176 resultados para Hells Angels


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Les Hells Angels (HA) sont un groupe de motards qui surprennent par leur longévité. Implantés dans la province en 1977, ils sont toujours présents et actifs. Pourtant, ils ont évolué dans un contexte où les risques endogènes et exogènes furent croissants : conflits internes chez les motards, hostilités et rivalités inter groupes, opérations policières, incarcérations massives et changements législatifs sont autant d’obstacles qui se sont dressés devant eux. Que signifie être un motard et comment sont-ils demeurés résilients? Bien que différentes forces matérielles et organisationnelles aident les HA à surmonter les difficultés, nous avançons que l’élément clé de cette continuité réside dans leur réputation. En ce sens, nous adhérons à la thèse de Gambetta (2009) qui affirme que la persistance de la croyance en l’immortalité de la mafia provoque un phénomène de self-fulfilling prophecy qui rend l’organisation effectivement résiliente. Cet argument est ici appliqué aux Hells du Québec. Des entrevues auprès de motards incarcérés et non incarcérés, de délinquants non motards et de membres du personnel du Service correctionnel du Canada, ont permis de constater que l’étiquette de « Hells Angels » influence la vie des individus qui la portent. Les résultats supportent l’hypothèse que la réputation d’être une organisation dangereuse offre au groupe une valeur économique et symbolique. Néanmoins, la réputation des Hells Angels engendre des aspects négatifs pour les individus qui endossent ce nom. Il devient intéressant de comprendre l’impact d’une telle étiquette à travers différentes phases d’une carrière collective.

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Les travaux traditionnels sur le crime organisé indiquent que le statut d’un individu déterminerait son succès individuel. Des recherches alternatives sur les réseaux des organisations criminelles et de la réussite criminelle indiquent que le rang est moins important que la croyance générale et que les mesures de positionnement stratégique de réseau sont plus susceptibles de déterminer le succès criminel. Ce mémoire étudie les variations des gains criminels au sein de l’organisation de distribution illicite de stupéfiants des Hells Angels. Son objectif est de distinguer, à l’aide de données de comptabilité autorévélées, les éléments influençant ces différences dans le succès criminel en fonction du positionnement plus stratégique ou vulnérable d’un individu au sein de son réseau. Les résultats révèlent des moyennes de volume d’argent transigé beaucoup plus élevées que ce qui est généralement recensé. La distribution de ces capitaux est largement inégale. La disparité des chances liées à l’association criminelle se retrouve aussi dans la polarisation entre les individus fortement privilégiés et les autres qui ont une capacité de positionnement médiocre. Le croisement entre les positions et l’inégalité des gains présente que le positionnement de l’individu dans son réseau est un meilleur prédicteur de réussite criminelle que toute autre variable contextuelle ou de rang. Enfin et surtout, en contradiction avec la littérature, le fait d’atteindre de haut rang hiérarchique nuirait au succès criminel, les résultats montrant que cet état réduit l’accès au crédit, réduit les quantités de drogue par transaction et augmente le prix de la drogue à l’unité.

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L’étude scientifique des réseaux criminels démontre, de plus en plus, que leur structure est flexible et dynamique et que la thèse du contrôle ou de la centralisation des marchés criminels est discutable. Pourtant, devant la présence d’une organisation criminelle dite «traditionnelle» dans un marché criminel, autant la population que les milieux médiatiques, politiques, policiers et judiciaires, peuvent percevoir le marché comme étant contrôlé par cette organisation. Le fait de surévaluer la menace réelle de certains groupes criminels et de considérer que la centralisation des marchés criminels existent au détriment de la collaboration entre différents individus et groupes d’un réseau, peut notamment influencer les stratégies policières. D’une part, les autorités policières peuvent orienter leurs stratégies en tenant pour acquis que la structure dont s’est doté une présumée organisation criminelle se transpose dans le marché criminel dans lequel ses membres opèrent. D’autre part, cette organisation devient la première cible des autorités et les autres participants du réseau se voient accorder une moins grande importance dans les activités du marché. La recherche qui suit présente les résultats d’une analyse de réseau effectuée à partir des transcriptions de surveillances électroniques et physiques issues d’une importante opération policière visant la lutte aux motards criminalisés : l’opération Printemps 2001. À l’aide de ces données, un réseau de 349 individus a été créé. Bien que la cible principale de l’opération policière ait été l’organisation des Hell’s Angels, plus précisément, le chapitre Nomads et son club-école, les Rockers, d’autres groupes et d’autres individus ont été interceptés par les surveillances policières. Il ressort des analyses de la position occupée par l’ensemble des groupes et des individus identifiés, que les principales cibles des autorités policières n’étaient pas celles qui occupaient les positions les plus stratégiques pour être influentes et durer dans la portion du marché ciblée par l’opération.

