A frágil realidade de plástico: um estudo comparativo da imagem Casa de Bonecas em henrik ibsen e katherine mansfield

Considering the importance of significations in literary works, this paper proposes a comparative study of the image of the Doll's House in Henrik Ibsen's play ADoll's House (1879), and Katherine Mansfield's short story The Doll's House, published in the book The Dove's Nest (1923), based on the theories of Gaston Bachelard and Jean Baudrillard. In both cases, one notices that the presence of this image indicatesnot only the construction of these works' environment, but also a criticism of the bourgeois model of a perfect and flawless society, as the described image refers to. However, even though this image shares the same idea in both works, it will be explored differentlyin each case, whether through the search of Nora's character in escaping social conformity as in Ibsen, or through the subtle childlike game experienced by the Kelvey sisters, asin Mansfield.

Implicações federativas da emenda Ibsen Pinheiro

Since it was proposed, the Ibsen Pinheiro amendment has given rise to a huge debate in Brazilian society. This amendment proposes to share the revenue generated by royalties and special participations from offshore oil drilling between all municipalities and states, using for this the states and municipalities participation funds. This new distribution is a great rupture with the current model, which mandates that these resources should only be distributed to producing municipalities and states. Since the new proposal affects all offshore operations, and not only those in the new pre-salt areas, the producing municipalities and states would face an immediate loss of revenue in the scale of billions of reais. This study's objective is to analyze the validity of the criteria of redistribution of the government participations proposed by the Ibsen amendment. In this sense, we present the current Brazilian government participation model, focusing on the overfinancing of subnational spheres generated by this model, and compare it to a distribution simulation using the Ibsen amendment criteria. This comparison shows that the current beneficiaries would face a significant loss of revenue, and a distribution that favors the poorest regions of the country, consequence of the states and municipalities participation funds use. The study's last part discusses the various arguments in favor and against the amendment, especially those of constitutional character, most of which are contrary to the Ibsen amendment

Ibsen und das Judentum

Nathan Birnbaum

Kitty Aschenbach als Anitra, Szenenfoto, Ganzfigurbildnis, in: Henrik Ibsen: Peer Gynt

Signatur des Originals: S 36/F02627

Kitty Aschenbach als Anitra, Szenenfoto, Ganzfigurbildnis, in: Henrik Ibsen: Peer Gynt

Signatur des Originals: S 36/F02628

Arthur Bauer als Johannes Rosmer, Rollenbild, Brustbild, in: Henrik Ibsen: Rosmersholm

Signatur des Originals: S 36/F02795

Toni Impekoven als Peer Gynt, Rollenbild, in: Henrik Ibsen: Perr Gynt

Signatur des Originals: S 36/F04668

Agnes Sorma als Nora, Rollenbild, Brustbild, in: Henrik Ibsen: Nora oder ein Puppenheim

Signatur des Originals: S 36/F06629

Agnes Sorma als Nora, Rollenbild, Brustbild, in: Henrik Ibsen: Nora oder ein Puppenheim

Signatur des Originals: S 36/F06633

Irene Triesch als Nora, Rollenbild, Kniestück, in: Henrik Ibsen: Nora oder ein Puppenheim

Signatur des Originals: S 36/F06884

Henrik Ibsen, Kniestück

Signatur des Originals: S 36/F08874

Horst Caspar, Käthe Dorsch, Szenenfoto, Brustbild, in: Henrik Ibsen: Gespenster, Wien

Signatur des Originals: S 36/F10646

Arno Hassenpflug als Peer Gynt, Rollenbild, Brustbild, in: Henrik Ibsen: Peer Gynt

Signatur des Originals: S 36/F10756