The Mausoleum and sculptures of Halicarnassos and Prienè, in the British museum ...

"Part V. (Volume II.) of a Catalogue of sculpture in the Department of Greek and Roman antiquities, by A. H. Smith."

A history of discoveries at Halicarnassus,

Mode of access: Internet.

Mausoleum, excavated artifact, so-called "Maussollos"

Halicarnassus, Turkey; 9 ft. 10 7/64 in. x 3 ft. 8 3/32 in. x 2 ft. 2 49/64 in.; marble

Antwort des lieben Fritz auf die Geisterstimme im Mausoleum: Verklärter Geist! Du blickst mich finster an. So streng darfst Du Gericht mit mir nicht halten ...

Welsch (Projektbearbeiter): Gedicht eines unbekannten Verfassers, in dem 'der liebe Fritz' (König Friedrich Wilhelm IV. von Preußen) dem Despotismus abschwört: "Erkannt hab' ich, daß nur des Volkes Liebe, Die wahre Stütze sei, für meinen Thron!". (Man vgl. damit das kurz zuvor erschienene Flugblatt: 'An meinen lieben Fritz am 7. Juni 1848: Eine Geisterstimme' (Sf 16/109, Nr. 7))

The deterioration of Circular Mausoleum, Roman Necropolis of Carmona, Spain

The Circular Mausoleum tomb in the Roman Necropolis of Carmona was carved on a calcarenite sequence in an ancient quarry located in the town of Carmona, Southern Spain. This rock-cut tomb, representative of Roman burial practices, currently suffers from serious deterioration. A detailed survey over several years permitted the identification of the main tomb's pathologies and damaging processes, which include loss of material (scaling, flaking, granular disintegration), surface modifications (efflorescences, crusts and deposits) and extensive biological colonization. The results obtained in this study indicated that anthropogenic changes were largely responsible and enhanced the main alteration mechanisms observed in the Circular Mausoleum. Based on the deterioration diagnosis, effective corrective actions were proposed. This study shows that any conservative intervention in the interior of the tomb should be preceded by accurate in situ measurements and laboratory analyses to ascribe the source of the deterioration damages and thus designing effective treatments.

The Escorial; a historical and descriptive account of the Spanish royal palace, monastery and mausoleum /

Mode of access: Internet.

Gong Mausoleum, Empress Tomb, excavated artifact, Bottle with Mountains and Waters Design

Henan. Luoyang; H: 5 19/32 in.; painted pottery

Bernisches Mausoleum, oder Vorderst GOTT Zur Ehr/ Lob/ und Danck:

Bound in full blue-gray marbles paper covered boards. Title in gilt on red leather label mounted on spine.

Charles William Post mausoleum in Battle Creek

On lower, left-hand corner: Krums Photographic, Battle Creek

Mausoleum Saxonicum, seu panegyrici parentales, anniversarii, quib. electorum Saxon. lineae Albertinae vita, more & res gestae...prosa & carmine heroico...decantata sunt.

Mode of access: Internet.

59 plates for notes upon the Castle of Budrun (Halicarnassus) and its association with the Knights of St. John of Jerusalem,

"The plates are from drawings made by Corporal R. Spackman, R.E. (British Museum Add. Ms. 30, 988) ..."

Lighter than Tai

YEAR: 2008 ROLE: Performer FORMAT: Live Art Event at Tiananmen Square Beijing, China (3 hours) and Later on Summit of Mt. Tai Shan, Shandong Province, China (6 hrs + 3 hrs). WITH: Solo WHAT: In the Hall of Reverence on Tiananmen Square, Beijing Mao Zedong's body lies in state surrounded by flowers and draped with a Red Flag of Communist China. His casket with a glass top lies on a black stone from Mt. Tai, reflecting the quotation from Sima Qian (China's Han Dynasty historian) that "One's life can be weightier than Mt. Tai or lighter than a goose feather". This pair of performances were a quiet, personal reflection upon what such a once revolutionary expression might mean in today's very different time and place. The work was conceived during the Olympic Cultural Festival showing of Intimate Transactions (www.intimatetransactions.com) - during the tumultuous times leading up to China's proudly staged August 2008 Olympics. The rise and rise of China had long been generating major geopolitical, ecological and cross-cultural shifts throughout the region and beyond. In this dramatic epicentre of change and at a time of such great national pride, how might we each act in ways that are ecologically 'mighty' and yet simultaneously have an impact lighter than a goosefeather? This is both a question for China in its relations with the autonomous provinces and the environment as it is for all of us in our own 'local' affairs. However ecologically speaking all that is of local concern is of global concern and noone can therefore be exempt from the need to sustain that which we share in common and must all protect for the future. Performance 1: Tiananmen Square, Beijing: Dropping 100 goose feathers. Performance 2: The summit of Mt Tai, Shandong Province. Building a mountain from Goose Feathers. SHOWING HISTORY: 1: Anniversary of Protest Crackdown, Jun 8th 2008. 2: Dawn on Tai Shan's summit, 15th June, 2008 DETAILS: Performance 1: Begin an hour after dawn (5.45am) in Tiananmen Square Bring pre-prepared performance shirt, a bag of goose feathers tipped with red. Begin at the "Gate of Heavenly Peace" under the image of Chairman Mao. Circumnavigate the world's largest open and the most surveilled public space 5 times dropping feathers periodically. Meditate on Forces of Change. Finally enter Chairman Mao's mausoleum with the masses and move quietly past his preserved body. End the performance at the Gate of Heavenly Peace 3 hours later. Performance 2: Walk up Mt. Tai Shan in silence meditating on Forces of Change (6 hours). Stay overnight on the summit. Begin an hour before dawn (3.45am) in silence. Bring performance shirt, a sack of goose feathers and a simple wooden structure. On the sunrise viewing side of the mountain build a miniature, fragile 'mountain' in goose feathers and sticks on the edge of a sheer precipice. Watch the sun rise as the feathers blow away into the valley deep below (3 hours).

WIL-power: Developing journalism students' intercultural communications and international reporting skills on field trips to Vietnam

This article examines journalism students' learning experience that is intercultural, immersive and intensive. Accounts of 'intercultural' experience date back to Herodotus of Halicarnassus; 'immersion' is integral to contemporary practice in language learning; and 'intensive' delivery has been refined to an art by postgraduate business education. Together they can be grouped under the broader pedagogical concept of work-integrated learning (WIL). This article examines two WIL projects that involved field trips by journalism students to Vietnam in 2012 and 2014, and their implications for future WIL initiatives.