17 resultados para Marvellous


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Mode of access: Internet.

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In articles, already published, we have proved that the strain V. B. of Brazilian virus, goes through the placenta (Macacus rhesus) (1) and the apparently normal gastro-intestinal tube (1934-1937) (Canis familiaris) (2). Today we present the idea that the Brazilian virus can reach the milk of an animal even when the latter has only the unapparent disease. In former articles (**), we have shown that the goat (Capra hircus) can be an excellent reservoir of Brazilian virus, having the strain V. B. in its blood and presenting a Weil Felix reaction high and in “group”, with the disease unapparent. When the goats are bred in the laboratory, and even in some foci of the disease, they give a negative Weil Felix, being zero for all the nine strains of Proteus. In the interior of Brazil, in many localities, goats substitute cows, in supplying milk for children and adults, and in some districts goat’s milk is considered superior to cow’s milk, possessing marvellous qualities for men, women an children. Having proved, now, that goat’s milk can contain the virus even when the animal presents nothing clinically, and having also shown that this virus goes through the digestive tube apparently sound, it is easy to understand how infants-in-arms, that is, only a few months old, living in strictly domestic surroundings, can contract the disease; we have many such cases on record. Protocol of the experiments: Goat nº 2, white, January 1948. This animal had been inoculated with the V. B. strain of the Brazilian virus in June 1947, via intra-peritoneal, presenting nothing then, not even a feverish reaction. On that occasion it was not possible to isolate the virus of the blood, although the Weil Felix reaction was positive, high and in “group”. Now January 17, 1948, seven months later, the same animal was reinoculated with a semple of virus V. B. in the same manner (intra-peritoneal) two days after bringing forth two sturdy kids. The virus V. B. was obtained from guinea-pig n. 7170 whose thermic graph was as follows: Temperatura – 38,8 – 39,1 – 39,5 – 39,4 –39,8 – 40,4 – 40,2 – 40,1 - + Necropsy – Typical lesions. The spleen weighed 5 grammes. With 3c.c. of emulsion from the nervous system of this guinea-pig, we inoculated not only the goat, as also two guineapigs, number 14 and number 5. The following is the thermic graph of one: - Guinea-pig n. 14 – 38,9 – 39,1 – 39,2 – 39.2 – 40,7 – 41,0 – 40,5 – 40,4 – 40,1 - + Typical lesions. Guinea-pig n. 2 presented the following thermic graph after the infective inoculation: - 39,5 – 39,7 – 39,7 – 39,7 – 39,5 – 39,3 – 39,5 – 39,5 – 39,5 – etc. Clinically, this animal presented nothing unusual, feeding well and suckling the kids normally. The Weil Felix reaction was positive, in “group” high very similar to the reaction obtained in June 1947, with the first infective inoculation. On the third, fourth, fifth, sixth and seventh day after the infective inoculation, we took milk from the goat and inoculated male guinea-pigs via intra-celular and via intra-peritoneal, giving 5 c.c. to each animal. Guinea-pig n. 4663, inoculated with 5 c.c. of milk, via intra-muscular, taken on the third day of the infectaive inoculation, presented the following thermic graph: - 38.8 (*) – 39,1 – 39,0 – 39,1 – 40,1 – 40,1 – 40,8 (**) – 40,8 – Killed – Typical deisions (***). The virus V. B. of this goat, circulated naturally in the blood up to the third day, having passed into the milk, producing nothing in the kids, on account of the natural resistance of these animals to the disease. The Weil Felix reaction and that of Widal for the Burcellas suis, abortus and militensis were negative for the goat and the kids. It is remarkable that, even with inoculation of the living virus after a period of seven months we cannot get a real and absolute immunity of sensitive animals. We shall return to this subject later. The hart Mazama simplicicornis may be a carrier of the virus in Brasil. The experimental serum against the virus of Exanthematic neotropical typhus has not protected guinea-pigs.

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Dans «La Belle au bois dormant» et «Dornröschen», des personnages aux pouvoirs magiques déterminent l'avenir des héroïnes en leur accordant des dons positifs ou négatifs. La comparaison des textes montre toutefois que les fées et les weise Frauen (femmes sages), issues de traditions différentes, ne jouent pas les mêmes rôles dans les intrigues et que leurs actions ne sont pas présentées de la même manière. Si le conte de Perrault explique les motivations des fées et en fait des êtres réfléchis, le Märchen des Grimm représente les weise Frauen comme des figures énigmatiques appartenant à un univers où se déroulent des événements inexpliqués. Ainsi, le traitement de ces personnages féminins emblématiques reflète une volonté de rationaliser le merveilleux chez Perrault, contrairement aux Grimm, et témoigne ainsi de différences génériques, mais aussi historiques et culturelles plus larges. / Both in «La Belle au bois dormant» and in «Dornröschen», characters with magical powers determine the future of the heroines by endowing them with positive or negative gifts. The comparison of the two texts nonetheless shows that the fées (fairies) and the weise Frauen (wise women) -coming as they do from different cultural traditions- do not play the same role in the plot, nor are their actions presented in the same way. Whereas Perrault's conte explains the fairies' motivations and portrays them as rational beings, Grimm's Märchen depicts weise Frauen as mysterious women who belong to a universe of unexplained events. The treatment of these wondrous feminine figures thus testifies to a willingness to rationalise the marvellous in Perrault, and to present it as self-evident in Grimm, thereby reflecting generic as well as broader historical and cultural differences.

