Composer avec le volume : tentative de systématisation du Traité de l'orchestration de Koechlin et application à la composition.

La version intégrale de ce mémoire [ou de cette thèse] est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU).

A SURVEY OF FRENCH KEYBOARD MUSIC FROM 1880 TO 1950

French music flourished from the last quarter of the nineteenth century into the early twentieth century, especially in the genres of opera and orchestral music. Although French keyboard music enjoyed less popularity, being overshadowed by these predominant genres, prominent impressionist figures Claude Debussy (1862-1918) and Maurice Ravel (1875-1937) . . brought its revival to the French music. Scholars consider Debussy to be a frontrunner of Impressionism, and his influence had a major impact on subsequent composers. As a result of his popularity, other significant works by French composers seem to be overlooked by pianists and audiences and are not as often performed. Because keyboard works by Debussy and Ravel are a popular performance choice among pianists, I was eager to examine music by other French composers. Through my resea,rch, I found many great works that warranted further study and deserve a place in the keyboard repertoire. This recording project contains works by lesser-known French composers written between the years of 1880 and 1950, namely Emmanuel Chabrier (1841-1894), Gabriel-Urbain Faure (1845-1924), Charles Koechlin (1867-1950), Albert Roussel (1869-1937), Erik Satie (1866-1925), Francis Poulenc (1899-1963), Darius Milhaud (1892-1974), Robert Casadesus (1899-1972) and Henri Dutilleux (b.1916). Since piano repertoire is abundant, it is sometimes difficult to create a performance program. Therefore, it frequently becomes the default to choosing familiar repertoire rather than using the opportunity to expand the repertoire. As a pianist, I feel responsible to search for hidden musical treasures with which pianists and audiences alike are not so well acquainted. This recording project explores nine lesser-known French compositions written between 1880 and 1950. I expect this to be an opportunity to introduce both pianists and audiences to outstanding but unfamiliar works by French composers. This dissertation was recorded on two compact discs in Dekelboum Concert Hall at Clarice Smith Performing Arts Center of the University of Maryland. The recordings are archived in the University of Maryland Library.

Análisis del discurso de la UE en materia de derechos humanos y democracia en relación con las aspiraciones de Turquía a ser miembro pleno de la organización (2000-2012)

El propósito de esta monografía consiste en analizar el discurso de la Unión Europea en materia de Derechos Humanos y Democracia y su importancia en el proceso de ampliación de la Organización. Se estudia y explica el criterio de condicionalidad del discurso como una medida preventiva y/o sancionatoria para la entrada de Turquía a la UE, estableciendo que dicho discurso es un factor determinante en las negociaciones entre la UE y Turquía. Para ésto, se analiza el discurso europeo a partir del análisis del discurso ideológico, de Teun Van Dijk, y el discurso de la condicionalidad, de Maria del Carmen Muñoz Rodríguez, lo cual permite hacer un estudio detallado de la incidencia del discurso de la UE en el proceso de negociación de la adhesión de Turquía a la Unión.

La participación de las ONG en Naciones Unidas y su contribución a la gobernanza global

El objetivo de este trabajo es analizar el fenómeno de la participación de las ONG en el marco de la Organización de Naciones Unidas (ONU) y las implicaciones del mismo en las dinámicas de la gobernanza global. Se explican los conceptos principales para el análisis y posteriormente se hace una revisión de los antecedentes que permitieron el desarrollo de dicho fenómeno dentro de la organización y fuera de ella. Luego se centra el análisis en la incidencia de las ONG en la ONU y para la gobernanza global; se concluye con una reflexión sobre lo que puede esperarse de esta incidencia para el futuro de la organización.

Off-pump compared to minimal extracorporeal circulation surgery in coronary artery bypass grafting.

OBJECTIVE Coronary artery bypass grafting (CABG) using extracorporeal circulation (ECC) is still the gold standard. However, alternative techniques have been developed to avoid ECC and its potential adverse effects. These encompass minimal extracorporeal circulation (MECC) or off-pump coronary artery bypass grafting (OPCAB). However, the prevailing potential benefits when comparing MECC and OPCABG are not yet clearly established. METHODS In this retrospective study we investigated the potential benefits of MECC and OPCABG in 697 patients undergoing CABG. Of these, 555 patients had been operated with MECC and 142 off-pump. The primary endpoint was Troponin T level as an indicator for myocardial damage. RESULTS Study groups were not significantly different in general. However, patients undergoing OPCABG were significantly older (65.01 years ± 9.5 vs. 69.39 years ± 9.5; p value <0.001) with a higher Logistic EuroSCORE I (4.92% ± 6.5 vs. 5.88% ± 6.8; p value = 0.017). Operating off pump significantly reduced the need for intra-operative blood products (0.7% vs. 8.6%; p-value <0.001) and the length of stay in the intensive care unit (ICU) (2.04 days ± 2.63 vs. 2.76 days ± 2.79; p value <0.001). Regarding other blood values a significant difference could not be found in the adjusted calculations. The combined secondary endpoint, major cardiac or cerebrovascular events (MACCE), was equal in both groups as well. CONCLUSIONS Coronary artery bypass grafting using MECC or OPCABG are two comparable techniques with advantages for OPCABG regarding the reduced need for intra-operative blood products and shorter length of stay in the ICU. However serological values and combined endpoint MACCE did not differ significantly in both groups.

Les donations de la famille de Rothschild : notice lue a l'assemblée générale annuelle de la Sociéte des amis du Louvre, le 20 Janvier 1909

par Raymond Koechlin

Présentation

Présentation du numéro de La Revue des sciences humaines no 317: Robert Pinget. Inédits (textes réunis par Clothilde Roullier et Patrick Suter). L’œuvre de Robert Pinget s’est étoffée depuis quelques années de nombreux inédits, dont La Fissure, publiée en 2009 par Clothilde Roullier dans la collection «Le métier à tisser», dirigée par Patrick Suter chez MētisPresses. Ce numéro de la RSH revient sur ces inédits à travers un dossier critique (contributions de C. Roullier, J. Kaempfer, M. Mégevand & P. Suter), tout en en proposant d’autres : Le Couloir, adapté à partir de 3 manuscrits de Pinget par L. Koechlin ; la correspondance Pinget – Robbe-Grillet, ainsi que de nombreux documents inédits).

Revue des Sciences Humaines

L’œuvre de Robert Pinget s’est étoffée depuis quelques années de nombreux inédits, dont La Fissure, publiée en 2009 par Clothilde Roullier dans la collection «Le métier à tisser», dirigée par Patrick Suter chez MētisPresses. Ce numéro de la RSH revient sur ces inédits à travers un dossier critique (contributions de C. Roullier, J. Kaempfer, M. Mégevand & P. Suter), tout en en proposant d’autres : Le Couloir, adapté à partir de 3 manuscrits de Pinget par L. Koechlin ; la correspondance Pinget – Robbe-Grillet, ainsi que de nombreux documents inédits).

Applications De La Statique Graphique /

Disbound Original Held in Oak Street Library Facility.