Coleccion de las obras sueltas, assi en prosa, como en verso

Contiene : La Dorotea, V-XIV, 1-450 p.

Coleccion de las obras sueltas assi en prosa como en verso /

Contiene: La Dorotea.

Prototipos femeninos en el primer Quijote: Dorotea y la novela bizantina

[ES]Los personajes femeninos en El Quijote han sido clasificados de acuerdo con criterios de diversa índole. En este trabajo, proponemos una clasificación según la tipología narrativa del Renacimiento. Principalmente, profundizaremos en la caracterización de Dorotea a partir de los rasgos propios de la novela bizantina.

Vida abreviada de la Ven. Madre Soror Francisca Dorotea, fundadora del ... Convento de Dominicas Descalzas de Sevilla ... /

Mode of access: Internet.

Vida ejemplar de la excelentísma senõra D.A Dorotea de Chopitea, viuda de Serra /

Mode of access: Internet.

Matemáticas aplicadas a la realidad extremeña : cuaderno de problemas de tercero ESO.

Proyecto que pretende establecer un hilo conductor entre las Matemáticas y la realidad socio-cultural extremeña. Los objetivos del trabajo son profundizar en el conocimiento de las necesidades matemáticas en los diversos sectores productivos de Extremadura; analizar, utilizar, aprovechar y conservar los recursos naturales de la Comunidad Autónoma; dar a conocer el patrimonio histórico-cultural de la Comunidad y concienciar a los jóvenes de la importancia de una correcta educación vial.

Los temas transversales y la Educación en Valores a través de la radio como instrumento de expresión y comunicación.

Incluye calendario, y contenidos de la programación de radio y los guiones de trabajo

Las identidades en la educación temprana: Diversidad y posibilidades. (Traduccion J. J. Utrilla)

Este libro es una invitación reconceptualizar las maneras de escuchar, conocer, acompañar y educar a los niños desde la primera infancia en un mundo multicultural, cambiante y posmoderno. Los trabajos que lo integran parten de perspectivas que generan nuevas formas de ver, hacer y estar en el mundo, ofrecen una reconstrucción de la psicología del desarrollo y destacan la importancia de la cultura, la etnia, el género y la sexualidad, sin olvidar la historia, la política y el discurso científico.

The new wave : a Brisbane perspective : La Boite Theatre Company's distinctive contribution

In 1967 Brisbane Repertory Theatre made a decision that was to change the city's cultural landscape in a significant and lasting way. Faced with crippling theatre rental costs, Brisbane Rep. found a realistic solution by converting one of its properties - an old Queenslander - into a unique theatre space. The theatre-in-the box that emerged, aptly called La Boite, opened on 23 June 1967 with a production of John Osborne's Look Back in Anger. This experimental space excited the imagination of a new, younger audience not previously interested in Brisbane Rep's essentially conservative fare. It attracted a new group of directors and actors keen to be part of a changing repertoire that embraced more radical, non-mainstream productions, some of which were of Australian plays. The decade after 1967 was a period of change and development unprecedented in La Boite's history. Since then the company has sustained and grown its commitment to Australian plays and the commissioning of new works. To what extent was this most significance moment in La Boite's transformational journey influenced by southern 'new waves' of change? With the benefit of hindsight, it is now time for a re-consideration of Brisbane's distinctive contribution to the New Wave.

La Boite The Story of an Australian Theatre Company

Since its genesis in 1925, La Boite has never been afraid of change. Despite controversies, crises and crippling set-backs that should have closed its stage doors many times, La Boite - which began life as the Brisbane Repertory Theatre Society - has proved itself an extraordinary survivor. When the opportunity came to build its own theatre, its inspired choice of theatre-in-the-round gave Brisbane an iconic performance space that attracted a whole new generation of actors, directors and designers and placed La Boite at the forefront of contemporary theatre practice. The place, in Katharine Brisbane’s words, “to see the red meat of theatre”. Always enterprising, with gritty determination it became a professional theatre company of national significance; and early in the new millennium triumphantly re-located to its new home at The Roundhouse Theatre. La Boite –The Story of an Australian Theatre Company both interrogates and celebrates the history of Queensland’s oldest theatre company. Highlighting the roles key people played in its evolution – particularly four remarkable women – Christine Comans explores La Boite’s colourful past, its cultural significance to Brisbane, and its vibrant and enduring role in the nation’s theatrical history.