Comparing the ethical predisposition of university students in five English-speaking countries : an examination of 14 questionable business practices

Recent years have seen intense scrutiny focused on the reported ethical breaches of enterprises across the globe. At the forefront of the accompanying criticism are the actions of giant American firms such as WorldCom, Arthur Anderson, and Enron. However, such deviations from acceptable standards of conduct have not been confined to the American market. Australia endured its era of “corporate excess” in the 1980s [Milton-Smith, 1997]. As a result, a spate of ethics-based research was undertaken in the early 1990s. More recently, China has been identified as a major venue for behavior deemed to be unacceptable, even unsafe. Issues such as counterfeit fashion items, software, and automobile parts have been a concern for several years [Gonzalez, 2007]. Perhaps more disconcerting are the recent recalls of children’s products, many of which were produced for leading toy companies such as Mattel and Fisher-Price, because of the use of dangerous lead-based paint. As one might anticipate, news reports and consumer protection agencies have been quick to condemn any action that falls within the “controversial” category. Indeed, many segments of society characterize such actions as unethical behavior. One result of this increased level of concern is the higher level of attention given to ethics in higher education programs. Even accreditation bodies such as AACSB have virtually mandated the integration of ethics into the curriculum. As a consequence, academicians have ramped up their ethics-based research agendas.

Polly Pocket

Comprised of ten 3 minute and two 12 minutes animated episodes, featuring Polly Pockets and her friend in numerous adventures.

The valley of the dolls: Brand protection and artistic parody

In the case of Mattel Inc v Walking Mountain Productions, the toy doll manufacturer Mattel sought to prohibit a Utah photographer called Thomas Forsythe from producing and selling a series of 78 photographs entitled "Food Chain Barbie". The work had strong social and political overtones. The artist said that he chose to parody Barbie in his photographs because he wanted to challenge the beauty myth and the objectification of women. He observed: "Barbie is the most enduring of those products that feed on the insecurities of our beauty and perfection-obsessed consumer culture." The company Mattel argued that the photographs infringed its copyrights, trade marks, and trade dress. It was concerned that the artistic works would erode the brand of Barbie by wrongfully sexualising its blonde paragon of womanhood. However, Lew J of the Central District Court of California granted summary judgment for the photographer. The Court of Appeals upheld this verdict. Pregerson J held that the use of the manufacturer's copyrighted doll in parodic photographs constituted a fair use of copyright works. His Honour held that the use of manufacturer's "Barbie" mark and trade dress did not amount to trade mark infringement or dilution. This article provides a case commentary upon the Court of Appeals decision in Mattel Inc v Walking Mountain Productions, and its wider ramifications for the treatment of artistic parody under copyright law and trade mark law. It contends that the decision highlights the need for reform in Australian jurisprudence and legislation in respect of artistic parody.

La chine comme pays d"externalisation de production

China abrió su economía a Occidente a finales de los años 1970, lo que le permitió un crecimiento económico enorme. Las empresas extranjeras que se instalaron, encontraron allí, costes de producción ventajosos. Sin embargo, las empresas se dieron cuenta rápidamente que las condiciones y la legislación laboral en este país, se encontraban por debajo del nivel de los países desarrollados y que la influencia por parte del Estado en el comercio, era bastante fuerte. Con esta investigación, se propone mostrar las consecuencias que estas condiciones pueden tener sobre las empresas extranjeras que se instalan allí, mediante dos casos ejemplares, con el fin de convertirse en una guía para las empresas para que logren adaptarse.

Girl's games ¿Un juego de niñas?

Los juegos para niños son un producto multimedia para niños menores de 14 años. Aunque no está cuantificada la importancia de este sector de usuarias, las grandes empresas norteamericanas son conscientes de la demanda de productos adaptados a unas necesidades distintas a las estándar.Presentan un software para niñas creado por Purple Moon dónde las niñas pueden crear sus propios personajes, a diferencia de otros productos de la empresa Mattel, dedicado a la muñeca Barbie donde aparecen estreotipos femeninos de manera acusada.