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Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

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La configuración de lugares como áreas de protección ambiental puede ser vista como un proceso técnico y objetivo, en el que se crean políticas públicas que definen prácticas adecuadas e inadecuadas en el lugar. Pero esta configuración es un proceso histórico y negociado. Este se construye en contante diálogo entre diferentes actores que se preocupan por definir qué es la naturaleza y el cuidado ambiental, y las percepciones que individuos que habitan en o cerca a estos lugares construyen en su diario vivir. Es así como la configuración socioambiental de lugares como áreas de protección ocurre por transformaciones en la forma de percibir un lugar, la relaciones con este y sobre todo, prácticas y relaciones que se traducen en formas de negociar nociones de naturaleza y cuidado ambiental. Esta negociación tiene grandes implicaciones en los individuos, particularmente en su subjetividad. Es decir, en hechos como la forma de nombrarlo, caminarlo, observar las especies, iniciar proyectos de agricultura orgánica, cambiar prácticas productivas, el cerramiento de zonas para proteger las fuentes de agua o zonas de vegetación. También sobre su subjetividad, la manera como se sienten frente al lugar, como juzgan sus acciones y las de otros y cómo construyen objetivos personales con respecto a la idea de cuidado ambiental.

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Steven Blockmans characterises the award of the Nobel Peace Prize to the EU as “a marvellous honour and a much-needed boost" for an integration project that is suffering grave economic difficulties and considerable social unrest, but he regrets that the growing role of the EU to act as a peacemaker beyond its geographical borders was not acknowledged in the award announcement.

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Ludwig Tieck (1773-1853) was a pioneer of German Romanticism alongside figures such as Novalis, Wackenroder, brothers August and Friedrich Schlegel, Schleiermacher, Schelling. A great admirer of Shakespeare and Calderón de la Barca, Tieck envisioned literature as a supranational terrain and an area of convergence of different traditions and perspectives. Thus he absorbed numerous elements from popular culture (fairy tales, legends, superstitions) and merged with the trends of his time, among which the mid eighteenth-century gothic and horror narrative. In Tieck the macabre becomes an expression of questions about the relationship between the subject and on the very notion (based on common sense) that there would be a single reality and independent from the point of view of who observes or describes. Tieck aesthetically formulated questions that echoed throughout German romanticism, expressing concerns and anxieties inseparable from his poetic and literary production.

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Die Arbeit untersucht das seuchenartige Auftreten von Besessenheitsfällen in Annaberg (Erzgebirge) in den Jahren 1713-1720, die Auslöser der letzten Hexenprozesse in Kursachsen waren. Zeitgenössische Beobachter stritten intensiv, ob diese sogenannte „Annaberger Krankheit“ durch Zauberei verursacht oder eine psychosomatisch bedingte Massenerkrankung war. In Abkehr von dem Vorurteil, alle Betroffenen einer solchen Massenhysterie litten an derselben Erkrankung, werden diverse Krankengeschichten rekonstruiert. Indem sich dabei Elemente von Rollenspielen (Kinderhexen, Hysterie) und Betrug (Almosenerschleichung, Denunziationen, politisch motivierte Inszenierungen) finden, zeigt sich die wundersame „Krankheit“ als nicht pathologischer sondern sozialer Vorgang. rnAm dessen Beginn stand die Geburt der Interpretation, es gäbe eine außergewöhnliche Krankheit in der Stadt, wozu akzidentielle Ereignisse mehr beitrugen als auffällige Krankheitsfälle. Gerüchtbildung und politische Instrumentalisierung bildeten den Rahmen für den Einstieg von Nachahmern, die das fiktive Krankheitsbild in die Realität eines demonstrativen Schauspiel umsetzten. Dieser Mechanismus eines selbsterfüllenden Menetekels wird vor dem Hintergrund seiner kulturellen, sozialen, ökonomischen und historischen Bedingungen detailliert rekonstruiert.

