966 resultados para INSTRUMENTS


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Esta tese apresenta alguns aspectos em como o fenmeno do gesto musical pode ser compreendido na percepo da interao musical na msica para instrumentos e sons electroacsticos. Atravs de exemplos de anlise, classificao e categorizao de diferentes relaces gestuais entre instrumentos e sons electroacsticos, pretende-se estabelecer modelos especficos de interaco que podem ser aplicados como mtodo analtico assim como na composio musical. A pesquisa parte de uma variedade de definies sobre gesto musical na msica em geral, na msica contempornea e na msica electroacstica em particular, para subsequentemente incluir as relaes entre dois eventos sonoros com caractersticas diferentes - o electroacstico e o instrumental. So essencialmente abordadas as relaes entre gestos musicais atravs da anlise de diversas caractersticas: altura, ritmo, timbre, dinmica, caractersticas contrapontsticas, espectromorfolgicas, semnticas e espaciais. O resultado da pesquisa terica serviu de suporte composio de diversas obras, onde estes aspectos so explorados sob o ponto de vista da criao musical.

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Although a large body of literature has been produced on the theoretical definitions and measurements of accessibility, the extent to which such indicators are used in planning practice is less clear. This research explores the gap between theory and application by seeking to understand what the new wave of accessibility instruments (AIs) prepared for spatial and transport planning practice purports to offer the users of AIs. Starting from the question of how urban and transport planners are designing AIs, the article analyzes and describes the AIs developed over the last decade (mainly in Europe), offering a structured overview and a clear categorization of how accessibility measures can be applied. The paper identifies AI characteristics, and considers their usability, based on AI developer perceptions.

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This present study aimed to investigate the fatigue life of unused (new) endodontic instruments made of NiTi with control memory by Coltene and subjected to the multi curvature of a mandibular first molar root canal. Additionally, the instruments structural behaviour was analysed through non-linear finite element analysis (FEA). The fatigue life of twelve Hyflex CM files was assessed while were forced to adopt a stance with multiple radius of curvature, similar to the ones usually found in a mandibular first molar root canal; nine of them were subjected to Pecking motion, a relative movement of axial type. To achieve this, it was designed an experimental setup with the aim of timing the instruments until fracture while worked inside a stainless steel mandibular first molar model with relative axial motion to simulate the pecking motion. Additionally, the models root canal multi-curvature was confirmed by radiography. The non-linear finite element analysis was conducted using the computer aided design software package SolidWorks Simulation, in order to define the imposed displacement required by the FEA, it was necessary to model an endodontic instrument with simplified geometry using SolidWorks and subsequently analyse the geometry of the root canal CAD model. The experimental results shown that the instruments subjected to pecking motion displayed higher fatigue life values and higher lengths of fractured tips than those with only rotational relative movement. The finite element non-linear analyses shown, for identical conditions, maximum values for the first principal stress lower than the yield strength of the material and those were located in similar positions to the instruments fracture location determined by the experimental testing results.

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Trois psychologues de l'Universit de Lausanne, Sophie Perdrix, Linda Charvoz et Jrme Rossier, abordent dans leur article la relation complexe que le psychologue entretient avec les valuations psychologiques. Ils plaident en faveur d'une utilisation respectueuse des diffrences individuelles des instruments d'valuation et mettent en garde contre leurs aspects rductionnistes.

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Incomplet la fin du 3e livre.Texte et figures. Par le P. Jean Terenz (1576-1630) ; rdig par Wang Zheng, du Guan xi. Prface (1627) par Wang Zheng, surnom Liao yi dao ren, de Jing. Autre prface par Wang Ying kui, de Xin an. Postface (1628) par Wu Wei zhong.