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In the years since Nicolas Bourriaud’s Relational Aesthetics (1998) was published, a plethora of books (Shannon Jackson’s Social Works: Performing Art, Supporting Publics [2011], Nato Thompson’s Living as Form: Socially Engaged Art from 1991–2011 [2011], Grant Kester’s Conversation Pieces: Community and Communication in Modern Art [2004], Pablo Helguera’s Education for Socially Engaged Art: A Material and Techniques Handbook [2011]), conferences and articles have surfaced creating a rich and textured discourse that has responded to, critiqued and reconfigured the proposed social utopias of Bourriaud’s aesthetics. As a touchstone for this emerging discourse, Relational Aesthetics outlines in a contemporary context the plethora of social and process-based art forms that took as their medium the ‘social’. It is, however, Clare Bishop’s book Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso), that offers a deeper art historical and theoretically considered rendering of this growing and complicated form of art, and forms a central body of work in this broad constellation of writings about participatory art, or social practice art/socially engaged art (SEA), as it is now commonly known...

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The subject of doctoral thesis is the analysis and interpretation of instrumental pieces composed by Einojuhani Rautavaara (b. 1928) that have been given angelic titles: Archangel Michael Fighting the Antichrist from the suite Icons (1955)/Before the Icons (2006), Angels and Visitations (1978), the Double Bass Concerto Angel of Dusk (1980), Playgrounds for Angels (1981)and the Seventh Symphony Angel of Light (1994). The aim of the work is to find those musical elements common to these pieces that distinguish them from Rautavaara s other works and to determine if they could be thought of as a series. I prove that behind the common elements and titles stands the same extramusical idea the figure of an angel that the composer has described in his commentaries. The thesis is divided into three parts. Since all of the compositions possess titles that refer to the spiritual symbol of an angel, the first part offers a theoretical background to demonstrate the significant role played by angels in various religions and beliefs, and the means by which music has attempted to represent this symbol throughout history. This background traces also Rautavaara s aesthetic attitude as a spiritual composer whose output can be studied with reference to his extramusical interests including literature, psychology, painting, philosophy and myths. The second part focuses on the analysis of the instrumental compositions with angelic titles, without giving consideration to their commentaries and titles. The analyses concentrate in particular on those musical features that distinguish these pieces from Rautavaara s other compositions. In the third part these musical features are interpreted as symbols of the angel through comparison with vocal and instrumental pieces which contain references to the character of an angel, structures of mythical narration, special musical expressions, use of instruments and aspects of brightness. Finally I explore the composer s interpretative codes, drawing on Rilke s cycle of poems Ten Duino Elegies and Jung s theory of archetypes, and analyze the instrumental pieces with angelic titles in the light of the theory of musical ekphrasis.

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Santamaría, José Miguel; Pajares, Eterio; Olsen, Vickie; Merino, Raquel; Eguíluz, Federico (eds.)

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Esta dissertação é um estudo comparativo do legado vitoriano deixado para as escritoras do século XX, Virginia Woolf e Sylvia Plath. Primeiro discutem-se as agências controladoras do corpo feminino na era vitoriana e a formação de um ideal de feminilidade que chamamos de Anjo do Lar. Em seguida, discute-se como Virginia Woolf apreende essa imagem e a subverte, criando seu duplo, que chamamos de Demônio do Lar. Por fim, promovemos o diálogo entre Sylvia Plath e Virginia Woolf. Plath parece escrever aos moldes de Woolf, criando uma literatura de morte, feita para assassinar o Anjo do Lar. Usamos para tal estudo o conceito de écriture féminine, criado pelas francófonas Hélène Cixous, Luce Irigaray, e Julia Kristeva, entre outras, para traçar os paralelos entre um lugar para o feminino na escrita e a busca de uma tradição por Woolf. A abjeção de Kristeva, a dinâmica de poder entre alma e corpo de Foucault e o conceito de duplo de Otto Rank nos ajudarão, por fim, a entender como se dá a morte do Anjo na literatura, especificamente no romance A redoma de vidro (1963) de Sylvia Plath