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Como en toda reflexión humana desde el inicio de la modernidad, en la arquitectura se entrelazan las aspiraciones de racionalidad con las contaminaciones, errores e interferencias aleatorias propias de cualquier contexto real. De un lado, los modelos de pensamiento y control describen los hechos y los procedimientos, amplificando las pautas de una explicación coherente de los mismos; de otro, el contacto continuo con entornos reales distorsiona cualquier sistema de leyes internas, aumenta la complejidad de los modelos y abre la vía a la indeterminación y la aleatoriedad tanto en la producción como en el pensamiento. Este escenario de conflicto entre el orden abstracto y la singularidad de cada circunstancia real se reproduce reiteradamente en los problemas arquitectónicos, provocando que los mensajes no sigan pautas lineales. Por el contrario, estos se difunden siguiendo un modelo más parecido al de las ondas, en el que las respuestas obtenidas no son unívocas sino múltiples y deformadas, alteradas por las superposiciones y contaminaciones derivadas de este escenario. En la década de 1920 el movimiento Surrealista había detectado no solo la presencia de este conflicto, sino también su condición estructural en la naturaleza de lo contemporáneo y su permanente dilema entre la proyección hacia un futuro utópico predicado en el progreso tecnológico y el peso de la memoria de un pasado igualmente idealizado por la nostalgia. Un conflicto definitivamente magnificado por la Gran Guerra, capaz de poner en duda la existencia incluso de un futuro. La razón ilustrada y el desarrollo tecnológico se ven profundamente contaminados por la destrucción irracional y la mortal maquinaria bélica. Sus imágenes y experiencia directa constituyen, de hecho, uno de los detonantes de la reacción surrealista ante el ‘statu quo’, exacerbada por hechos circustanciales que se tornan intensamente significativos, como la prematura muerte de Apollinaire como consecuencia precisamente de las heridas recibidas en la guerra. “If reality’, Aragon writes in 1924,’ is the apparent absence of contradiction’, a construct that effaces conflict, then ‘the marvellous is the eruption of contradiction in the real’, an eruption that exposes this construct as such.” El shock traumático de la confrontación y las imágenes de una destrucción ajena a cualquier razón están en el origen de la pregunta que formula Aragon: enfrentados con lo absurdo e inexplicable de los hechos, de la destrucción irracional, debe existir necesariamente otro nivel de conciencia y comprensión bajo la apariencia de estabilidad y normalidad que facilite otra descripción de la realidad, por anormal e irracional que esta sea. Las actividades surrealistas en el París de entreguerras se centraron en el potencial de tales contradicciones, las cuales atravesaban, de medio a medio, las certezas de un futuro predicado en la razón objetiva y el avance tecnológico. Y, a pesar de su imprecisa relación con la arquitectura –no existe, de hecho, una arquitectura que pueda calificarse como ‘surrealista’-, identificaron en la construcción misma de la ciudad y de su experiencia diaria, a un tiempo rutinaria y desestabilizadora, los síntomas de tales conflictos.

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Almanac interleaved with pages containing sporadic entries documenting household activities and accounts, payments from boarders, and a list of baptisms and burials. On the last interleaved page there is an entry for May 19 of "a marvellous darkness over spread the whole horizon which oblidgd us to burn candles for near three hours such a phenomenon not remembered by the oldest person living."

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La historia del invencible y clarísimo principe Bencimarte de Lusitania, emperador del gran Cairo y de otros principes de su linaje, is a handwritten Romance of Chivalries found by José Manuel Lucía Megías in the library of the Royal Palace in Madrid. There are two known copies in the forementioned library. The two copies (B1 and B2) dońt have the same content, the depth of the work is found in B1 which is selected for this thesis whereas in B2 we could only find incoherent and unconnected parts due to book binding and covering as some texts had been lost. In the present work is going to be offered a manuscript description, inner and outer features, dating issues, text variations, narrative voices and structure, chronology and worḱs primary and secondary sources, characters, summaries, arguments and what́s new according to the world of chivalry. Our initial aim was to set a conclusive text of Bencimarte de Lusitania as to it has remained unknown for the reader until nowadays. It dealt with the transcription of both manuscripts, reinterprated their contents and compared them with the original texts. On the other hand, we could make a critical edition of the final version which highlighted Bencimarte himself and its possible interpretations. Thus, we could suitably arrange the text in its period as there is no date on it by means of the text itself or any further reference. We will do the same regarding to either the author or the authors. We would study the book itself offering an interpretation and a deep analysis of its elements, both the structural ones and those that belong to Romance of Chivelries themselves (mythical and marvellous adventures, knights and ladies , prodigious characters, the topic of the found manuscript, challenges and so on) as well as what is new and unique in this work of art which means to follow a pattern apart from introducing something new in the Chivelry books...

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This abstract tries to make known one of the first attempts to recuperate the buildings heritage at the end of the 19th century in Spain: It’s called Atarazanas Market’s squares in Málaga, a marvellous Joaquín Rucoba’s architect work. It is one of the first examples in iron architecture in Spain which opted preservation building heritage from the respect of the place memory even in his last restoration.