The Human Figure in Drawing and Sculpture

My project as a Senior Scholar has been the study of the human figure through drawing and sculpture. I have worked directly from the model in order to understand the form and structure of the human body. The result of this concentrated study has been a sharpened sense of vision and an increased confidence in the use of materials for both two and three-dimensional representation.

Figure drawing,

A companion volume to the author's Figure composition. The two volumes were originally published in one volume, under title: Figure drawing and composition.

Introduction à l'étude de la figure humaine /

Title in red and black.

Fonte: corpo, água e luz

Pós-graduação em Artes - IA

Entre o corpo da obra e o corpo do observador

Pós-graduação em Artes - IA

Les proportions du corps humain = De proportien van het menschlyk ligchaam /

Signatures: A-B⁴. (B4v blank)

New images of man. With statements by the artists.

Errata slip inserted.

Die Kunst und die Gesellschaft. Mit zeeinundertneunzig Abbildungen /

Originally part of his work "Der nackte Mensch in der Kunst aller Zeiten und Völker."

Elémens anatomiques d'ostéologie et de myologie a l'usage des peintres et sculpteurs /

Signatures: A-K⁸.

Reprentation [sic] des diverses figures humaines avec leurs mesures prises sur des antiques = Eigentliche Vorstellung und Proportionen menschlicher Leibes nach dem gerechten Mass der Antiquen.

Captions in French and German, 2 leaves of German text at end, all engraved.

Anatomy and drawing,

Mode of access: Internet.

Hieroglyphic; or, Greek method of life drawing

Mode of access: Internet.

Vorträge über Plastik, Mimik und Drama, mit vierzig Bildern im Text /

Mode of access: Internet.

Modelling human preference in evolutionary art

Creative activities including arts are characteristic to humankind. Our understanding of creativity is limited, yet there is substantial research trying to mimic human creativity in artificial systems and in particular to produce systems that automatically evolve art appreciated by humans. We propose here to model human visual preference by a set of aesthetic measures identified through observation of human selection of images and then use these for automatic evolution of aesthetic images. © 2011 Springer-Verlag.