire culturel de sa rgion. Parmi les aspects qui composent sa lyrique humaine nous citons la personification constant de les paysages du Nord-est le pote ne veux pas faire une dcrition tophographique de la rgion parce que les places ont un valeuer sentimentel pour lui; au moyen d un discours erotique, Cabral represente les desirs et les intints humaines de sa terre; ensuite, il semble que le pote est enchant et envelopp avec certains elemets culturels de sa rgion, come l hamac, la littrature oral et la musique rgional; la preoccupation avec la population explore et la denonciation de la condition miserable dans le Nord-est brsilien confirment aussi la humanit prsent dans son uvre; finalment, la rcordation de l enfance et la nostalgie du temps pass sont, pour le pote, un possibilit qui peut aider dans la formation humaine de la population
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The aim of this research is, starting from a Baroque reading, unfold the understanding of the poems by João Cabral de Melo Neto in the axis Pernambuco-Spain. From this perspective, the reading of poet s Obra Completa allows the appearance of two persons, one from Seville and other from the Brazilian countryside, whom curiously pulsate and reveal themselves from their homelands, Brazilian northeastern dry lands and Seville, to a labyrinthy meeting establishing a close and exciting relationship of cities apart but which mark a contiguous dialogue between both cultures. The theorical effort of this investigation permeates, approaches and contrasts the directions of, among others, Severo Sarduy (1999), Gilles Deleuze (2012) and Eugenio D Ors (unknown). Not traveling an anthropological bias, this study observes the Spanish space and the Brazilian northeastern dry lands space, joining the regional to the universal and analyzes the baroque game in the (re) construction of the both men s cultures. These elements fuse, approach and move away, causing a game of allusions to Pernambuco and Spain that show itself through a similar cultural bias and different at the same time. From this apprehension it is possible to understand the synthesis of the Brazilian arid northeast-Seville men as a update of seventeenth century Baroque coming from indexes that are shown over the particular written by João Cabral de Melo Neto, in the Iberian Baroque scenario and in the American one s
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Neste artigo repensamos a metfora do "poeta-engenheiro", ou "poeta-arquiteto", que geralmente caracteriza o processo criativo de João Cabral de Melo Neto, luz de uma leitura gentica de manuscritos de A educao pela pedra. Veremos que o "arquiteto" da metfora provm da teoria de Le Corbusier, na qual o desenho (a concepo) determina o canteiro (a execuo). No entanto, a anlise de transformaes de estruturas por meio de reformulaes textuais nos manuscritos do poeta mostra que, por vezes, o projeto, ou inteno, se transforma nos trabalhos da pgina-canteiro.
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Dar a ver Serto e Sevilha: matizes hispnicas na potica cabralina is a study on the lyric reading possibilities of Cabralian poetry, from the work of the poet from Pernambuco, that shows the intercultural dialogue and the Spanish poetical approach absorbed by João Cabral de Melo Neto during his Andalusian experience. Hispanic interfaces incorporated by the Cabralian poetry through literature or through the direct contact with the culture are registered on the 133 poems that have Spain as theme, in which we can see the matrix of Hispanic tradition, rich in its diversity, was the preponderant element for the poet João Cabral to discover the core of his lyric backwards. From Hispanic corpus, it will be explored the aesthetical assimilation of Spanish poetry in the work of João Cabral de Melo Neto, with the objective of demystifying the issues of lyrical dullness and anti musicality on Cabralian poetics in which, from the appropriation of Hispanic elements investigated as a signal of lyrics and musicality, originates a reading unattached from the constructivist signal, tessitura evidenced by the critic Antonio Candido since the origin of JCMN poetry with the poem Pedra do sono (1942). The mentioned aesthetics was adopted later on by the literary critics that named it as brain poetry for its hermetical configuration, tessitura of rigor, concreteness of language and stiff metrics. The results obtained from this study aim to induce a reading that favors the lyrical acoustic of the Cabralian poetry in the effort to ease the aspects of the arid construction.
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This dissertation, entitled O Auto da Morte e da Vida: A escrita barroca de João Cabral de Melo Neto, has the aim of analising, interpreting, in a baroque perspective, Cabral s writing in the poem/play Morte e vida severina Auto de Natal Pernambucano, taking as basis the theories of Eugnio DOrs, Severo Sarduy, Omar Calabrase, Lezama Lima, Afonso vila, Affonso Romano de SantAnna and others cited in the body of this work. During the analisys we feature confluences, relations, similarities, identification between the Baroque of the counter reformation and the modern Baroque or Neobaroque. We seek to comprehend the baroque which is new in the XX century and Cabral s poetry as an element of the contemporaneity, by updating the concept of the Baroque in the 1600s, when it is detected in its purest characteristic in human relation (the life of the Northwestern brazilian) through an intangible reality (the death). The Baroque as a cultural summary of a period of instability and transformation, with the power of dismantling an already established poetry. The fight between words and things, language and reality
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The aim of this article is to present some considerations on the contemporary city figurativizations, from the reading of O Arquiteto, a Bernardo Carvalhos short story, published in the anthology Aberrao (2004). In this short story, the writer retakes the city theme following a modernity tradition, established, among others, by Poe and Baudelaire, making his voice embrace other Brazilian writers voices, that have represented the town, but, at the same time, recreating, in his scripture body, dense and intense, quick and, in some sense, agonic, the utopist projects of renascence ideal cities, questioning the utopias and the aesthetics traces which can be found on the nowadays texts. To enlarge the metalinguistic proposal that emerges from the analysis, some poems by João Cabral de Melo Neto are considered. This comparison allow us to establish parameters to think about influence in certain perspective of contemporary literature, which epicenter configures less the supremacy of the newty and more a aesthetic of deletions of the origins, tracks, traces, which are possible by the canon invention.
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The critic João Alexandre Barbosa, points in the work Agrestes (1981-1985), of the Brazilian poet João Cabral de Melo Neto, the presence of individualized death. Thus way, this study proposes to analyse the meanings of lyrism and first-person enunciations, in the work Agrestes, a trace gradually eliminated from Cabrals discursive field since his first work, Pedra do Sono (1940-1). These elements will clash with João Cabrals poetics, previously based on the selection of voices and artistic practices consistent with his compositional method, with rigorous sorting values and elimination of any subjectivism. To understand this inconsistency, we propose studying the last part of the work Agrestes, entitled A indesejada das gentes, a place where the theme of death is recurrent, as well as the presence of enunciators to set out, even to reveal its feelings about aging and death. The analytical procedure should research the hypothesis of rupture of the inflexible tone of João Cabrals speech that would follow in respect to the poetic project, a reverse path, starting from objective poetry in the direction of subjective poetry.
