986 resultados para Master of the Berlin Passion, 15th cent.
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Plates III and IV accompanied by leaves with explanatory letterpress.
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The story of the fall of the Berlin Wall was an aspect of the “imagination gap” that we had to wrestle with as journalists covering the collapse of the Eastern Bloc in Europe. It was scarcely possible to believe what you found yourself reporting, and that work became a two-track process. On one hand a mass social movement was dictating the pace and direction of events; on the other, the institutional business of politics as usual, to provide a framework for all the change that was happening, had to be managed – and reported on. In later analyseds we could see, that crisis in the Soviet Union led to the crisis over the Berlin Wall; and from the fall of the Wall, came Germany’s reunification, and with that also, formation of the European Union as it is today. The government of the Federal Republic of Germany convinced its neighbours that a reunited Germany, within an expanded EU, would be a very acceptable “European Germany” -- not the leader of a “German Europe”. It committed itself financially, supporting the new Euro currency. The former communist states of Eastern Europe demanded to join and expand the EU; in order to remove themselves from the Soviet Union, enjoy human rights, and share in Western prosperity. So today, following on from the events of 1989, the European Union is an amalgam of 27 member countries, with close to 500 million citizens and accounting for 30 % of world Gross National Product.
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Se narra la caída del muro de Berlín, que había separado la ciudad en dos, y el fin de la división de Alemania tras la derrota de las fuerzas de Hitler en la Segunda Guerra Mundial. También, se explican los acontecimientos históricos y políticos que propiciaron tanto su construcción en 1961 como su derrumbamiento en 1989.
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The main aim of this project was to verify the possibility raised in the publication of new archival data in 1980 that the group of panel paintings attributed to the Master of the Rajhrad Altarpiece and his workshop were not created before 1420, as earlier academic opinion held, but in fact only around 1450. It included a detailed analysis of the 21 panels forming the group, including infrared reflectography research. This helped identify the highly personal underdrawing style of the "Rajhrad Master" as common to all the panels in the group, proving that they really form a coherent whole. Questions of the painter's education and the nature of Bohemian society around 1450 were also considered, as. Bartlova felt these had been neglected in earlier studies. She concludes that the Master studied in Prague in the late 1430s and then continued studying in Vienna and Munich from 1440. The new dating of the group of panels connected with this anonymous master and his workshop throws new light on Bohemian artistic production during the late Hussite period (c.1430-c.1470). It was generally thought that artistic activity moved out of Prague after the outbreak of the Hussite wars in the 1420s, but this research revealed considerable activity there throughout the period. Numerous painters listed in the Book of the Prague Painters' Guild for this period can now be linked with extant panels, although most of these have survived outside Prague, principally in South Bohemia. These findings have broad implications for studies of Bohemian art in this period.
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Scan von Monochrom-Mikroform
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"Mayflower passengers; Bradford list": p. 236-240.
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C.Beavan, reporter.
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Mode of access: Internet.
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Mode of access: Internet.
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With: Audi alteram partem ... / by an Officer of His Majesty's Navy. London : J. Budd ; G. Sidney, 1804. -- A brief inquiry into the present condition of the Navy of Great Britain ... London : S. Highley, 1804. -- A reply to a pamphlet intituled "A brief enquiry into the present condition of the Navy of Great Britain" ... London : J. Ginger, 1804.
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Mode of access: Internet.