Hacia una desarticulación del tópico de la ‘virgen triste’ en el Epistolario de Juana Borrero

Las instituciones asociadas al hecho literario han reservado a la escritora cubana Juana Borrero (1877-1896) la categoría de “mito”. La presente lectura de su valioso Epistolario privilegia una mirada psicológica que desarticula los principales tópicos que han favorecido el mito. Con ese fin, se ha contextualizado a Borrero en la literatura hispanoamericana y cubana del XIX; se han reevaluado algunos tópicos biográficos y críticos; y se han delimitado los principales componentes de su discurso epistolar: las claves psicológicas de su subjetividad, las estrategias de seducción y autoafirmación, las cartas como collage de emociones, la retórica del discurso y del mito amoroso, y la retórica de la corporalidad. Finalmente, se proponen nuevas imágenes para la autora a partir del comparatismo con otras imágenes femeninas de fin de siglo europeo e hispanoamericano.

Mundos prohibidos: El poder en el discurso epistolar de Gertrudis Gómez de Avellaneda y Juana Borrero

This dissertation analyses, through a theoretical framework and a critical approach, letters of Cuban writers Gertrudis Gómez de Avellaneda and Juana Borrero. While love letters have captured the interest of some scholars, such as Claudio Guillén, Cintio Vitier and Alexander Roselló Selimov, the conflict that the analysis of non-literary texts poses has prevented further research in this field. Therefore, I propose a systematic method of analysis encompassing but not limited to evaluating letters based on their purpose, intent, interpretation, and temporal and spatial composition; analyzing the perspective and function of epistolary entities, and examining the textual signs that distinguish the epistolary forms from the literary forms. With this analytical tool, I examine a selection of letters of Gómez de Avellaneda and demonstrate that the writer displaces her identify from the autobiographic self to the epistolary self, in order to manipulate the perspective of her addressee. Caught between the Neoclassical way of thinking and the Romantic aesthetics, her assertive discourse, also reflected in her epistolary work, contributed to the incursion of women writers into the social and professional life of the nineteen century. Following the same method of investigation, an analysis of letters written by Borrero proves that, by building a world of delusion, hallucination and fantasy the writer brings to prose what first generation of female modernistas had done in poetry. In both cases, my focus is on the strategies that turn these letters into instruments of power, process that transformed the love-letter paradigm and forever renovated the women epistolary genre. This dissertation further explores the possibility of initiating a cycle in the study of personal letters to uncover a forgotten genre, mission that might build a bridge to embrace the new forms of written communication that scholars have already begun to explore in contemporary literature.

Mundos Prohibidos: El Poder en el Discurso Epistolar de Gertrudis Gómez de Avellaneda y Juana Borrero

This dissertation analyses, through a theoretical framework and a critical approach, letters of Cuban writers Gertrudis Gómez de Avellaneda and Juana Borrero. While love letters have captured the interest of some scholars, such as Claudio Guillén, Cintio Vitier and Alexander Roselló Selimov, the conflict that the analysis of non-literary texts poses has prevented further research in this field. Therefore, I propose a systematic method of analysis encompassing but not limited to evaluating letters based on their purpose, intent, interpretation, and temporal and spatial composition; analyzing the perspective and function of epistolary entities, and examining the textual signs that distinguish the epistolary forms from the literary forms. With this analytical tool, I examine a selection of letters of Gómez de Avellaneda and demonstrate that the writer displaces her identify from the autobiographic self to the epistolary self, in order to manipulate the perspective of her addressee. Caught between the Neoclassical way of thinking and the Romantic aesthetics, her assertive discourse, also reflected in her epistolary work, contributed to the incursion of women writers into the social and professional life of the nineteen century. Following the same method of investigation, an analysis of letters written by Borrero proves that, by building a world of delusion, hallucination and fantasy the writer brings to prose what first generation of female modernistas had done in poetry. In both cases, my focus is on the strategies that turn these letters into instruments of power, process that transformed the love-letter paradigm and forever renovated the women epistolary genre. This dissertation further explores the possibility of initiating a cycle in the study of personal letters to uncover a forgotten genre, mission that might build a bridge to embrace the new forms of written communication that scholars have already begun to explore in contemporary literature.

