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Sobre la categoría de "trauma histórico" para pensar la memoria social : La perspectiva de Dominick LaCapra

Fil: Garbarino, Maximiliano Alberto. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

Writing the Unspeakable: an Ethical Approach to a Traumatized Narrative

This project uses the works of contemporary author Tim O’Brien, whose fiction often performs the trauma of the Vietnam War, to explore new ways of encountering the traumatized text. Informed by Emmanuel Levinas’s ethics of the face, and Sigmund Freud’s and Dominick LaCapra’s work on the narratology of the melancholic and the mourner, I consider the different ways we respond to the suffering Other and explore the paradox that through reading a traumatized narrative empathically we may come face-toface, as it were, with the suffering Other. If this is indeed the case, I reason, then the obligations that are due to the Other are also due to the text itself.

Aporias of Trauma in Joyce's Ulysses and Faulkner's Light in August

In this thesis, I explore the relationships between trauma, memory, and narrative, particularly the ways in which trauma simultaneously disrupts and engenders narrative structures. I consider various trauma theories by authors such as Cathy Caruth, Judith Herman, Ruth Leys, and Dominick LaCapra. I also consider how psychoanalytic theory and criticism, specifically the writings of Sigmund Freud, inform the study of traumatic experience from both literary and personal perspectives. Furthermore, I consider theories regarding the relationship between trauma and narrative by authors such as Peter Brooks and John Pilkington. James Joyce¿s Ulysses and William Faulkner¿s Light in August serve, for my purposes, as trauma-texts and reflect the ways in which trauma might complicate the simultaneous destruction and creation of narrative strategies. Reading Ulysses and Light in August as trauma-texts that are both in mourning and melancholic gives us complementary, and contradictory, reasons for why we enjoy them. Mourning constructs a relationship between victim and witness, in which we can hear the voice of trauma and engage it in discourse. Conversely, melancholia creates a relationship between performer and spectator, in which we experience, and are fascinated by, the spectacle of another¿s trauma. Laughter, perversity, sorrow, and respite engage the reader in both texts, and raise questions about how one `remembers-to-forget¿ traumatic experiences. The narratives of each text¿s characters offer unique performances of mourning and melancholia. Thus, while this thesis engenders more questions than answers, I hope to argue that Ulysses and Light in August are significant literary works because each engages the reader in traumatic discourse, entertains the reader with the traumatic spectacle, and enlightens the reader on the complex relationship between trauma and narrative.

Decir el acontecimiento límite : Dos ficciones sobre Malvinas

En este trabajo nos proponemos indagar las relaciones que se establecen entre discurso histórico y discurso ficcional en la representación de acontecimientos extremos del pasado reciente. Para ello, analizaremos -a partir, fundamentalmente, de los aportes de Paul Ricoeur y Dominick LaCapra- dos novelas que ficcionalizan la guerra de Malvinas y que fueron escritas en los ?80: A sus plantas rendido un león, de Osvaldo Soriano, y Arde aún sobre los años, de Fernando López. A partir del análisis se pretende reflexionar acerca de algunas de las diferentes posibilidades que tiene la literatura para representar un acontecimiento límite: el humor y la parodia, en el caso de A sus plantas rendido un león, y la configuración de una narrativa redentora, en el caso de Arde aún sobre los años

Decir el acontecimiento límite : Dos ficciones sobre Malvinas

En este trabajo nos proponemos indagar las relaciones que se establecen entre discurso histórico y discurso ficcional en la representación de acontecimientos extremos del pasado reciente. Para ello, analizaremos -a partir, fundamentalmente, de los aportes de Paul Ricoeur y Dominick LaCapra- dos novelas que ficcionalizan la guerra de Malvinas y que fueron escritas en los ?80: A sus plantas rendido un león, de Osvaldo Soriano, y Arde aún sobre los años, de Fernando López. A partir del análisis se pretende reflexionar acerca de algunas de las diferentes posibilidades que tiene la literatura para representar un acontecimiento límite: el humor y la parodia, en el caso de A sus plantas rendido un león, y la configuración de una narrativa redentora, en el caso de Arde aún sobre los años

