915 resultados para John Carpenter
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Back Row: Steve King, Ed Pollister, Ed Wojtys, Mike Lantry, Jeff Spahn, Carl Russ, Kurt Kampe, Mark Jacoby, Tom Jenson
8th Row: Rick VanTongeren, Rick Jekel, Glenn Franklin, Lin Hardin, Dennis Franks, Bill Hoban, Roy Burks, Dave Metz, Mark McClain
7th Row: Dave Brown, Dennis Franklin, Gil Chapman, Jeff Perlinger, C.J. Kupec, Greg DenBoer, Steve Strinko, Chuck Heater, Pat Tumpane
6th Row: Norm Long, John Carpenter, Larry Banks, Kevin Masterson, Jim Lyall, Doug McKenzie, Jim Johnston, James Armour, John Thomas
5th Row: Jon Cederberg, Dave Brandon, Mike Day, Art Fediuk,John Cherry, Greg Koss, Don Warner, Ron Szydlowski,
4th Row: Larry Johnson, Walt Sexton, Craig Mutch, Gary Hainrihar, Doug Trozak, Walt Williamson, Don Coleman, Jovan Vercel, Barry Dotzbauer
3rd Row: Dave Elliott, Tom Slade, Harry Banks, Kevin Casey, Mike Hoban, Paul Seal, Dave Gallalgher, Ed Shuttlesworth, Bob Thornbladh, Tom Drake, Larry Gustafson
2nd Row: John Pighee, Jerry Schumacher, Tom Kee, Tom Coyle, Fred Grambau, Paul Seymour, Clint Spearman, Bill Hart, Greg Ellis, Tony Smith, Clint Haslerig
Front Row: Tom Poplawski, Larry Cipa, John Daniels, Don Eaton, Dave Zucarelli, Gary Coakley, Randy Logan, David (Bo) Rather, Alan Walker, Jim Coode
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Mode of access: Internet.
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Printed for members of the Grolier Club, April 24, 1961.
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This essay examines the themes of paranoia and claustrophobia as elements of horror in John Campbell’s novella “Who Goes There?” (1938) and John Carpenter’s film-adaptation of said novella, called The Thing (1982). The novella and the film utilize the lack of trust and reliability in between the characters as elements of fear as well as supernatural elements in the form of a monster. This essay focuses on the different parts of the story running through both versions, mainly the setting, the characters and the monster, to show how the themes of paranoia and claustrophobia are used throughout these as elements of fear and horror. With the help of Sigmund Freud’s concept of the uncanny, as well as other sources, this essay argues that while the monster plays an important role throughout the story, the threats created by the paranoia and claustrophobia are equal to the monster itself.
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John Smith (1894-1977), son of Daniel Smith and Annie Douglas was a native of Scotland, immigrating to Canada in 1913. He first worked as a coach builder, then as a carpenter, finally developing his own contracting business. During WWI he served overseas with the 10th Battery, RCA as a sergeant. In 1924 Smith married Jean Wood, and together they had a daughter Irene (Hugh Langley). Smith first entered politics in 1940 serving as an alderman for the next 11 years. In 1954 he was elected mayor of the city of St. Catharines, and was twice returned to office by acclamation, serving until 1957 when he successfully ran as the Progressive Conservative candidate representing Lincoln County in the federal election. He won the election by a 10 000 vote majority. He served his constituents in Ottawa until he was defeated in the 1962 election. After leaving politics Mr. Smith was active in his community. He spearheaded the establishment of the St. Catharines Museum, and then was appointed its first director in 1966, serving in that capacity until 1972. He was an active member of the board of governors of the St. Catharines General Hospital and a life member and former president of the Lincoln County Humane Society. In 1971 he was voted Citizen of the Year for the city of St. Catharines. John Smith died on February 8, 1977 and was buried at Victoria Lawn Cemetery. Source: The St. Catharines Standard, February 9, 1977, page 1
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Accession no.: 14,883.
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This ed. first published in 1891.
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Mode of access: Internet.
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Compiled by William Carpenter.
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Includes index.
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The Structural Genomics Consortium (SGC) and its clinical, industry and disease-foundation partners are launching open-source preclinical translational medicine studies.
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View to landscape beyond through windows of upper level of tower.
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As seen from below.
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View to landscape beyond from interior of house.