"Poner riquezas en mi entendimiento": Sor Juana Inés de la Cruz y Sor Teresa de Cartagena

This article aims to show the resemblances that we can find between Admiraçión operum Dey written by Teresa de Cartagena in the mid-XVth century and Respuesta de sor Filotea de la Cruz written by Sor Juana Inés de la Cruz two hundred years later. Both works are two epistles where the female's intellectual capacity to know and to write is defended by a nun who was received critized for a former work. The religious Teresa de Cartagena ¿converse bishop Pablo Cartagena's granddaughter¿ wrote a moral essay that surprised male readers who considered that the text was a plagiarism. On the other hand, the hieronymite sister sor Juana Inés was reproached by a clergyman for having written the polemic treatise on theology Carta Atenagórica.

"Poner riquezas en mi entendimiento": Sor Juana Inés de la Cruz y Sor Teresa de Cartagena

This article aims to show the resemblances that we can find between Admiraçión operum Dey written by Teresa de Cartagena in the mid-XVth century and Respuesta de sor Filotea de la Cruz written by Sor Juana Inés de la Cruz two hundred years later. Both works are two epistles where the female's intellectual capacity to know and to write is defended by a nun who was received critized for a former work. The religious Teresa de Cartagena ¿converse bishop Pablo Cartagena's granddaughter¿ wrote a moral essay that surprised male readers who considered that the text was a plagiarism. On the other hand, the hieronymite sister sor Juana Inés was reproached by a clergyman for having written the polemic treatise on theology Carta Atenagórica.

Coordinación de enfermería y funcionalidad del Programa de Prevención y Control de Tuberculosis en control de salud urbanos [por] Juana María Candia Castro

Tesis (Maestría en Enfermería, con especialidad en Administración de Servicios de Enfermería) U.A.N.L.

Estudio exploratorio de algunas variables psicosociales de pacientes deprimidos y su relación con la conducta parasuicida [por] Juana Guerrero Díaz

Tesis (Maestría en Trabajo Social) U.A.N.L.

Recidiva postratamiento ortodóncico en la arcada mandibular por Juana Nelly Leal Camarillo

Tesis (Maestría en Ciencias Odontológicas con Especialidad en Ortodoncia) U.A.N.L.

Modelo diagnóstico de integración de tecnología administrativa en la empresa constructora del área metropolitana de Monterrey por Juana María Lozano García

Tesis (Maestría en Ciencias con Especialidad en Administración de la Construcción) U.A.N.L.

Propuesta didáctica sistema de tareas para el desarrollo de la cualidad de generalización acerca de los conocimientos de la estructura electrónica en el nivel medio superior [por] Juana María Rodríguez Salas

Tesis (Maestría en la Enseñanza de las Ciencias con Especialidad en Química) U.A.N.L.

Análisis de factores aplicado a datos de composición elemental de materia particulada suspendida en la zona noroeste de la ciudad de Monterrey por Juana María Montoya Zamora

Tesis (Maestría en Ciencias con Especialidad en Ingeniería Cerámica) U.A.N.L.

Modulación de la respuesta inmune a través de la expresión de citocinas inducidas por LPS con el extracto dializable de leucocitos de origen humano y bovino [por] Juana María Reyna Reyes

Tesis (Maestría en Ciencias con Especialidad en Inmunología) U.A.N.L.

Como desarrollar la lectura crítica: una propuesta para el nivel medio superior de la UANL por Nora Juana Medina Pedraza.

[Tesis] (Maestría en Enseñanza Superior) U.A.N.L.

Originalidad e hibridación en Amor es más laberinto. Comedia escrita por Sor Juana Inés de la Cruz y Juan de Guevara en 1689.

Tesis (Maestría en Ciencias con Especialidad en Lengua y en Literatura) UANL, 2012.

Síntesis barroca en el Primero sueño de Sor Juana transcripción, principales tópicos y estructura [por] María Dolores Bravo... [y otros]

UANL