‘Reading Aran knitting: stitches, text andinterpretation’

The densely textured surfaces of Aran knitting seem to invite interpretation. They have been ‘read’ as identity documents, family trees, references to natural and spiritual phenomena, or even maps. This paper traces the search for meaning in Aran knitting, examining how these stitch patterns have been ‘read’ in the contexts of tourism, fine art and fashion. As Jo Turney (2013:55) argues, the idea of knitted textiles as communicative media in non-literate societies ‘consigns the garments to a preindustrial era of more rural and simple times’, situating them in an imagined state of ‘stasis’. Thus the ways in which Aran stitches are ‘read’ sometimes obscure the processes through which they are ‘written’, whether in terms of individual authorship and creativity, or in terms of their manufacture. Regardless of the historical veracity of claims that particular Aran stitch patterns index features of the social, natural or spiritual worlds, analysing the ways they have been ‘read’ in the context of comparable textile traditions, other crafts which have taken on ‘heritage’ souvenir status, and Irish national identity, reveals how Aran knitting has performed broader communicative functions (see Sonja Andrew 2008), which continue to be subverted and elaborated by fine artists, and translated into couture and mass market fashion products.

Knitting Video Training

A number of videos on how to use the various machines within the Knit Pathway at WSA. Please note that watching these videos does not mean you are authorised to use these machines, this is for reference after a formal in person induction.

The inner nana, the list mum and me : knitting identity

Here we present young knitters’ reflections on their acquisition of textile skills and we review media images of women and knitting. While the image of the grandmother as teacher is clear, the mother is absent or obscure. This absence is also reflected in knitting groups, blogs and in one of the authors’ false memories. We propose further investigation of the construction of identity through craft and of both the materiality and the ethereality of nostalgic references.

Fabric handle properties of superfine wool fabrics with different fibre curvature, cashmere content and knitting tightness

The handle properties of single jersey fabrics composed of superfine wools (17 μm) of different fibre curvature (114 vs. 74 °/mm) in blends with cashmere (fibre curvature 49 °/mm) were investigated. There were four blend ratios of cashmere (0, 25, 50, 75%) plus 100% cashmere. Each of the nine fibre blend combinations were replicated three times, and each was knitted into three tightness factors. The 81 fabrics were evaluated using the Wool HandleMeter, which measures seven primary handle attributes and Overall handle, and have been calibrated using a panel of experts and a wide variety of commercial fabrics. Results were analysed by ANOVA and general linear modelling. Tightness factor significantly affected all Wool HandleMeter attribute values, with the effect of tightness factor varying according to handle attribute. The Wool HandleMeter was able to detect differences between fabrics composed of superfine wool differing in fibre curvature, with lower fibre curvature wool fabrics having more preferred Overall handle and softer, looser, cooler, lighter and less dry handle attributes at some or all tightness factors compared with fabrics composed of higher fibre curvature superfine wool. Progressively blending cashmere with wool significantly improved Overall handle, increased soft and smooth handle, reduced dry, heavy and tight handle. Linear regression modelling indicated that fabric mass per unit area explained more than 50% of the variance in overall fabric handle and in combination with variations in fabric thickness and yarn elongation could explain 71% of the variance in Overall handle.

A text-book of needlework, knitting, and cutting out : with methods of teaching /

Mode of access: Internet.

Cyclopedia of textile work; a general reference library on cotton, woollen and worsted yarn manufacture, weaving, designing, chemistry and dyeing, finishing, knitting, and allied subjects.

"Authorities consulted" in each volume.

Knitting-work: a web of many textures, wrought

Illustrated by Hoppin.

The Ladies' work-table book; containing clear and practical instructions in plain and fancy needlework, embroidery, knitting, netting, and crochet. With numerous engravings ...

Mode of access: Internet.

Recto & Verso: Carte de visite of Sojourner Truth with book and knitting

Recto/front - hs1513-1of2, verso/back - hs1513-2of2

Evolution of lace knitting stitch patterns by genetic programming

In this paper we study the generation of lace knitting stitch patterns by using genetic programming. We devise a genetic representation of knitting charts that accurately reflects their usage for hand knitting the pattern. We apply a basic evolutionary algorithm for generating the patterns, where the key of success is evaluation. We propose automatic evaluation of the patterns, without interaction with the user. We present some patterns generated by the method and then discuss further possibilities for bringing automatic evaluation closer to human evaluation. Copyright 2007 ACM.

Digital Representation of Knitting Patterns in Traditional Costumes

The paper presents the application of a CAD system for digital representation of traditional knitting. The CAD system is oriented to hand knitting. As a software application the system is developed by using C# programming language and .NET platform. The paper focuses on the applied side of the software and its usage as a means of representing and storing ethnographic exhibits.