Der sanzer tzadik rav Ḥajim Halbršṭam : zain leben, zain wirken, zaine ṭhaṭen, zain ṭheṭigkeiṭ in ḥasidus

dertzehlṭ tzum erśṭen mol in a rain jidiše šprach fun Jehošua Roker

Chajjim Halberstam [Illustration] : An Abraham Benjamin Kluger

Chajim ben Arje Löbusch Halberstam

Halberstam [Illustration] : Note auf dem Vorsatzblatt des Werkes "Bovo-Maase"

Salomo Salman Chajim Halberstam

Katalog der Salo Cohnschen Schenkungen - Bücher aus der Sammlung S. H. Halberstam, Bielitz [Rezension]

G. Freudmann

Bücher aus der Sammlung S. H. Halberstam, Bielitz

Vorlage des Digitalisats = Sammelband, Nr. 1/2 zusammengeb.

Engendered Conversations: Gender Subversion Through Fictional Dialogue in Lawrence, Hemingway and Forster

This dissertation examines gendered fictional dialogue in popular works by D.H. Lawrence, Ernest Hemingway and E.M. Forster, including Howards End (1910), The Sun Also Rises (1926) and Lady Chatterley’s Lover (1928). I apply Judith Halberstam’s notion of female masculinity to direct speech, to explore how speech traits inform modernist literary aesthetics. My introduction frames this discussion in sociolinguistics, Judith Butler’s theory of performativity, M.M. Bakhtin’s discourse theory, and gender studies. It provides an opportunity to establish experimental dialogue techniques, and the manipulation of gendered talk, in transgressive texts including James Joyce’s Ulysses (1922), Virginia Woolf’s Orlando (1928) and Radcyffe Hall’s The Well of Loneliness (1928). The first chapter discusses taboos and dialect in D.H. Lawrence’s fictional dialogue. The second chapter establishes gender subversion as a crucial element in Ernest Hemingway’s dialogue style. The third chapter contrasts Forster’s latently gendered speech with his techniques of dialect emphasis and dialect suppression. Finally, my conclusion discusses gender identity in the poetry of Dorothy Parker and Baroness Elsa von Freytag Loringhoven, and the temporality of gender in “Time Passes” from Virginia Woolf’s To the Lighthouse (1927). New Woman characters like Lady Brett Ashley typified a crucial moment in women’s liberation. They not only subverted stereotypes of womanhood through their dress or sexual freedom, they also adopted/adapted masculine idiom to shock, to rebel against and challenge male dominance. Different speech acts incited fashionable slang, became a political protest symbol or inspired psychoanalytic theory. The intriguing functions of women’s masculine speech in early twentieth century fiction establishes the need to examine additional connections between gender and talk in literary studies.

Über die "Halachot Gedolot"

Salomo Salman Chajim Halberstam

Zur "Poetanischen Sammlung" : (Vgl. Jahrg. 1870, S. 309)

Salomo Salman Chajim Halberstam

Notiz über das Werk Halachot Gedolot

Salomo Salman Chajim Halberstam

Zu den Hoschanot des Gaon R. Saadia [Nachricht]

Salomo Salman Chajim Halberstam

Tagmule ha-nefesh.

Mode of access: Internet.

Milhemet hovah, neged ʻalilot ... ʻal sʻ Divre Hayyim ...

Mode of access: Internet.

Beitrag zur lehre vo

Mode of access: Internet.

Colectivos sociales y ciborgs: hacia una lectura feminista de los drones

Este artículo analiza el papel de los drones en la emergencia de nuevas formas de participación política e impugnación del poder por parte de colectivos sociales. El artículo plantea una lectura feminista de los drones como ciborgs (humanos-máquinas) para explorar las agencias distribuidas entre actores humanos y no humanos con el propósito de visibilizar las relaciones de poder y analizar la configuración de contra-realidades. Se presentan ocho casos de colectivos sociales que, con la ayuda de un dron, disputan el poder de gobiernos, empresas transnacionales además de desempeñar innovadoras intervenciones públicas.

Absences that matter: Performativity and female masculinities

The theoretical and rhetorical apparatus that Halberstam deploys in Female Masculinity reflects an understanding of masculinity and of its relation with gender performativity that seems to be at odds with the most recognizable political objectives of his work. Given the importance of his work and, especially, of the rethinking of gender binarism, I will try to highlight what I see as a problematic subtext of Female Masculinity.