Remarks on canal navigation : illustrative of the advantages of the use of steam, as a moving power on canals : With an appendix, containing a series of experiments, tables, &c. on which a number of proposed improvements are founded : Also, plans and descriptions of certain classes of steam boats, intended for the navigation of canals, and the adjoining branches of the sea /

On plates: H.G. James's Lithography, 9 Ridge Field, Manchester.

Roger Machado, Perkin Warbeck and heraldic espionage

An examination of the medieval herald's role in international espionage. It is argued that heralds were used as spies, despite their creation oaths stipulating that their job should not encompass this task. The herald Roger Machado's involvement in the diplomacy surrounding the pretender to the English throne, Perkin Warbeck, is scrutinized and is offered as evidence that Machado did act as a spy for Henry VII on the international stage.

Burke's genealogical and heraldic history of peerage, baronetage and knightage.

Accompanied by "War gazette and corrigenda" and "Burke's approved list of recommended schools, " 1940-

A genealogical and heraldic dictionary of the peerage and baronetage of the British Empire.

Description based on: 7th ed. (1843).

A General and heraldic dictionary of the peerage and baronetage of the British Empire /

Description based on: 4th ed. (1832).

Bookplates ... The important and valuable collection of Miss Dorothy Furman ...

Mode of access: Internet.

An account of the restorations of the collegiate chapel of St. George, Windsor : with some particulars of the heraldic ornaments of that edifice /

Includes index.

A manual for the genealogist, topographer, antiquary, and legal professor, consising of descriptions of public records; parochial and other registers; wills; county and family histories; heraldic collections in public libraries, etc., etc.,

Mode of access: Internet.

A genealogical and heraldic history of the extinct and dormant baronetcies of England, Ireland and Scotland.

Addenda: p. 599-603, [1]

The heraldic visitations of Staffordshire made by Sir Richard St. George, Norroy, in 1614, and by Sir William Dugdale, Norroy, in the years 1663 and 1664.

Mode of access: Internet.

Digital archives and cultural memory : discovering lost histories in digitised Australian children's literature 1851-1945

A recent Australian literature digitisation project uncovered some surprising discoveries in the children’s books that it digitised. The Children’s Literature Digital Resources (CLDR) Project digitised children’s books that were first published between 1851 to 1945 and made them available online through AustLit: The Australian Literature Resource. The digitisation process also preserved, within the pages of those books, a range of bookplates, book labels, inscriptions, and loose ephemera. This material allows us to trace the provenance of some of the digitised works, some of which came from the personal libraries of now-famous authors, and others from less celebrated sources. These extra-textual traces can contribute to cultural memory of the past by providing evidence of how books were collected and exchanged, and what kinds of books were presented as prizes in schools and Sunday schools. They also provide insight into Australian literary and artistic networks, particularly of the first few decades of the 20th century. This article describes the kinds of material uncovered in the digitisation process and suggests that the material provides insights into literary and cultural histories that might otherwise be forgotten. It also argues that the indexing of this material is vital if it is not to be lost to future researchers.

La heráldica, el retrato y el fin de la Edad Media : un acercamiento antropológico a la iconografía

Resumen: Durante la Edad Media hizo su aparición la heráldica como forma de identificar ciertos aspectos de las personas, ya sea por su condición social o por su actividad específica. El uso de blasones y escudos de armas desde el siglo XI generó una importante cantidad de signos, colores y símbolos que edificaron todo un “patrón de lectura” del “rostro social” de la persona que portaba tal insignia, sin importar o no la veracidad de su rostro al confeccionarse un retrato pintado o esculpido. Paralelo a esto, la retratística que hubo durante todo el período medieval de personas reales, sagradas o ideales avanzó hacia un progresivo naturalismo que finalizó en el siglo XV con la reproducción del retratado tal cual era su fisonomía y abandonando el canon estereotipado que durante los siglos precedentes habían proliferado. Finalmente, con el creciente Humanismo, la aparición de la perspectiva y el progresivo abandono de la identificación de determinado personaje con sólo su escudo de armas, sirvió para que el retratado mirase a los ojos del observador y “dialogase”, develando aspectos espirituales antes ocultos. El objetivo de este trabajo es acercarse con una visión antropológica a la cuestión del retrato tardomedieval y renacentista en conjunción con los cambios operados en la heráldica y la iconografía, comprobando que la mirada tiene marcada intencionalidad, los rostros se frontalizan progresivamente y la heráldica pierde el espesor que tuvo en siglos precedentes