827 resultados para House Style Wedding


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Hochzeiten sind Feste, die in der Regel von lokalen Traditionen bestimmt werden. Anders in Japan: Japanische Paare orientieren sich bei ihrer Hochzeit sehr häufig nicht mehr an der eigenen kulturellen Überlieferung, sondern kopieren westlich-christliche Hochzeitsfeiern mit langen weißen Brautkleidern und gotischen Kapellen. Rund um diese Hochzeitskultur existiert eine Infrastruktur aus kopierten Bauten, Kulissen und Atmosphären.

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Starting in December 1982 the University of Nottingham decided to phototypeset almost all of its examination papers `in house' using the troff, tbl and eqn programs running under UNIX. This tutorial lecture highlights the features of the three programs with particular reference to their strengths and weaknesses in a production environment. The following issues are particularly addressed: Standards -- all three software packages require the embedding of commands and the invocation of pre-written macros, rather than `what you see is what you get'. This can help to enforce standards, in the absence of traditional compositor skills. Hardware and Software -- the requirements are analysed for an inexpensive preview facility and a low-level interface to the phototypesetter. Mathematical and Technical papers -- the fine-tuning of eqn to impose a standard house style. Staff skills and training -- systems of this kind do not require the operators to have had previous experience of phototypesetting. Of much greater importance is willingness and flexibility in learning how to use computer systems.

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The paper will focus on basic ways of communication between the actors in the house and home and their direct social environments (esp. neighbourhood) during the early modern period. Such ways of communication were established in and through work relations, sociability, social control and certain liminal rites. So far underestimated, the neighbourhood was both helpful and inevitable to keep house and household running. A typical aspect of the practice of communication was the importance of repetitive performative events in everyday life. In order to establish and maintain social relations, the honour of the ‘house’ as such and fundamental roles like housefather and housemother had to be performed under the eyes of neighbours and other actors. Thus, empirical evidence reveals the house and home as a specific kind of stage. In contrast to the outdated concept of ‘das ganze Haus’ (the whole house) by Otto Brunner and also a reduced socioeconomic understanding of household, the openness of the house proves to be a highly relevant feature of early modern society. This openness refers to accessibility, visibility and control. The paper will explain the proposed concept and analyse concrete examples from work and wedding.

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En la victoriosa América de la posguerra, origen de la nueva configuración del mundo occidental, surgió una singular obra que iba a representar la abstracción de los valores universales de la arquitectura moderna. La construcción de la Lever House en el Nueva York de 1950 no sólo iba a propiciar un punto de inflexión en la Historia del rascacielos y de la arquitectura corporativa americana, definiría a su vez un nuevo paradigma a partir del cual se establecerían generalizados modelos para la construcción del futuro. La oportuna confluencia entre los acentos pragmáticos del mundo capitalista americano y las formulaciones positivistas de la arquitectura moderna europea, convenientemente recogidas como manifiesto construído del Estilo Internacional, supusieron resolver de manera definitiva el prolongado dilema americano de cómo debería ser la adecuada representación del edificio corporativo moderno. El estudio se detendrá en el valor de la metáfora, la conversación y la oportunidad de una obra cuya proyección trascendió ampliamente las aspiraciones de sus creadores. Provocando una fuerte idealización que llegaría hasta nuestros días. ABSTRACT In the postwar victorious America, origin of the new configuration of the Western World, a unique work will represent the abstraction of the universal values of modern architecture. The construction of the Lever House in the New York of 1950 would not only bring about a turning point in the history of American skyscrapers and corporate architecture, in turn define a new paradigm from which generalized models for building the future. The timely confluence between pragmatic accents of the American capitalist world and the positivistic formulations of the modern European architecture, conveniently collected as constructed manifesto of the International Style, definitively accounted to resolve that old American dilemma of how should be the adequate representation of the Modern corporate building. The study will focus on the value of metaphor, conversation and the opportunity of a work whose projection widely transcended the aspirations of its creators. Causing an strong idealization would reach to nowadays.

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Pl. no.: B.M.Co.4779--B.M.Co.4794, B.M.Co.5162.

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Includes bibliographical references and index.

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McLean builds strong connections between the cultural capital of the Jerwood prizewinning craft maker and the world of business and trade. It is crucial that higher education research can consider its relationship to the creative industries. London is a fashion capital, known for its style experimentation and playful creativity. The wit and anarchic play of the art school is a leading force in fashion innovation and Mclean's work articulates this clearly. Designing hats that reference the stylised coiffures of Hollywood icons, in the soft medium of felted wool, is a sophisticated play on the relations between nature and culture that, according to Levi Straus, are at the heart of all culture. The Fifty Hats that Changed the World makes direct allusion to the way that fashion is often regarded with mild disdain as insignificant or trivial, and the Design Museum London, an international leader in disseminating design discourse has, recently, included fashion design within its agenda for exhibition. McLean's work is a leading component of this transformation of design culture.

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This study aimed at evaluating the thermal performance of a modular ceiling system for poultry houses. The reduced- and distorted-scale prototypes used ceiling modules made of reforested wood and were covered with recycled long-life package tiles. The following parameters were measured for 21 days: tile internal surface temperature (ST), globe temperature and humidity index (WBGT), and radiant heat load (RHL). Measurements were made at times of highest heat load (11:00 am, 13:00 pm, and 03:00 pm). Collected data were analyzed by "R" statistics software. Means were compared by multiple comparison test (Tukey) and linear regression was performed, both at 5% significance level. The results showed that the prototype with the ceiling was more efficient to reduce internal tile surface temperature; however, this was not sufficient to provide a comfortable environment for broilers during the growout. Therefore, other techniques to provide proper cooling are required in addition to the ceiling.

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Leadlight windows with stained glass feature panes and timber muntins over french doors with matching leadlight sidelights.

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Interior view showing fireplace and mezzanine.

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Hallway off main entry to house.