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A presente dissertação objetiva a comparação proposta no Prelúdio do romance Middlemarch por sua autora George Eliot entre a protagonista da obra, Dorothea Brooke, e a figura histórica Teresa dÁvila. A partir de tal estudo, busca-se compreender de que modo a situação específica da mulher na Era Vitoriana é articulada no romance de modo a espelhar a crise ontológica e epistemológica do próprio ser humano diante das transformações consolidadas com o Iluminismo e as revoluções liberais do século XVIII que culminariam na morte de Deus. Dorothea mostra-se uma cristã tão fervorosa quanto a Teresa quinhentista, mas faltam-lhe certezas e a resolução para concretizar as reformas sociais que defende, pois ela encarna o mito de feminilidade oitocentista batizado de Anjo do Lar ideal de sujeição feminina à ordem falocêntrica cujas funções são a proteção e difusão da moralidade burguesa e a substituição de elementos cristãos no universo do sagrado a uma sociedade cada vez mais materialista e insegura de valores absolutos. As aflições de Dorothea representam as aflições da mulher vitoriana, mas o momento crítico desta mulher reflete, em Middlemarch, uma crise muito maior do Ocidente, que teve início com a Era da Razão

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This paper proposes the use of in-network caches (which we call Angels) to reduce the Minimum Distribution Time (MDT) of a file from a seeder – a node that possesses the file – to a set of leechers – nodes who are interested in downloading the file. An Angel is not a leecher in the sense that it is not interested in receiving the entire file, but rather it is interested in minimizing the MDT to all leechers, and as such uses its storage and up/down-link capacity to cache and forward parts of the file to other peers. We extend the analytical results by Kumar and Ross [1] to account for the presence of angels by deriving a new lower bound for the MDT. We show that this newly derived lower bound is tight by proposing a distribution strategy under assumptions of a fluid model. We present a GroupTree heuristic that addresses the impracticalities of the fluid model. We evaluate our designs through simulations that show that our Group-Tree heuristic outperforms other heuristics, that it scales well with the increase of the number of leechers, and that it closely approaches the optimal theoretical bounds.

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This thesis proposes the use of in-network caches (which we call Angels) to reduce the Minimum Distribution Time (MDT) of a file from a seeder – a node that possesses the file – to a set of leechers – nodes who are interested in downloading the file. An Angel is not a leecher in the sense that it is not interested in receiving the entire file, but rather it is interested in minimizing the MDT to all leechers, and as such uses its storage and up/down-link capacity to cache and forward parts of the file to other peers. We extend the analytical results by Kumar and Ross (Kumar and Ross, 2006) to account for the presence of angels by deriving a new lower bound for the MDT. We show that this newly derived lower bound is tight by proposing a distribution strategy under assumptions of a fluid model. We present a GroupTree heuristic that addresses the impracticalities of the fluid model. We evaluate our designs through simulations that show that our GroupTree heuristic outperforms other heuristics, that it scales well with the increase of the number of leechers, and that it closely approaches the optimal theoretical bounds.

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There is a substantial literature on the relationship between gender and access to finance. However, most studies have been concerned with access to debt finance. More recently, the focus of this research has broadened to examine women and venture capital. This article extends the focus further by examining the role of women in the business angel market, which is more important than the formal venture capital market in terms of both the number of ventures supported and total capital flows. Based on a detailed analysis of business angels in the U.K., the study concludes that women investors who are active in the market differ from their male counterparts in only limited respects. Future research into women business angels, and the possible existence of gender differences, needs to be based on more fully elaborated standpoint epistemologies that focus on the experience of the woman angel investor per se, and center on the examination of the role of homophily, social capital, networking, and competition in investment behavior.

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The business angel market is usually identified as a local market, and the proximity of an investment has been shown to be key in the angel's investment preferences and an important filter at the screening stage of the investment decision. This is generally explained by the personal and localized networks used to identify potential investments, the hands-on involvement of the investor and the desire to minimize risk. However, a significant minority of investments are long distance. This paper is based on data from 373 investments made by 109 UK business angels. We classify the location of investments into three groups: local investments ( those made within the same county or in adjacent counties); intermediate investments ( those made in counties adjacent to the 'local' counties); and long-distance investments ( those made beyond this range). Using ordered logit analysis the paper develops and tests a number of hypotheses that relate long-distance investment to investment characteristics and investor characteristics. The paper concludes by drawing out the implications for entrepreneurs seeking business angel finance in investment-deficient regions, business angel networks seeking to match investors to entrepreneurs and firms ( which are normally their primary clients), and for policy-makers responsible for local and regional economic development.