Letter from William Croswell to the Masters of Mason Street Schools, 1832 March 8

Draft of a brief letter complaining about students.

Constructing the National Canon in Ireland and Macedonia: The Function of Folklore in the Plays The Countess Cathleen and The Land of Heart’s Desire by William Butler Yeats, and Proud Flesh and The Black Hole by Goran Stefanovski and Their Role in Strengthening National Identity

Erasmus Mundus Masters “Crossways in European Humanities” June 2011

Old masters and new; essays in art criticism,

Reprinted from various periodicals.

Lectures on the philosophy and practice of slavery [electronic resource] : as exhibited in the institution of domestic slavery in the United States: with the duties of masters to slaves. /

Electronic text and image data.

A treatise on the art of painting, in all its branches; accompanied by seventy engraved plates, and exemplified by remarks on the paintings of the best masters, illustrating the subject by reference to their beauties and imperfections.

Plates by John Carwitham after Lairesse. They are numbered I-LXXI, with II/III and IV/V on single leaves.

The art of singing : based on the principles of the old Italian singing-masters, and dealing with breath-control, production of the voice and registers, together with exercises /

Mode of access: Internet.

Paintings by the great Dutch masters of the seventeenth century; loan exhibition in aid of the Queen Wilhelmina fund and the American women's voluntary services.

Mode of access: Internet.

A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters; in which is included a short biographical notice of the artists, with a copious description of their principal pictures; a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference to the galleries and private collections, in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools:

"Reprinted for Sands and company, London and Edinburgh: 1908."

Sea life; or, What may or may not be done, and what ought to be done by ship-owners, ship-masters, mates and seamen ...

Title vignette.

The art of singing; based on the principles of the old Italian singing-masters,

Mode of access: Internet.

A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters : in which is included a short biographical notice of the artists, with a copious description of their principal of pictures, a statement of the prices at which such pictures have been sold at public sales on the continent and in England, a reference to the galleries and private collections, in which a large portion are at present, and the names of the artists by whom they have been engraved, to which is added, a brief notice of the scholars & imitators of the great masters of the above schools /

Includes indexes.

The life and architectural works of William Henman, F.R.I.B.A.

DUE TO COPYRIGHT RESTRICTIONS ONLY AVAILABLE FOR CONSULTATION AT ASTON UNIVERSITY LIBRARY AND INFORMATION SERVICES WITH PRIOR ARRANGEMENT

Main entry, William St, Neville Bonner Building, Brisbane

William St building-Riverside Expressway building junction.

(FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499)

Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".