998 resultados para Marianne Ackerman


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Compte rendu critique de la pièce de théâtre de Marianne Ackerman « L'affaire Tartuffe, or the Garrison officers rehearse Molière » (mise en scène : Fernand Rainville; assistance à la mise en scène : Monique Corbeil; scénographie : Jean Bard; éclairages : Lou Arteau; costumes : Paule-Josée Meunier; musique : Bill Gagnon et Geneviève Mauffette. Avec Anne-Marie Desbiens, Gaétan Dumont, Marie-Josée Gauthiet.J.M. Henry, Neil Kroetsch, Jœl Miller, Luc Picard, Yvon Roy, Philip Spensley, Aron Tager, Robert Vézina et Jeannie Walker. Production bilingue du Théâtre 1774, présentée au Théâtre Centaur du 6 au 23 septembre 1990).

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The objective of my dissertation Pull (or Draught, or Moves) at the Parnassus , is to provide a deeper understanding of Nordic Middle Class radicalism of the 1960 s as featured in Finland-Swedish literature. My approach is cultural materialist in a broad sense; social class is regarded a crucial aspect of the contents and contexts of the novels and literary discussions explored. In the first volume, Middle Class With A Human Face , novels by Christer Kihlman, Jarl Sjöblom, Marianne Alopaeus, and Ulla-Lena Lundberg, respectively, are read from the points of view of place, emotion, and power. The term "cryptotope" is used to designate the hidden places found to play an important role in all of these four narratives. Also, the "chronotope of the provincial small town", described by Mikhail Bakhtin in 1938, is exemplified in Kihlman s satirical novel, as is the chronotope of of war (Algeria, Vietnam) in those of Alopaeus and Lundberg s. All the four novels signal changes in the way general "scripts of emotions", e.g. jealousy, are handled and described. The power relations in the novels are also read, with reference to Michel Foucault. As the protagonists in two of them work as journalists, a critical discussion about media and Bourgeois hegemony is found; the term "repressive legitimation" is created to grasp these patterns of manipulation. The Modernist Debate , part II of the study, concerns a literary discussion between mainly Finland-Swedish authors and critics. Essayist Johannes Salminen (40) provided much of the fuel for the debate in 1963, questioning the relevance to contemporary life of the Finland-Swedish modernist tradition of the 1910 s and 1920 s. In 1965, a group of younger authors and critics, including poet Claes Andersson (28), followed up this critique in a debate taking place mainly in the newspaper Vasabladet. Poets Rabbe Enckell (62), Bo Carpelan (39) and others defended a timeless poetry. This debate is contextualized and the changing literary field is analyzed using concepts provided by sociologist Pierre Bourdieu. In the thesis, the historical moment of Middle Class radicalism with a human face is regarded a temporary luxury that new social groups could afford themselves, as long as they were knocking over the statues and symbols of the Old Bourgeoisie. This is not to say that all components of the Sixties strategy have lost their power. Some of them have survived and even grown, others remain latent in the gene bank of utopias, waiting for new moments of change.

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Verso: Handwritten postcard correspondence dated 1916 January 21

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Handwritten on verso: Hausi was secretary to Ribbentopp when he was still a champion salesman

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Report about Marianne Cohn, born 1922 in Mannheim, Germany, who was killed by German troops in 1944, when she tried to rescue refugee children in Annemasse, France.

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Clippings, correspondence, published and unpublished articles on learning disabilities and music therapy; contains testimony on her experience in the internment camp of Gurs, France.

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3 cartas (mecanografiadas) ; entre 215x280mm y 215x140mm