Produção em revista : Representação do moderno e do regional na experiência potiguar anos 1920

This work brings some reading about a few Norte-rio-grandenses writers collaborations published in literary papers which circulated during the third decade of the twentieth century in Brazil, in a way of enlarging the understanding of how the cultural debate was carried out in the years of the definition of the Brazilian Modernism, based on the relationships between literature and culture. Under the genres of prose and poetry, the selected textual collaborations for analysis have brought the traces of a small group of articulated authors in the Brazilian cultural scenery from the 1920 s, concerning the issues of the modern (linked to the modernist renovation) and the regional (under the aspects of the tradition). The set of the analyzed collaborations is representative of a modern-regional cultural practice marked by a tendency either local or cosmopolitan, thus, sharing a large dimension of the formation of the modern literary tradition, marked by different kinds of practices which give form to the project of a collective national awareness. The characterization of the existence of an intellectual field with big links, however with its own characteristics and a certain autonomy, which also gets integrated to the cultural debate of the so-called modernist years through the literary vehicles, gives to these intellectual people a co-participation in the renewing movement in the formation context of the brazilian cultural modernity of the early twentieth century

O Futuro (1862-1863), Jornal das Famílias (1863-1878) e A Estação (1879-1904); três periódicos em que colaborou Machado de Assis

Machado de Assis (1839-1908) teve sua carreira marcada pela constante atividade de colaboração em periódicos, dentre os quais nos interessam particularmente O Futuro (18621863), o Jornal das Famílias (1863-1878) e A Estação (1879-1904). Por sua atuação constante e eficaz nesses veículos, o escritor foi considerado seu principal colaborador. As três revistas, por sua vez, marcaram sua presença no processo de formação de Machado: O Futuro presenciou o início da trajetória do escritor, e o Jornal das Famílias e A Estação, por seu longo período de circulação, ofereceram-lhe maior espaço para a prática e o aperfeiçoamento no gênero narrativo, principalmente na produção contos, essencial para a consagração de Machado de Assis no panorama da literatura brasileira. Assim sendo, é importante conhecer as principais características dessas revistas, uma vez que o perfil das publicações também devia ser levado em conta pelos escritores na produção de seus textos.

Some account of a paper call'd the Telltale, begun in colledge Sept 1721

The small leather-bound volume holds two sections, a manuscript student periodical, and written tête-bêche, an exchange on smallpox inoculation followed by notes on the rules and activities of a Harvard College student club. The volume begins with thirteen numbered manuscript issues, written in one hand, of the Tell-Tale running from September 9, 1721 to November 1, 1721. Prefaced, "This paper was entitl'd the Telltale or Criticisms on the Conversation & Beheavour of Scholars to promote right reasoning & good manner," the work is modeled after literary periodicals of the time, including the "Spectator," and is considered the oldest student publication at Harvard. The periodical appears to have circulated in manuscript form. The content varies in format and includes letters between Telltale and correspondents, short essays, and advertisements. Topics discussed include conversation, detraction, and flattery. While not specifically about Harvard it does provide some information about the College including evidence of various student activities and organizations at Harvard in the 1720s. The entry explaining the rules of the Telltale Club is heavily faded and nearly illegible. The Telltale records multiple dreams, which are populated by various characters, such as “beautiful” Kate, two “learned Physicians” debating inoculation, “four Fellows” “pushing and shoving one another,” and a “person of a very Dark & swarthy complexion in a Slovenly Dress with 7 patches & 5 sparks on his Face.”

Studi romani e bizantini.

Consists of articles originally published in various scientific and literary periodicals. cf. "Ai lettori."

The Critical review, or, Annals of literature.

Editor: T.G. Smollett. Cf. National union catalog.

The British critic and quarterly theological review.

Mode of access: Internet.

Russkai︠a︡ myslʹ.

"Ezhemi︠e︡si︠a︡chnoe literaturno-politicheskoe izdanīe" (varies slightly).

The Monthly review.

No number issued for Dec. 1825.

Memoirs of the Literary and Philosophical Society of Manchester.

ser.2:v.11 (1854)

Memoirs of the Literary and Philosophical Society of Manchester.

ser.2:v.14 (1857)

Memoirs of the Literary and Philosophical Society of Manchester.

ser.2:v.12 (1855)

Memoirs of the Literary and Philosophical Society of Manchester.

ser.2:v.13 (1856)

Memoirs of the Literary and Philosophical Society of Manchester.

ser.2:v.5 (1831)

Memoirs of the Literary and Philosophical Society of Manchester.

ser.2:v.9 (1851)

Memoirs of the Literary and Philosophical Society of Manchester.

ser.2:v.10 (1852)