Fatores de Correção para Ganho de Peso Médio Diário no Período do Nascimento ao Desmame em Bovinos da Raça Nelore

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Efeitos ambientais que afetam o ganho de peso pré-desmama em animais Angus, Hereford, Nelore e mestiços Angus-Nelore e Hereford-Nelore

Foram utilizados dados de 66.035 animais das raças Nelore, Hereford, Angus e mestiços Nelore x Angus e Nelore x Hereford, para avaliar a influência da idade da vaca, idade do bezerro e data juliana de nascimento sobre o ganho médio diário dos bezerros no período pré-desmama (GMD). A análise estatística revelou que estas três covariáveis tiveram efeito significativo sobre o GMD. Observou-se também que o ajuste linear para idade à desmama não foi suficiente para retirar o seu efeito sobre o GMD. Estes resultados mostram que tais fatores ambientais podem ser importantes fontes de variação para esta característica nos programas de melhoramento genético.

Efeito da idade da vaca e da data juliana de nascimento sobre o ganho médio diário de bezerros de corte no período pré-desmame

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Efeitos Ambientais sobre Ganho de Peso no Período do Nascimento ao Desmame em Bovinos da Raça Nelore

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Fatores de meio que influenciam o peso à desmama de bovinos da raça Nelore em diferentes regiões geográficas

Pós-graduação em Genética e Melhoramento Animal - FCAV

Our calendar. : The Julian calendar and its errors. How corrected by the Gregorian. Rules for finding the dominical letter and the day of the week of any event from the commencement of the Christian era to the year of our Lord four thousand, a new and easy method of fixing the date of Easter. Illustrated by valuable tables and charts /

Mode of access: Internet.

Vital records of Londonderry, New Hampshire; a full and accurate transcript of the births, marriage intentions, marriages and deaths in this town from the earliest date to 1910.

Printed by order of the town.

Is the date of birth an advantage/ally to excel in handball?

The Relative Age Effect (RAE) has been analyzed in a population of Spanish international handball players (n=161) divided into four different levels: Senior, Junior, Juvenile and Promising Talents. The variables registered were quarter, half year and year of birth using the initial information of their date of birth. The data were collected from the Royal Spanish Handball Federation on-line data base. The statistical method used was the χ2 and the minimum level of significance was set at p<0.05. The total results on distribution by quarter show a significant difference (χ2= 21.68; p<0.01) with a greater frequency of players born in the first quarter (40.37%) compared to those born in the second (22.36%), third (16.15%) and fourth quarter (21.12%). The total results on the distribution of birth date by half year show a significant difference (χ2= 10.44; p<0.01) with a greater frequency of players born in the first half of the year (62.73%). With regard to the rate of births registered in an even numbered or odd numbered year there are significant differences when the rates for an even numbered year (64.60%) and an odd numbered year (35.40%) are compared with those of the general population (χ2= 13.72; p<0.001). Based on the data collected and analyzed it can be concluded that there is a RAE in the basic categories of the Spanish national men’s handball teams according to quarter, half year and year of birth (even or odd numbered), but there exists little knowledge about the causes and consequence which may be produced by, or derive from, this effect.

Cate Consandine

The interpretation of evidence dominates contemporary television crime shows. Inanimate objects and disparate facts are made to speak; technology and expert opinion wring out their stories. In examining these dead pieces of evidence, the investigators search for patterns, discovering living perpetrators and fugitives. Psychology comes in where the evidence is interpreted; the investigators try to think through perpetrators' minds and presumably perverse rationales. Objects are examined. Banal things become precious, put into bags, marked, date- and time-stamped, and stepped around carefully. After a crime, the objects involved are different. After a crime show, our gaze is different; everything is potentially incriminating, perverse. Bags without people don't make sense. Under this gaze, objects acquire a psychology. When we look at a crime scene, the evidence violates us. The work of Melbourne artist Cate Consandine is about objects and how they occupy the space that they occupy. In her practice as a sculptor and throughout her studies at the Victorian College of the Arts, the Sydney College of the Arts, and now Monash, her work has cultivated violent ambiguity. Consandine's work extends across a range of different media, particularly vidoe, objects and spaces. Like a crime show, it activates a particular type of inquisition from the viewer.