Decir el acontecimiento límite : Dos ficciones sobre Malvinas

En este trabajo nos proponemos indagar las relaciones que se establecen entre discurso histórico y discurso ficcional en la representación de acontecimientos extremos del pasado reciente. Para ello, analizaremos -a partir, fundamentalmente, de los aportes de Paul Ricoeur y Dominick LaCapra- dos novelas que ficcionalizan la guerra de Malvinas y que fueron escritas en los ?80: A sus plantas rendido un león, de Osvaldo Soriano, y Arde aún sobre los años, de Fernando López. A partir del análisis se pretende reflexionar acerca de algunas de las diferentes posibilidades que tiene la literatura para representar un acontecimiento límite: el humor y la parodia, en el caso de A sus plantas rendido un león, y la configuración de una narrativa redentora, en el caso de Arde aún sobre los años

University education in Ireland and "ultramontanism" : being an examination of arguments lately published by James L. Whittle, A.B., Trinity College, Dublin, G.E. Cairnes, M.A., professor, Queen's College, Galway, and Sir Dominick Corrigan, Bart. /

Mode of access: Internet.

Hacia una poetica del Neobarroco: La vision de la historia en Jose Lezama Lima, Reinaldo Arenas y Severo Sarduy

Most of the critical studies of Baroque novels written in Spanish America during the 1960s and 1970s are characterized by a limited examination of their formal and stylistic representations. This dissertation explored the way in which certain writers developed a new Baroque tendency, the so-called Neobarroco, that presented a particular vision of history. José Lezama Lima, Reinaldo Arenas and Severo Sarduy developed innovative fictional and historiographic perceptions as alternative discourses to understand and perceive the cultural intricacies of Cuba and the New World. Their novels posited an elaborated poetic theory of history that can be summarized by the principle of supratemporal analogies, interweaved by a "metaphoric subject" that makes possible the conception of "imaginary eras". Since this poetry arises from a network of metaphoric correspondences, the image is conceived as a cultural creation that acts upon reality. ^ Although this study traced the trajectory of their writings from the point of view of their own essays, our focus was on the act of recovering the past as reshaped forms that are present in the memory. Paradiso, El mundo alucinante and De donde son los cantantes exemplified the attempt to place Americanness within the realm of poetics and history as one single discourse constructed by a combination of self-consciousness and historiographic meditation. ^ Basing my thesis on postmodernist theory (Ihab Hassan, Brian McHale, Linda Hutcheon) and philosophies of history (Michel Foucault, Hayden White, Keith Jenkins, Dominick LaCapra), I argued that the antagonistic paradoxes faced by postmodernism were reconcilable tendencies of the Neobarroco prior to the actual debate on the postmodern condition. The aesthetic trend initiated by these writers and their reading of history confronted the official historiographic discourse, thus empowering a contemporary voice in the current debate on historical skepticism. ^

An exploration of varieties of visual attention: ERP findings

A set of five tasks was designed to examine dynamic aspects of visual attention: selective attention to color, selective attention to pattern, dividing and switching attention between color and pattern, and selective attention to pattern with changing target. These varieties of visual attention were examined using the same set of stimuli under different instruction sets; thus differences between tasks cannot be attributed to differences in the perceptual features of the stimuli. ERP data are presented for each of these tasks. A within-task analysis of different stimulus types varying in similarity to the attended target feature revealed that an early frontal selection positivity (FSP) was evident in selective attention tasks, regardless of whether color was the attended feature. The scalp distribution of a later posterior selection negativity (SN) was affected by whether the attended feature was color or pattern. The SN was largely unaffected by dividing attention across color and pattern. A large widespread positivity was evident in most conditions, consisting of at least three subcomponents which were differentially affected by the attention conditions. These findings are discussed in relation to prior research and the time course of visual attention processes in the brain. (C) 1999 Elsevier Science B.V. All rights reserved.

