758 resultados para Kartusch, Wayne
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With its foregrounding of the political issue of the denial of Aboriginal Australian sovereignty by British invaders in its big budget, mainstream narrative, 'The Sapphires' (Wayne Blair 2012) is shown to be another example of a "fourth formation" (Starrs 2012) in Moore and Muecke's 1985 model. Blair's feel-good movie features an all-Aboriginal Australian troupe of singers, The Sapphires, who undertake a journey of self-discovery whereby they learn the importance of choosing the protest songs of black Soul over the white coloniser's "whining" Country and Western songs and this is historically contextualised with a discussion of Aboriginal Australians and popular radio. Furthermore, this paper argues the iconic 'Welcome to Country' is twice subverted to reinforce this theme, firstly in the Cummeragunja pub and secondly in war-torn Vietnam. Finally, the prediction is made that a "fifth formation", in which seeking recognition of Aboriginal Australian sovereignty is no longer the goal because it has become the ongoing reality, will soon be the project of Australian film-makers as they celebrate this long overdue societal shift.
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This document contains information on the nest and eggs of the bird, Wayne’s Warbler, taken near Mount Pleasant, South Carolina.
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Apresentar os elementos constitutivos essenciais e descrever as dinâmicas interativas básicas constituintes da "Síndrome de John Wayne" - SJW- são os objetivos primários deste trabalho. A SJW é um estilo de gestão e perfil de gestor marcados por uma concepção de sucesso que cega o indivíduo para as peculiaridades dos períodos de crises organizacionais. Baseando-se em fórmulas e procedimentos que lhe garantiram o sucesso em tempos de bonança, o portador da SJW nas crises desenvolve ações cujas conseqüências, em geral, agravam ainda mais esse período de exceção. Por outro lado, a pesquisa pretende também demonstrar que a SJW é atributo individual não só tolerado, como desejado pelas companhias em tempos de bonança, pois está em harmonia com formas organizacionais de um tecido social que enfatiza a projeção pessoal, sob os auspícios da fama e da celebridade, como sinônimo de sucesso. Assim, a SJW evoca o desejo desse gestor de ser um herói. Ele almeja ser um herói nos moldes do ideal heróico "épico", mas o século XXI flerta com a celebridade, sendo o ato heróico celebrado um dos recursos pará atingir essa condição
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As an undergraduate sociology major, the only thing I learned about Oklahoman Laud Humphreys's classic, Tearoom Trade (1970) was how it violated standards of informed consent in social science research. As Galliher, Brekhus, and Keys recount in their biography, Laud Humphreys: Prophet of Homosexuality and Sociology, sociology graduate student Laud Humphreys needed to supplement his (quite likely, participant) observational research of men who had sex in public bathrooms (i.e., tearooms) in St. Louis in the mid-1960s with a formal questionnaire. Knowing that these men would never agree if they knew they were selected because of their participation in highly stigmatized and criminal behavior, Humphreys recorded their license plates, got their home addresses, and interviewed them as part of a "community health survey." Herein lies the deception and the major source of the controversy. What I didn't fully appreciate when I was a student, however, and what the authors so deftly illuminate is the importance of this work not only for debates around ethical issues of social science research, but more importantly, perhaps, for the study of sexuality, deviance, and urban life.
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Fil: Gorri, Patricia. Universidad Nacional de Cuyo. Facultad de Ciencias Políticas y Sociales
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F only available in microfiche.
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back row: Gary Butler, Wayne Kartusch, Ross Morrison, Donald Rodgers, David Newton
middle row: manager Dave Dreifuss, George Forrest, John Cole, Thomas Pendlebury, William Butts, Ronald Coristine, John McGonigal, trainer Lindsy McLean
front row: Robert Gray, captain Larry Babcock, coach Allan Renfrew, Gordon Wilkie, William Bieber