973 resultados para LA CRUZ VENOM
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We have previously isolated a Lys49 phospholipase A(2) homolog (BaTX) from Bothrops alternatus snake venom using a combination of molecular exclusion chromatography and reverse phase HPLC and shown its ability to cause neuromuscular blockade. In this work, we describe a one-step procedure for the purification of this toxin and provide further details of its neuromuscular activity. The toxin was purified by reverse phase HPLC and its purity and molecular mass were confirmed by SIDS-PAGE, MALDI-TOF mass spectrometry, amino acid analysis and N-terminal sequencing. BaTX (0.007-1.4 mu M) produced time-dependent, irreversible neuromuscular blockade in isolated mouse phrenic nerve-diaphragm and chick biventer cervicis preparations (time to 50% blockade with 0.35 mu M toxin: 58 +/- 4 and 24 +/- 1 min, respectively; n = 3-8; mean +/- S.E.) without significantly affecting the response to direct muscle stimulation. In chick preparations, contractures to exogenous acetylcholine (55 and 110 mu M) or KCl (13.4 mM) were unaltered after complete blockade by all toxin concentrations. These results, which strongly suggested a presynaptic mechanism of action for this toxin, were reinforced by (1) the inability of BaTX to interfere with the carbachol-induced depolarization of the resting membrane, (2) a significant decrease in the frequency and amplitude of miniature end-plate potentials, and (3) a significant reduction (59 +/- 4%, n=12) in the quantal content of the end-plate potentials after a 60 min incubation with the toxin (1.4 mu M). In addition, a decrease in the organ bath temperature from 37 degrees C to 24 degrees C and/or the replacement of calcium with strontium prevented the neuromuscular blockade, indicating a temperature-dependent effect possibly mediated by enzymatic activity. (C) 2009 Elsevier Inc. All rights reserved.
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Estudio realizado a bordo de dos embarcaciones artesanales arrastreras. En 65 lances de pesca, con un tiempo efectivo de 158 h, se obtuvo una captura total de 72.940 kg.
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La secuencia cronoestratigráfica del poblado de la Primera Edad del Hierro del Alto de la Cruz (Cortes de Navarra) constituye un punto de referencia básico para la estructuración del poblamiento en el valle medio del Ebro. Se analiza el tipo constructivo de la fase más antigua del mismo y, en especial, un conjunto de estructuras de combustión documentadas en la H.88/21.
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This article aims to show the resemblances that we can find between Admiraçión operum Dey written by Teresa de Cartagena in the mid-XVth century and Respuesta de sor Filotea de la Cruz written by Sor Juana Inés de la Cruz two hundred years later. Both works are two epistles where the female's intellectual capacity to know and to write is defended by a nun who was received critized for a former work. The religious Teresa de Cartagena ¿converse bishop Pablo Cartagena's granddaughter¿ wrote a moral essay that surprised male readers who considered that the text was a plagiarism. On the other hand, the hieronymite sister sor Juana Inés was reproached by a clergyman for having written the polemic treatise on theology Carta Atenagórica.
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This article aims to show the resemblances that we can find between Admiraçión operum Dey written by Teresa de Cartagena in the mid-XVth century and Respuesta de sor Filotea de la Cruz written by Sor Juana Inés de la Cruz two hundred years later. Both works are two epistles where the female's intellectual capacity to know and to write is defended by a nun who was received critized for a former work. The religious Teresa de Cartagena ¿converse bishop Pablo Cartagena's granddaughter¿ wrote a moral essay that surprised male readers who considered that the text was a plagiarism. On the other hand, the hieronymite sister sor Juana Inés was reproached by a clergyman for having written the polemic treatise on theology Carta Atenagórica.
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Son muchas y muy diversas las influencias que San Juan de la Cruz recibió. Intentar demostrar la primacía de una de ellas sobre las demás es una labor tan improbable como empobrecedora ya que una obra de arte es siempre"algo más" que la suma de todas sus influencias intelectuales y literarias o condicionamientos biográficos y sociales. Es posible, sin embargo, conceptualizar ese"algo más" como un modo particular de asimilación que lo llevase a seleccionar y privilegiar ciertas influencias entre todas aquellas a las que estuvo sometido.
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Tesis (Maestría en Ciencias con Especialidad en Hidrología Subterránea) U.A.N.L.
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Tesis (Maestría en Ciencias con Especialidad en Lengua y en Literatura) UANL, 2012.
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