Ticagrelor vs. clopidogrel in patients with acute coronary syndromes and diabetes: a substudy from the PLATelet inhibition and patient Outcomes (PLATO) trial

Patients with diabetes mellitus (DM) have high platelet reactivity and are at increased risk of ischaemic events and bleeding post-acute coronary syndromes (ACS). In the PLATelet inhibition and patient Outcomes (PLATO) trial, ticagrelor reduced the primary composite endpoint of cardiovascular death, myocardial infarction, or stroke, but with similar rates of major bleeding compared with clopidogrel. We aimed to investigate the outcome with ticagrelor vs. clopidogrel in patients with DM or poor glycaemic control. We analysed patients with pre-existing DM (n = 4662), including 1036 patients on insulin, those without DM (n = 13 951), and subgroups based on admission levels of haemoglobin A1c (HbA1c; n = 15 150). In patients with DM, the reduction in the primary composite endpoint (HR: 0.88, 95% CI: 0.76-1.03), all-cause mortality (HR: 0.82, 95% CI: 0.66-1.01), and stent thrombosis (HR: 0.65, 95% CI: 0.36-1.17) with no increase in major bleeding (HR: 0.95, 95% CI: 0.81-1.12) with ticagrelor was consistent with the overall cohort and without significant diabetes status-by-treatment interactions. There was no heterogeneity between patients with or without ongoing insulin treatment. Ticagrelor reduced the primary endpoint, all-cause mortality, and stent thrombosis in patients with HbA1c above the median (HR: 0.80, 95% CI: 0.70-0.91; HR: 0.78, 95% CI: 0.65-0.93; and HR: 0.62, 95% CI: 0.39-1.00, respectively) with similar bleeding rates (HR: 0.98, 95% CI: 0.86-1.12). Ticagrelor, when compared with clopidogrel, reduced ischaemic events in ACS patients irrespective of diabetic status and glycaemic control, without an increase in major bleeding events.

Debate sobre política de drogas a través de la opinión en cuatro medios colombianos (2009-2013)

Este trabajo de grado aborda la contribución del periodismo en la configuración del debate en Colombia sobre política de drogas, a través de un análisis de contenido a las columnas y editoriales publicadas entre 2009 y 2013 en cuatro medios de referencia del país. Se identificaron los perfiles de quienes participaron, los argumentos y las políticas defendidas que plantearon, y la manera como presentaron sus opiniones en El Espectador, El Tiempo, La Silla Vacía y Semana. El desarrollo de la discusión en los textos demuestra una evolución respecto al tema en la medida que hay una transformación del paradigma punitivo hacia un camino menos restrictivo frente a la producción, el tráfico y consumo de drogas ilícitas. Se sugiere que los hechos coyunturales motivaron en parte dicho cambio al ejercer influencia en los giros y la visibilidad que toma el debate dentro de la prensa.

Natural aerosol direct and indirect radiative effects

Natural aerosol plays a significant role in the Earth’s system due to its ability to alter the radiative balance of the Earth. Here we use a global aerosol microphysics model together with a radiative transfer model to estimate radiative effects for five natural aerosol sources in the present-day atmosphere: dimethyl sulfide (DMS), sea-salt, volcanoes, monoterpenes, and wildfires. We calculate large annual global mean aerosol direct and cloud albedo effects especially for DMS-derived sulfate (–0.23 Wm–2 and –0.76 Wm–2, respectively), volcanic sulfate (–0.21 Wm–2 and –0.61 Wm–2) and sea-salt (–0.44 Wm–2 and –0.04 Wm–2). The cloud albedo effect responds nonlinearly to changes in emission source strengths. The natural sources have both markedly different radiative efficiencies and indirect/direct radiative effect ratios. Aerosol sources that contribute a large number of small particles (DMS-derived and volcanic sulfate) are highly effective at influencing cloud albedo per unit of aerosol mass burden.