La poética de Hugo Jamioy Juagibioy en danzantes del viento / binybeoboyejuayeng: poesía indígena contemporánea

Considerando que el texto artístico, en este caso Bínÿbeoboyejuayëng (Danzantes del viento) del poeta camëntsá de Colombia, Hugo Jamioy Juagibioy, es un producto cultural, un hecho semiótico, a decir de Lotman, que informa y comunica, que está estructurado por varios códigos que se interseccionan entre sí, mi posición como interlocutora, supone dialogar con su poética desde una historia común de violencia frente a los pueblos indígenas, las mujeres y los pueblos no indígenas en América Latina; lo cual supone que existen puntos de encuentro histórico e intercultural que ensayaré entender y traducir; empero, como sabemos, ninguna traducción es exacta por la multiplicidad de códigos que convergen en el texto, en el receptor y en la audiencia, pese a la unicidad del texto y su carácter relativo. La policromía de la Madre Tierra aparece como un arco iris en los versos de Jamioy, belleza y diversidad que posee un movimiento propio y al mismo tiempo sujeto a otro sumamente hostil que los engloba y destruye. Belleza y diversidad de la que provenimos. La pregunta es cómo supervivir tanto los pueblos “indígenas” como los “no indígenas” en un entorno que invade y hace trizas la coexistencia de esa diversidad en armonía.

La mortalidad en los primeros años de vida en países de América Latina: Bolivia, 1971-1972

Incluye Bibliografía

La mortalidad en los primeros años de vida en países de la América Latina: Bolivia, 1971-1972

Incluye Bibliografía

La mortalidad en los primeros años de vida en países de la América Latina: República Dominicana, 1970-1971

Incluye Bibliografía

A espacialidade no romance histórico francês no século XIX: Balzac, Hugo e Elémir

Pós-graduação em Estudos Literários - FCLAR

Have we misinterpreted the study of Hoogerheide et al. (1971)?

In 1971, Rempt et al. reported peripheral refraction patterns (skiagrams) along the horizontal visual field in 442 people. Later in the same year, Hoogerheide et al. used skiagrams in combination with medical records to relate skiagrams in emmetropes and hyperopes to progression of myopia in young adults. The two articles have spurred interest in peripheral refraction in the past decade. We challenge the understanding that their articles provide evidence that the peripheral refraction pattern along the horizontal visual field is predictive of whether or not a person develops myopia. First, although it has been generally assumed that the skiagrams were measured before the changes in refraction were monitored, Hoogerheide et al. did not state that this was the case. Second, if the skiagrams were obtained at an initial examination and given the likely rates of recruitment and successful completion of training, the study must have taken place during a period of 10 to 15 years; it is much more likely that Hoogerheide et al. measured the skiagrams in a shorter period. Third, despite there being many more emmetropes and hyperopes in the Rempt et al. article than there are in the Hoogerheide et al. article, the number of people in two types of “at risk” skiagrams is greater in the latter; this is consistent with the central refraction status being reported from an earlier time by Hoogerheide et al. than by Rempt et al. In summary, we believe that the skiagrams reported by Hoogerheide et al. were taken at a later examination, after myopia did or did not occur, and that the refraction data from the initial examination were retrieved from the medical archives. Thus, this work does not provide evidence that peripheral refraction pattern is indicative of the likely development of myopia.

Hugo Steiner-Prag giving the opening address at the International Book Arts Exhibition; Leipzig.

Verso: Internationale Buchkunstausstellung Leipzing 1927. Eroeffnungsfeier in der Aula der Universitaet Prof. Hugo Steiner-Prag, Praesident der Austellung und I. Vors. des Vereins "Deutsche Buchkuenstler" haelt die Festrede

Hugo Steiner-Prag section at the International Book Arts Exhibition; Leipzig.

Verso: Internationale Buchkunstausstellung1927. Abteilung Hugo Steiner-Prag

Hugo Steiner-Prag approaching speaker's lectern at the International Book Arts Exhibition; Leipzig.

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Hugo Steiner-Prag seated in studio.

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Portrait of Hugo Steiner-Prag.

Handwritten dedication signed Fuer E.F. dated 1930; Signed by photographer lower right

Hugo Steiner-Prag and unidentified man discussing blueprints; Leipzig.

Photographers imprint bottom left

Portrait of Hugo Pollak with wife Thekla Lichtenstadt Pollak and their children Hans Pollak and Zdenka (Mimi) Pollak seated outdoors Portraits Family

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Fanny and Hugo Eichenwald with two of their three children, Fritz and Hanne outside of their home; Rheine Portraits; Family

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Reproduction of portrait of Olga Fantl nee Kraus, Ottokar Fantl, Ottokar's wife, and Hugo Fantl; Liberec, Czechoslovakia Portraits Groups

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